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Highlights

Stretch and Placing- Klein Technique™ - Forum Dança

Stretch and Placement
– Klein Technique™

With Gisela Dória

Member of the Klein Technique™ Training Program

Thursday | 18h00-19h20

From October 6 to November 24, 2022

 

“Klein Technique™ is an ongoing process of discovery. It requires a constant articulation of theoretical information and experiential practice. Like nature, it is ordered and infinite in its discovery. The goal of Klein Technique™ is education at a deep level of understanding the total use of the body to maximize each individual’s unique movement potential. It is a technique that honors the individual. It aims to teach movement from the individual perspective of internal knowledge and understanding. Students at all levels of Klein Technique™ practice will gain insight into their movement patterns and habits and gain a greater internal understanding of their bodies.

 

It is a process-oriented practice of great value to people of all proficiency levels, dancers and non-dancers alike.

 

In this workshop we will work from simple exercises and slow stretches that seek to align our bone architecture so we can find connection with our deeper postural support musculature. Because these muscles are intimately connected to the bones, they are also intimately related to movement. Klein Technique™ is a deep and ongoing investigation aimed at bringing learning, good positioning, stretching, strengthening and healing to the body in a connected and integrated way.”

 

/ Gisela Dória

Bio

Gisela Dória (BR) is a choreographer, researcher, teacher and dancer. Graduated in London from the College of the Royal Academy of Dance, she has a specialization in Pilates from CGPA/ SP and from the Kane School in New York. She is trained in GYROKINESIS® and is a member of the Klein Technique® Certification program.  She is a post-doctoral fellow at the Center for Theatre Studies, Faculty of Arts, University of Lisbon. She holds a PhD in Performing Arts from the Institute of Arts at Unicamp, Brazil.

Stretch and Placing- Klein Technique™ - Forum Dança | Gisela Doria
Gisela Doria © Gustavo Vicente

Pre-registration

Registration is carried out through the form available on our website and will be validated after receipt of proof of payment, which you must send to our email.

Recipients: For people of all proficiency levels, amateurs and professionals.

Maximum number of participants: 20 people

 

Registration process

  1. Pre-register online using the form provided bellow.
  2. Wait for our email with payment instructions.
  3. Pay your registration, as indicated in the email sent.
  4. Send us the respective payment receipt to our email.
  5. Your registration will only be validated after we receive your proof of payment.

Participation fee

8 classes: 70,00 € (October 16 to November 24, 2022)
4 classes: 40,00 €

Single classes: 12,00 €/each

Discount: 10% students and former students of Forum Dança courses.

Pre-registration form

10 Trabalhos | Forum Dança/PACAP 5 - Bloco III | No TBA de 15 a 24 Julho

10 Works

Forum Dança / PACAP 5 

15-24 July | TBA-Teatro do Bairro Alto

FREE ENTRANCE | More information at Teatro do Bairro Alto website, here

After R|EXISTÊNCIA last December, PACAP 5 – an artistic training programme by Forum Dança curated by João Fiadeiro – returns to TBA to present the individual projects of the students/researchers. They will use the tools developed and tested in the early stages of the course, attempting to match the initial question-affect with this public gesture. It is often only when the gesture is concluded and becomes public that we clearly see if what we have said/done is exactly what we wanted to say/do. It rarely is. And that is a good thing.

Conception Andrei Bessa, Bruno Levorin, Francisco Thiago, Katarina Lanier, Leonor Lopes, Leonor Mendes, Nazario Díaz, Nicole Gomes, Roberto Dagô, Ves Liberta
Artistic counsel João Fiadeiro, Carolina Campos and Daniel Pizamiglio
Light design Leticia Skrycky e Santiago Rodriguez Tricot
Technical direction Leticia Skrycky and Santiago Rodriguez Tricot
Produced by Forum Dança
Coproduced by Teatro do Bairro Alto
Photography Lucas Damiani

DATE AND PLACE OF PRESENTATION
Teatro do Bairro Alto

Fri 15, Sat 16 and Sun 17 Jul
Fri 22, Sat 23 and Sun 24 Jul

Times to be announced

More info about TBA-Teatro do Bairro Alto here

PROGRAME 

July 15/16/17

Katarina Lanier (US)Call Me Three Times | 35′

Leonor Lopes (PT)FEARFANFIC | 40′

Leonor Mendes (PT)até amanhẽ | 35′

Nazario Díaz (ES)Amanecer. Alto. Cielo. | 55′

Nicole Gomes (BR)Cinza | 60′

July 22/23/24

Andrei Bessa (BR)Projeto Urso-Unicórnio | 35′

Bruno Levorin (BR)olhar para os olhos de quem anda | 50′

Francisco Thiago (BR)TAMBÉM SE MATAM CAVALOS | 60′

Roberto Dagô (BR)TEMPESTADE EM CORPO D’ÁGUA | 35′

Ves Liberta (PT)enquanto me lago | 45′

 

For more information and timetables, consult the TBA-Teatro do Bairro Alto website.

10 Trabalhos | PACAP 5 – Bloco III

PACAP 5 Activities

Support and Partnerships

Coproduction PACAP 5: TBA-Teatro do Bairro Alto

PACAP 5 support: O Rumo do Fumo, Alkantara, OPART | Estúdios Victor Córdon, O Espaço do Tempo, Fundação GDA, Piscina

Support PACAP 5 Logos
ARTE JOVEM 2022

Arte Jovem 2022

Our Art Workshops are back!

Dance, Voice, Music, Theater and Video for children from 7 to 12 years old.

We finally return to Arte Jovem and the activities that mark the beginning of the summer holidays.

With these artistic workshops you will be able to learn, create, think, interpret and share creative experiences with new friends.

This year’s activities will have Sound, Music and Silence as their theme and we will count on the help of the book “Alto, Baixo, Num Sussurro”, by Romana Romanyshyn and Andriy Lesiv, from the Orfeu Mini collection, by the publisher Orfeu Negro.

At the end of the week, you’ll show your family and friends everything you’ve learned while playing, in a small presentation.

Activities from 4th to 8th of July

 

  • Dance and Voice with MARIA RADICH (from 10:15 am to 11:15 am)
  • Music with NUNO CINTRÃO (from 11:45 to 13:00)
  • Theater with MANUELA PEDROSO and Video with JOÃO PINTO (from 2:30 pm to 5:15 pm)

 

Important informations

 

  • Arte Jovem takes place from the 4th to the 8th of July, with activities between 10:15 and 17:15.
  • The age group of the participants is between 7 and 12 years old.
  • All participants must have completed at least the 1st year of compulsory school education.
  • We welcome participants from 9:30 am and they can stay until 6:30 pm.
  • Every day there will be a break for lunch and play, which takes place between 1:00 pm and 2:30 pm.
  • Participants bring lunch and snacks from home (don’t forget: bring cutlery too). Forum Dança ensures the heating of meals and monitoring of children/young people.
  • Friday, July 8th at 5:00 pm: invitation to family members to attend the presentation of the work developed throughout the week.

 

Participation Fee

 

  • Full day – €130.00
  • Morning periods – €75.00 (midday)
  • Afternoon periods – €75.00 (half-day)

 

Discount

 

  • Minus 10% for siblings, residents of Penha de França and Forum Dança students in the current academic year (2021/22).

 

Registration and more information

 

  • Subscriptions to our email.

Activities Calendar

10:15 – 11:15

Dance and Voice Atelier,

with Maria Radich

11:45 – 13:00

Music Atelier,

with Nuno Cintrão

LUNCH AND PLAYGROUND

14:30 – 15:45 / 16:00 – 17:15

Theater and Video Workshops,

With Manuela Pedroso and João Pinto

10:15 – 11:15

Dance and Voice Atelier,

with Maria Radich

11:45 – 13:00

Music Atelier,

with Nuno Cintrão

LUNCH AND PLAYGROUND

14:30 – 15:45 / 16:00 – 17:15

Theater and Video Workshops,

With Manuela Pedroso and João Pinto

10:15 – 11:15

Dance and Voice Atelier,

with Maria Radich

11:45 – 13:00

Music Atelier,

with Nuno Cintrão

LUNCH AND PLAYGROUND

14:30 – 15:45 / 16:00 – 17:15

Theater and Video Workshops,

With Manuela Pedroso and João Pinto

10:15 – 11:15

Dance and Voice Atelier,

with Maria Radich

11:45 – 13:00

Music Atelier,

with Nuno Cintrão

LUNCH AND PLAYGROUND

14:30 – 15:45 / 16:00 – 17:15

Theater and Video Workshops,

With Manuela Pedroso and João Pinto

10:15 – 11:15

Dance and Voice Atelier,

with Maria Radich

11:45 – 13:00

Music Atelier,

with Nuno Cintrão

LUNCH AND PLAYGROUND

14:30 – 15:45 / 16:00 – 17:00

Theater and Video Workshops,

With Manuela Pedroso and João Pinto

17:00

Final presentation.

ARTE JOVEM 2022
ARTE JOVEM 2022

About the book

“Alto, Baixo, num Sussurro

by Romana Romanyshyn and Andriy Lesiv

BOLOGNA RAGGAZZI AWARD 2018 | non-fiction

 

“Where is music born? What is a decibel? What does an acoustic engineer, a DJ or a sound designer do? How do people who cannot hear any sound communicate? Here is the illustrated encyclopedia that today’s readers, students, teachers or just lovers of music and the invisible world of sounds were missing. Alto, Baixo, Num Sussurro tells us about the different sounds that exist, but also about the importance of silence, and of listening and listening to the other. Often without using words.”

 

ORIGINAL TITLE голосно, тихо, пошепки / Loudly, Soflty, in a Whisper

TRANSLATION FROM ENGLISH João Berhan

COLLECTION Orfeu Mini

EDITION YEAR 2018 | PP No. 64 | FORMAT 26.5 x 28.5 cm | EAN 978989886833

Book cover "Alto, Baixo, Num Sussurro"
Book cover "Alto, Baixo, Num Sussurro"

Teachers

João Pinto

Forum Dança - João Pinto
João Pinto

João Pinto, (aka PTV), director, editor & image manipulator.

Completed the film school in 1993.

With a path always linked to the image:

 

  • He has collaborated with numerous creators in the field of contemporary dance, music, theater and cinema;
  • He promoted his works and signed many original video creations;
  • He carried out video art projects, documentaries and video clips;
  • Pioneer of videojamming (VJ) from 1996 to the present.

 

Participated in educational and innovative art projects in public schools:

 

  • Respira Project (2009/10);
  • Arte Jovem: Video/theatre workshops for children and teenagers (Fórum Dança 2003/20) in partnership with Manuela Pedroso.

 

He has worked on several development and social inclusion projects with minorities:

 

  • Alkantara Festival and Calouste Gulbenkian Foundation 2008/11.

Manuela Pedroso

Forum Dança - Manuela Pedroso
Manuela Pedroso © Estelle Valente

Manuela Pedroso, graduated in Theater (Actors and Directors) by ESTC, in Lisbon. She attended the Dance Monitors for the Community Course organized by Fórum Dança, in 1992/93.

Trainer accredited by the Scientific Pedagogical Council for Continuing Education, University of Minho.

She has worked since 1986 as a professional actress in several theater companies (Teatro Espaço, Teatro da Malaposta, Teatro do Século, Teatro Meridional, Casa Conveniente, among others), having been directed by the following directors: Águeda Sena, José Martins, Figueira Cid, Rui Mendes , Mário Feliciano, Inês Câmara Pestana, Miguel Seabra, Layla Ripol, Mónica Calle, Inês Barahona and Giacomo Scalisi.

She participated as an interpreter in the area of ​​Dance in choreographic projects by Margarida Pinto Coelho, Paulo Henrique and Madalena Victorino.

She has worked since 1991 as a trainer in the field of Theater and Creative Dance with several official entities promoting artistic education in Portugal: Primary and Secondary Schools, Professional School of Education for Development, Grupo de Teatro da Nova, Lisbon City Council, City Council de Cascais, C.E.N.T.A., Casa de Serralves, Forum Dança, Centro Cultural de Belém, A.P.C.C., Teatro Aveirense, Teatro Viriato, Artemrede.

She has been working as a storyteller since 2003, collaborating with the Livraria “Ler para quer”, General Direction of Books and Libraries, Teatro Maria Matos, Casa das Histórias – Museu Paula Rego, among other institutions.

Maria Radich

Forum Dança - Maria Radich
Maria Radich

Maria Radich is a singer, choreographer and dancer devoted to transdisciplinarity, who has been working in the field of improvised music, working simultaneously in dance and theater, as a choreographer for her own shows or working with other creators.

With a background in performance, dance and choreography, she gradually began to explore the fertile intersections between dance, music and theatre.

She attended music workshops with Nuno Rebelo, Carlos Zíngaro, José Menezes and Paulo Curado, singing lessons with Cristina de Castro (2004) and Barbara do Canto Lagido (2006) and voice workshops with specialists such as Ute Wassermann, Inês Nogueira, Luís Castanheira , Margarida Mestre and Sonia Gómez.

Nuno Cintrão

Forum Dança - Nuno Cintrão
Nuno Cintrão

Nuno Cintrão, Musician, Guitarist, Composer, Performer. He divides his professional activity between performance and education. Its artistic and pedagogical activity has been guided by the search for points of contact between different forms of artistic and creative expression and the realization of projects in different contexts.

He is interested in the experimentation and construction of sound objects and the design of collaborative and multidisciplinary shows. He has a degree in classical guitar from the Escola Superior de Música de Lisboa and in Music Education from the Escola Superior de Educação de Lisboa. In 2017 he completed the Master in Music Teaching at ISEIT-Almada.

Throughout his career he has had the opportunity to collaborate with artists from different areas of artistic expression. Since 2010, he has been composing music for theater, video and dance, having collaborated with several companies and artists. Of these collaborations, Byfurcação Teatro, Companhia da Esquina, Musgo, Créme de La Créme and Aldara Bizarro stand out.

He has conceived and performed workshops, training courses and shows with various entities, including: Fábrica das Artes-CCB, Fundação Calouste Gulbenkian, Associação Portuguesa de Música nos Hospitals, Fórum Dança, Fundação do Gil, Operação Nariz Vermelho, CFMI-Universidade March Bloch Strasbourg, APEM-Portuguese Association of Music Education.

He was part of the project “Music in Hospitals” with which he worked as a musician and trainer until 2013, performing musical interventions in Hospitals and different social institutions.

He divides his interest between the guitar and other sound objects, looking for his musical language in the universe of improvised and experimental music, passing through world music, classical, jazz and rock.

As a guitarist he has collaborated with different projects, among which are: Trama, Ana Barroso and more recently with Teresa Salgueiro (ex-Madredeus).

In addition to Portugal, he had the opportunity to present his projects in Cape Verde, Macau, Belgium, Hungary, Germany, Brazil, Italy and Spain.

Forum Dança - PACAP 5 | Workshops Abertos

PACAP 5 | Bloc 3
Open Workshops

Block III: Individual investigation processes of each participant

WORKSHOPS within the scope of PACAP 5 open to external students.

About the workshops

 

“During the course of the third bloc of PACAP 5, the participants will be visited by five artists – Gustavo Sumpta, Mette Edvardsen, Eleonora Fabião and the duo Luara Raio/Acauã El Bandide Sereya – who will share with the group their composition processes and strategies for the development of their projects. They are artists who share similar premises in the relationship they develop with the artistic gesture, especially in terms of their work ethic and radical commitment to the present. They also have in common a critical position in relation to their disciplines, not letting themselves be captured by any kind of artificial and manipulative cataloging. We make sure that they were artists who were quite different from each other, both at the formal level and at the geographical and generational level.” – PACAP 5 curatorial team

Guest artists and dates

 

Registration and more information

 

  • Limited spots.
  • Subscriptions to our email.
  • Participation fee: €70 per workshop.
  • 10% discount for students and alumni of long-term courses at Forum Dança (PACAP/CGPAE/PEPCC).

PACAP 5 Activities

Support and Partnerships

PACAP 5 Coproduction: Teatro do Bairro Alto

PACAP 5 Support: O Rumo do Fumo, Alkantara, OPART | Estúdios Victor Córdon, O Espaço do Tempo, Fundação GDA, Piscina

Support PACAP 5 Logos
Forum Dança | Aulas de Pelvic Dance | Luiza Cascon

Pelvic
Dance

With Luiza Cascon

From 9:30 am to 10:30 am on the following dates

  • May: 3, 5, 10, 12, 24, 26

  • June: 7, 9, 21, 23

“PELVIC DANCE arises from the investigation of pelvic movements through dance and body awareness practices. In this workshop we will work on the mobility of the pelvis and the activation of energy flows that are directly linked to creativity and sexuality.
The pelvic area was our first home, and the origin of life. Dancing with the hips is, in many cultures, a ritual to celebrate fertility, as well as the cycles of life. Unfortunately, in patriarchal society, this area of the body is seen as a taboo, and little is taught about self-care with our health and sexuality in general.
Through somatic practices, music and DANCE of different styles, we activate the awareness of our body as a house that houses our stories, emotions and patterns. Through dance we access pleasure and joy in movement, and let the vital energy flow through the body, from the inside out.
Anyone can participate in the classes, regardless of gender, age or previous experience with movement practices.”

Luiza Cascon

General information

Recipients: For people of all proficiency levels, amateurs and professionals.

Maximum number of participants: 20 people

Registration: Participation in these classes is completely free and is open to all types of publics. It will only be necessary to register in advance, sending your request with the days you want to attend to our email.

Bio

Luiza Cascon is a dance artist, massage therapist, doula and DJ. She was born and raised in Rio de Janeiro and has lived in Lisbon since 2017. She studied Fine Arts, Dance and Ayurvedic Massage, and recently completed her training as a Doula.

She created the PELVIC DANCE project in 2020, where she teaches dance classes that work on awareness and mobility of the pelvis and the energetic activation of our creative and sexual center, considering the therapeutic and ritual aspects of dance. This research started two years earlier while she was collaborating on the RABA POWER project in partnership with Flora Mariah.

Its influences are contemporary dance, somatic practices, meditation, yoga, kung fu, twerk, funk, vogue, among others.

She is currently a dancer and creator in the musical shows PLANO V in partnership with singer Joanadágua and VJ Astronauta Mecanico. This project was in residence during the last month of March at Casa Independente (Lisbon), where, in addition to performing their copyright shows, they signed the curatorship and program of the month, composed of queer artists, Afro-descendant women and immigrants.

She collaborates with the carnival group Colombina Clandestina, giving dance classes that aim to prepare the corps de ballet for the carnival parade and other processions in celebration or demonstration events in the streets of Lisbon.

 

www.luizacascon.com | www.planov.org
Pelvic Dance: Instagram Facebook

Luiza Cascon
Luiza Cascon
Forum Dança | Workshop Intensivo de Klein Technique™, com Susan Klein e Fabio Tavares

Workshop with Susan Klein
Klein Technique™

in collaboration with Fabio Tavares

Estúdios Victor Córdon, Lisbon | Portugal
26 to 30 of September 2022 | 12h00 – 17h00

“In this very special 5-hour workshop in Klein Technique™, Susan Klein (USA) and Fabio Tavares (USA/Brazil) will co-teach this workshop focusing on both the theory and practice of Klein Technique™. Susan will start each day with some movement and then focus on a unique theoretical principle of Klein Technique™ each day. After a break, Fabio will teach a full Stretch and Placement Class. During the classes there will be plenty of time for questions and individual attention.

 

This workshop will emphasize the pivotal principle of Klein Technique™, the concept of moving from our deepest structural and energetic tissue, the bone, the connections at the level of the bones and how the body coordinates to improve movement and reduce and heal injuries.

 

Through an interweaving of theory and practice we will work on the muscles of deep postural support: the psoas, the hamstrings, the pelvic floor muscles, and the external rotators. We will work with a body-felt understanding of how these muscles bring the bones into alignment, a place of connectedness, which leads to true power and efficiency of movement. Klein Technique™ is a process-oriented practice of great value to people of all proficiency levels, dancers, and non-dancers alike. Our goal is to teach movement from the individual perspective of internal knowing and understanding. Students of all levels of practice in Klein Technique™ will gain insight into their movement patterns and habits and gain a greater internal understanding of their bodies.

 

All are welcome. Come! Breathe, Stretch, and Connect with us!!”

 

/ Susan Klein

General Information

Dates: September 26th-30th 2022
Schedule: From 12:00 to 17:00
Venue: Estúdios Vitor Córdon, Lisbon, PORTUGAL – more info here
Recipients: Professionals, students, and people with previous experience in movement, dance and/or theater.
Maximum number of participants: 25

 

Covid-19 Notice

It will be necessary to do a rapid antigen test, provided by Forum Dança, only on the first day of the workshop.

Registration

Participation Fee

Pre-registration is made through a form available on our site and will be validated after receipt of proof of payment, which should be sent to our email.

 

Procedure

  1. Make your pre-registration online in the form indicated for this purpose.
  2. Wait for our email with payment instructions.
  3. Proceed with the payment of your registration, as indicated in the email sent.
  4. Send us the proof of payment to our email.
  5. Your registration will only be validated after we receive your proof of payment.
  • Early-Bird, until July 30 / 15 29 of August: 300,00 €
  • Normal price, after July 30 / 15 29 of August: 330,00 €
  • 10% discount for:
    • Students and former students of Forum Dança’s long-term courses (PACAP / CGPAE / PEPCC / etc.).
    • Participants of the Stretch and Placement – Klein Technique™ sessions led by Gisela Dória currently taking place in Forum Dança.

Bios

Susan Klein
Susan Klein

Susan Klein

Has been developing and teaching Klein Technique™ since 1972 teaching in daily classes New York City at her studio, The Susan Klein School of Movement and Dance, and during the last two years of the pandemic of Covid-19 on Zoom. Since 1989 she has been traveling throughout the world teaching intensive workshops in Klein Technique™.

 

Klein Technique™ is a result of a serious knee injury and developed out of Susan’s personal journey to get well. It serves as a way for people to work through their individual injuries, to understand and improve the workings of their bodies, to heal themselves and become better dancers. Her main influences in developing her work are Irmgard Bartenieff, Dr. Fritz Smith, and Professor J. R. Worsley.

 

Susan has a private practice as a Movement Therapist, Certified Zero Balancer, Senior Zero Balancing Teacher, and Traditional 5 Element Worsley Style Acupuncturist, L.Ac., B.Ac.(UK), M.Ac.,(USA),  Dipl. Ac.(NCCAOM)

 

For more information: www.kleintechnique.com

Fabio Tavares
Fabio Tavares

Fabio Tavares 

A Brazilian artist who’s been obsessed with the human body in action from a very young age. He started off as a competitive gymnast before running away to join the circus at the age of 15 where he got his first professional job as an acrobat. He hasn’t stopped working since. In 1999, Mr. Tavares moved to NYC to study Klein Technique™ with Susan Klein and became a Klein Technique™ Certified Instructor in 2009. He taught weekly Klein Technique™ classes at the Susan Klein School of Movement and Dance and at Dance New Amsterdam (DNA) between 2008-2014.

 

Mr. Tavares has collaborated and performed with an incredible group of artists including Laurie Anderson, Anne Bogart, Circus Amok, SITI company and the STREB Extreme- Action Company where he danced and taught for over 14 years. He has also taught at Pace University between 2014 and 2017. Mr. Tavares currently teaches the David Geffen School of Drama at the Yale University.

 

Mr. Tavares’ one-man show, “The Ex-Body,” is based on the text of “The Hamletmachine” by Henier Müller and, since 2010, has been performed in Brazil, Europe and the U.S. in several different festivals.

 

Mr. Tavares is also an AmSAT-certified Alexander Technique teacher and a certified Zero Balancing practitioner.

 

For more information: www.healthandpoise.com

Registration form

Forum Dança - Sofia Dias & Vítor Roriz | PACAP 6 | © Joana Linda

PACAP 6
2023

Performing Arts Advanced Programme

Curated by Sofia Dias and Vítor Roriz

From February 16 to July 30, 2023

APPLICATIONS ARE CLOSED

Open until June 20, 2022

Presentation

In each epoch there are voices coming from the future that demand urgent and necessary changes in the present. The voices that reach us today from the future seem to suffer from that almost mute hoarseness of someone who, for years, repeats the same thing to exhaustion. Despite the countless declinations and formulations, more or less prosaic and poetic, that message from the future comes in a question as simple as this: “if you already know what needs to be done, why don’t you do it?” And it is not the apparent aphonia that makes these voices inaudible, but the voluntary effort to minimize, ignore or postpone them. Camus, in The Myth of Sisyphus, comes to a synthesis that seems to us linked to the root of this deafness “…practical consent and simulated ignorance, (…) makes us live with ideas that, if we actually felt them, should transform our whole lives.” This contradiction between ideas and practice is a fertile place of artistic questioning for what it reveals of the futility of the barriers between the desire for transformation and action or the difficulty of some communities in letting go of the “bone” of privilege, not only over other communities, but over nature itself.

 

Alongside the unpredictability of what is to come, the obsolescence of some of the tools of thought and action that characterize our society, the voices that announce it, the resistance to hear them, there is a future to be imagined and to which we are already contributing actively or passively. PACAP is one of these places of imagination and experimentation where the circumstances of the world are in dialogue with the specificities and subjectivities of each artist and, therefore, a special place for the debate of our contradictions. The work of each artist communicates more or less directly with the multiple temporalities that constitute reality, influencing and absorbing it, being part of it and sometimes distancing themselves to create parallel worlds that guarantee a critical perspective on what goes on around us. In the curious balance between the particular and the universal, we see how the approach to what is most singular and specific in each artist has the capacity, not infrequently, to affect more people than those who are part of their usual circle. And in these successive affections we contribute to the diversity of imaginaries about the body, identity and relationships.

 

The PACAP, as a provisional community, is also a place for the composition of relationships between each participant, for the articulation between the individual and the collective, for experimentation with other interaction dynamics that overlap with those of privilege and power, such as care, generosity, attention, collaboration.

 

The PACAP calls for intensity simply because it is a long-term community. This awareness of the end gives the added energy and urgency needed to spark unusual relationships and excesses that escape control but are indispensable to the imagination. We can use this energy of being together to provoke either a re-centering or a slight shift in our ways of thinking/doing.

 

For all this, we know that beyond the incredible group of artists we invite to be with us, what makes the PACAP experience unique is the constellation of participants that will integrate this Program. We would like, therefore, to invite 16 people with the desire and the pleasure of experimentation, to imagine with us multiple futures through projects whose starting points can be a simple quality of movement, an urgent and current concept, a banal idea, an intuition to name, an object out of place, or any other thing that provokes the necessary restlessness to create.

Structure

PACAP 6 is structured in five moments:

 

  • Moment 1 – Temporary community, from 16 February to 10 March;
  • Moment 2 – Laboratories, meetings and conversations, from March 13 to May 19;
  • Moment 3 – Research and Creation, from May 22 to July 2;
  • Moment 4 – Public Presentation, from the 3rd to the 23rd of July;
  • Moment 5 – Reflection/feedback, production and finishing, from the 24th to the 29th of July.

 

Access the tabs to find out more information about each of these moments that make up the program’s structure.

MOMENT 1

Temporary Community

[from February 16 to March 10]

PACAP 6 is a temporary community with a fixed duration of six months. And as a community we need to find ways of coexistence where the combination of the heterogeneities of each artist translates into a greater capacity for action. The way we constitute ourselves as a community, although in large part random and involuntary, depends on particular attention to the composition of relationships so that no way of thinking/doing is disqualified and so that the diversity of perspectives and freedom of action is preserved. This will be an unstable composition in continuous mutation throughout the six months, but to which we dedicate ourselves in this first moment.

 

Residency
PACAP 6 begins with a six-day residency with Sofia and Vítor. In this residency, we will start by sharing the projects with which each artist applied to this program, as well as their references and personal practices. Simultaneously we will explore a series of methodologies of collaboration and collective reflection in a logic of reciprocity, care, and circulation of ideas.

 

Laboratory with Sofia & Vítor
During eight days, Sofia and Vítor will share some of their research tools, while accompanying each artist in the preparation and presentation of a short performance/rehearsal from the individual projects. To watch these performances/essays we will invite the circle of accomplices of PACAP. This will be the first and still intimate opening of this temporary community to the outside world, in a movement of expansion and aggregation.

 

Visits to local structures
In these first weeks we will visit several spaces of presenting, researching, and experimenting in the performance arts in Lisbon and can talk with the people who coordinate them. These visits are a first contribution for the mapping of Lisbon by each artist and intend to make easier their communication with these structures as potential partners.

MOMENT 2

Laboratories, meetings, and conversations

[from March 13 to May 19]

The second moment of PACAP will be a moment of critical incorporation of influences, practices, perspectives and wishes of a group of invitees in different types of encounters.

 

Research laboratories
We have tried to congregate an eclectic group of 8 artists who, during twelve weeks, will share their ways of research and creation in laboratories that will last from 5 to 10 days.
Confirmed artists: Alex Cassal, Christine de Smedt, João FiadeiroLigia Lewis, Marcelo EvelinSheena McGrandles, Simone Aughterlony and Vera Mantero.

 

Creative response
The research labs will finish with a moment of creative/critical response from each participant. This response is intended to return a look or feedback to the guests to sediment the experience of the laboratory and put into dialogue elements of this research with the individual projects. The creative/critical response will be an opportunity to experiment with different presentation/performance formats.

Occasional Encounters / Crash Meetings
Among the eight research laboratories there will be occasional meetings with artists living or passing through Lisbon. The duration of these meetings varies from just a few hours to a day, and their format is open and flexible. Crash Meetings are an opportunity to include local artists and expand the temporary community of PACAP 6. Besides the curatorial choices, there is room for suggestions from participants of PACAP 6, to meet collective interests and needs.
Confirmed artists: François Chaignaud.

 

Conversations/seminars
For PACAP6 we invited a few people to broaden and deepen the reflection and discussion on the themes/subjects we want to address in this program, namely, creative appropriation, the tension between form/content, the relationship of artistic creation with ecology, identity, and activism, among others. There will be a particular focus on the concept of “bridging the divide” which could be freely understood as to “bringing together those who are divided”. Here representatives of two projects that operate according to this concept will share their experience, particularly in trying to bring together people from radically different political spectrums. The concept of “bridging the divide” along with the search for tools for dialogue with those we consider to be at odds with our convictions (not only political but also artistic) are a fundamental axis in the reflection and action of PACAP 6. In these conversations/seminars there will also be room for the suggestions of each participant.
Confirmed guests: Hanna Israel (Europe Talks).

 

Parallel Program
A program of shows and performances in different cultural spaces in Lisbon will be proposed to the group of participants of PACAP 6. Collective viewing makes it possible to create a common reflection plan not only on the shows, but also, by mirror effect, on the practices of each PACAP participant. It is easier to discuss and apply some concepts with a performance as a common reference. This parallel program takes place outside PACAP hours, and attendance is optional.

MOMENT 3

Research and Creation

[from May 22 to July 2]

For 6 weeks, each PACAP participant will work on individual creation projects. It is a period accompanied by Sofia and Vítor, by peers of PACAP and by local instigators chosen by each participant. A collaboration methodology will be proposed where each participant puts herself at the service of one or more projects so that this creative process is as closely monitored as possible and to take advantage of the main resource of this program: the pairs.

At the beginning of this process, a production plan will be made in collaboration with the Forum Dança team to adapt the existing resources or find others necessary for the realization of the project. In the fourth week of creation there will be an informal presentation and feedback session. During the last phase of the creative process, technical support will be guaranteed for the implementation of the project at Teatro do Bairro Alto and Culturgest.

 

Documentation
A documentation project of the creative process of each participant will be developed in collaboration with an artist and graphic designer. In a first phase, materials will be collected to create a personal archive. This archive will then serve as a field of experimentation for the creation of a documentary object that can dialogue directly with the “studio” work or go in an autonomous direction.
Marta Ramos will collaborate during this process.

MOMENT 4

Public Presentation

[from July 3 to 23]

The six-week creative process will culminate with public presentations of each participant’s projects at the Bairro Alto Theater (TBA) and Culturgest in Lisbon. One of the partners will mainly host projects that fit into the theatrical space while the other will host projects for unconventional spaces, namely outdoor space (gardens, street, open-air auditorium, etc.). This diversity of presentation contexts and the respective technical and logistical support of the teams of these cultural institutions seeks to meet the diversity and specificity of the proposals of each participant. Thus, the presentation formats depend exclusively on the creation process and the artistic intentions of each participant, which can either result in a show or performance or in a lecture, collective practice, installation, sound experience, guided tour, among many other options. PACAP’s public presentations are a moment of celebration, of expanding the relations of this temporary community and of collective reflection.

 

Sharing of Documentation
The period of the public presentation will also be the opportunity to share, in one of the spaces of the Bairro Alto Theater, a collective composition of the personal archives, showing the lines of force, specificities, approximations and distances between each project. This temporary composition serves both as an introduction to the projects and as a support point for later reflections and discussions.

 

Register
A complete photographic and video recording of each presentation will be made. These records will be given to the participants for the documentation and/or dissemination of the project.

MOMENT 5

Reflection/feedback, production, and finishing

[from July 24 to 29]

Reflection and feedback
Back to the intimacy of Forum Dança studios, this final moment of PACAP 6 is dedicated to reflection and feedback on the journey of each participant during the six months of the Program, with special focus on the creation process and the public presentation. In this reflection/feedback we will count on the presence of the instigators of each project.

 

Production support
Parallel to this reflection and feedback moment, each participant will have production and dissemination support. Depending on the stage each project is at, this support may consist of the elaboration of a production and/or dissemination dossier; research for and contact with institutional partners for the development and/or presentation of the project; application to residencies, support and grants for creation and/or circulation; clarifications about the Portuguese context of support to the arts and the status of the arts worker; among others.

 

Finishing Documentation
In this last moment of the Program, we are going to create a collective documentary object that tries to integrate and put into dialogue the elements of individual research, with the experience of different laboratories, occasional meetings, seminars and performances presented at Teatro do Bairro Alto and at Culturgest.

 

Temporary community
In the same way that at the beginning of the six months special attention is given to the formation of this temporary community, at this moment of the Program it will also be fundamental to take care of its end.

Informations

Target audience

Dancers, choreographers, performers and other artists with performance, body, and movement practices, older than 23 (with no upper age limit).

The program is open to applications from individual and duet artists.

Note
PACAP will have English and Portuguese as its working language, according to the Program participants.

A minimum knowledge of these languages is required, although this is not a determining criterion for the selection of candidates.

Guests

Invited artists and structures:

 

Moment 2 | Research Labs

 

Moment 2 | Occasional Encounters/Crash Meetings

 

Moment 2 | Talks/Seminars

 

Moment 3/4 

Selection Process

The selection process will be carried out by the curators of PACAP 6 and the direction of Forum Dança.

It will take place in 2 distinct Phases:

 

  • Phase 1 – Applications;
  • Phase 2 – Auditions.

 

Candidates must present a synopsis of a project to be developed within the scope of PACAP 6. This synopsis is nothing more than a starting point, an unfinished idea, an unsolved problem.

Phase 1

Applications

 

The submission of applications is done through an online form (further down this page) until June 20, 2022. Applications will be accepted in Portuguese, English or French.

 

Please Include the following documents:

 

  • Motivation letter (max. 1 page A4 .pdf format) or video (link max. 3 minutes);
  • CV with photo and short biographical note (max. 2 pages A4 .pdf – not to exceed 1MB);
  • Candidate’s Portfolio Link with texts, images and links to videos (max. 10 pages A4, in .pdf format);
  • Synopsis of a project to be developed within the scope of PACAP 6 (max. 1 page A4, pdf).

 

Candidates selected for an audition will be contacted by June 30, 2022 by email.

! IMPORTANT NOTE !

Please do not send links to download videos and photos.

Links sent must give direct access to the online visualization of the files (YouTube, Vimeo, etc.).

We only accept as downloadable files the CV, the motivation letter, and the project/synopsis.

Phase 2

Auditions

 

This second phase will only be for the candidates selected in the first phase.

 

  • Audition Dates: 5 to 10 September 2022
  • Place: Forum Dança, Lisbon, Portugal.

 

Communication of results: all selected candidates will be contacted by email until 30 September 2022.

 

Note

For foreign residents unable to travel to Lisbon, an audition and online interview will be held between September 5 and 10, 2022 at a time to be arranged with each candidate.

Tuition fees

  • Registration: 120€.
  • Payment in full: 1800€.
  • Payment in two instalments: 950€ x 2.

 

Attention: The tuition fees are payable by each participant, even if they apply as an artist duo.

 

Please apply even if the tuition fee is an impediment.
If the amount of the tuition fee is an impediment, please attach a letter explaining your financial condition to your application.

Scholarships

Four scholarships will be awarded:

 

  • 1 scholarship with 100% reduction of the total fee, exclusively addressed to artists from Portuguese-speaking African Countries (PALOP);
  • 1 scholarship with 75% reduction of the total fee, exclusively addressed to black artists living in Portugal;
  • 2 scholarships with a reduction of 50% of the total fee, for 2 artists who can assure the simultaneous translation of the PACAP sessions for small groups.

 

Please apply even if the tuition fee is an impediment.
If the tuition fee is an impediment, please attach a letter explaining your financial condition to your application.

Schedules

Monday to Friday from 10 am to 5 pm.

This schedule is only indicative and may change.

A detailed program plan will be delivered to each PACAP 6 participant.

Application

Form

Applications are closed.

Curatorship

Sofia Dias & Vítor Roriz

"O que não acontece", Sofia Dias & Vítor Roriz © Filipe Ferreira
"O que não acontece", Sofia Dias & Vítor Roriz © Filipe Ferreira

Sofia Dias and Vítor Roriz are a duo of artists collaborating since 2006. The hybrid nature of their research, connected to a strong curiosity and need for experimentation, led them to the create several shows, performances, videos, podcasts and installations, crossing different contexts and blurring limits between artistic fields.

 

Their performances conceived for stage, mainly performed by the duo, summon up a particular choreographic language in relation to text and voice, as manifested in the pieces A gesture that is nothing but a threat 2011 (Prix Jardin d’Europe and 1ºAerowaves Spring Forward) and What does not happen 2018, both still touring. Besides their shows in duet, Sofia and Vítor have been also creating with and for other performers, invited by companies, such as Companhia Instável 2010, or Companhia Maior 2019; and in their own productions such as Satellites (2015), Escala (2021) or their first piece for children, Sons Mentirosos Misteriosos 2020 [Misterious Lying Sounds].

"Arremesso IX", Sofia Dias & Vítor Roriz, 2021 © Musiberia
"Arremesso IX", Sofia Dias & Vítor Roriz, 2021 © Musiberia

With approximately 30 projects conceived over the last 16 years, Sofia and Vítor spread their research to other mediums and contexts. As in the radio piece De olhos fechados [With eyes closed] for OSSO (2021), the video work Contorno [Contour] created for the third edition of Traça (2020), the sound piece Gas pier in Lisbon by Sound (2014), or in the series of performances for non-conventional spaces presented since 2011, Arremesso. A series that counts already with nine different performances that search for reactivating and re-signifying the archive of gestures, movements, texts, musics, soundscapes, voices and “states of presence” they have been collecting throughout their collaboration.

Although the artistic creation is a mark in the path of this duo, their first collaboration, in 2006, was Project MOLA – Movimento latente – a project of informal artistic education for children and adults from different social and economic backgrounds that kept active till 2010. The duo’s educational activity continued in the professional context after an invitation by Companhia Instável in Porto to teach a workshop. Since then, Sofia and Vítor regularly run workshops and classes in Portugal and abroad, in the context of the festivals where they present their works, or in formal and informal institutions of education/training/research, like C.e.m. – Centro em movimento (Lisbon), La Place de la Danse CDCN (Toulouse) and ESAD (Caldas da Raínha). Since 2010 they keep a close relationship with Fórum Dança (Lisboa), where they were invited to make the curatorship of the second edition of PACAP – Advanced Program of Creation in Performing Arts (2018/19) and by whom they were challenged for the curatorship of the 6th edition of the same Program in 2023.

 

The growing interest for forms of sharing and reflection among pears, lead them to develop and take part, since 2012, of various residencies and meetings between artists, highlights include AWARE in the context of Alkantara Festival. Sofia and Vítor are usually requested for “feedback sessions” and “outside view” for multiple performative arts’ projects.

"António e Cleópatra", from Tiago Rodrigues with Sofia Dias & Vítor Roriz, 2014 © Magda Bizarro.
"António e Cleópatra", from Tiago Rodrigues with Sofia Dias & Vítor Roriz, 2014 © Magda Bizarro.

As a duo, they were invited to collaborate with several artists, such as Catarina Dias (Potlach), Lilia Mestre (Beyond Mary and Joseph), Lara Torres (An impossible wardrobe for the invisible), Gonçalo Waddington and Carla Maciel (At most mere minimum), Marco Martins and Clara Andermatt (Durações de um Minuto), Marco Martins (Two maybe more), Mark Tompkins (improvisation based on In C), Tim Etchells (The exhibition of a film), Felipe Hirsch (Opera Orphée). They have been collaborating regularly with Tiago Rodrigues as performers in Antony and Cleopatra 2014 (still on tour in its Portuguese, French and English versions) and Sopro 2017. In 2020 they did movement assistance for the piece Catarina e a beleza de matar fascistas, by the same author.

Since the beginning of their collaboration they are supported by many different structures: O Espaço do Tempo, being associate artists between 2009 and 2016, the former Bomba Suicida in the period from 2006 to 2009 and Materiais Diversos that, between 2012 and 2016 took charge of the production, diffusion and administration of all artistic activity of the duo. They can not fail to mention Alkantara and Devir/CAPA for the support given to their creative work. They have collaborated with the structures of production and cultural diffusion SUMO and Something Great and currently they rely with the production of Agência 25.

 

Along these years they have enjoyed the significant support of the European networks Looping, TRANSFER, Aerowaves, Open Latitudes, Modul Dance, ONDA and Départs.

"Fora de qualquer presente", Sofia Dias & Vítor Roriz, 2012 © Paulo Pacheco.
"Fora de qualquer presente", Sofia Dias & Vítor Roriz, 2012 © Paulo Pacheco.

In 2020, they’ve developed the project Infiltration at Teatro do Bairro Alto that concluded with the piece Escala.

In 2022 they were Featured Artists at GUIDance Festival.

In 2022/2023 Sofia and Vítor will be “Novos Inquilinos” [New tenants] at Teatro Viriato in Viseu.

Their next piece, NEVERODDOREVEN, in collaboration with Filiz Sizanli and Mustafa Kaplan will premiere in November at Alkantara Festival and will be presented in Viseu, Paris and Porto.

 

Sofia Dias & Vítor Roriz are associate members of REDE – Associação de Estruturas para a Dança Contemporânea [Contemporary Dance Structure’s Association].

Participants

Bobby Brim (FR), Camilla Morello (IT), Connor Scott (UK), Estrellx Supernova (US), Lorea Burge (UK/ES), Lucas Damiani (UY), María Ibarretxe del Val (ES), Marcelo de Castro Pereira (BR), Mariana Catalina Iris (UY), Rafaela Santos (PT), Silvana Ivaldi (PT), Tarlie Lumby (UK), Vanessa Lonau (DE) e Victor Lattaque (FR).

PACAP 6 activities

Top banner image credit © Joana Linda

Coproducers and Support

Coproducers PACAP 6: Teatro do Bairro Alto and Culturgest

Support PACAP 6: Casa da Dança – Almada, Fundação GDA, O Rumo do Fumo, Alkantara, OPART | Estúdios Victor Córdon, O Espaço do Tempo, Piscina.

Forum Dança | Parcerias e Apoios PACAP 6
Forum Dança - PACAP 5 | Bloc 2 Presentations © Rosa Sijben

PACAP 5 | Bloc 2
April 12,13 and 15,16

Informal Presentations | Espaço da Penha, Lisbon

Processes of collaboration from a shared question

“The projects now shared result from three months of work with the question of collaboration on different scales. In the scale of the artistic gesture, and in a structure that blurs boundaries between pedagogy, research, and creation. In an experimental process where the idea of failure was understood as a place of power, we putted ourselves at risk and tried to create a field so that the questions that cross our minds could materialize.

What are the minimal initial conditions to let ourselves be involved with shared affections?

How can we create a common vital force that translates a transversal restlessness, an interweaving of tendencies, desires, and disquiet?

How can we find intersections between individual experiences?

How can we inhabit a territory as it is being built?

The list of questions is endless and what we will see in these works that are open to the public, are the materialities, the negotiations and the artistic restlessness that emerged among the participants over these three months.” – Carolina Campos e Márcia Lança

PROGRAMME

Days 12 & 13 – SOLD OUT!

19h00

Splinter | Andrei Bessa (BR), Leonor Mendes (PT), Lucas Damiani (UY) e Vicente Antunes Ramos (BR)

One and three ways to touch something | Bruno Levorin (BR) e Rosa Sijben (NL)

Sweets and Emotions | Chloé Saffores (FR), Francisco Thiago Cavalcanti (BR), Katarina Lanier (US), Leonor Lopes (PT)

 

Day 15SOLD OUT!

17h00

to move the fixed certainty | Carolina Canteli (BR)*

 19h30

Bolo | Bárbara Cordeiro (PT) e Nicole Gomes (BR)

Fresh | Giovanna Monteiro (BR), Nazario Díaz (ES) e Roberto Dagô (BR)

 

Day 16

17h00

Softening the Bones | Ves Liberta (PT)**sold out

 19h30

plucking the dog’s teeth | Leonardo Shamah (BR)

Bolo | Bárbara Cordeiro (PT) e Nicole Gomes (BR)

Fresh | Giovanna Monteiro (BR), Nazario Díaz (ES) e Roberto Dagô (BR)

Apresentações PACAP 5 – Bloco II

BOOKING PLACES

For seat reservations, just send us a request to our general email, stating the sessions you want to attend.
Maximum 2 people per booking.

 

SESSIONS WITH SPECIAL APPOINTMENT/BOOKING

* Day 15 – sold out | The work to move the fixed certainty of Carolina Canteli (BR) consists of a route abroad, with a capacity of 8 people for each route. There will be only three routes at the following times: 17:00, 17:45 and 18:30. Advance booking will be required.

** Day 16 – sold out |The work Softening the Bones of Ves Liberta (PT) consists of several individual meetings lasting 14 minutes each and will take place between 17:00 and 18:45. Advance booking will be required.

 

VENUE

Forum Dança / Espaço da Penha
Travessa do Calado, 26B
1170-070 Lisbon

Artistic accompaniment Carolina Campos e Márcia Lança

Participants from Forum Dança / PACAP 5 Bloc II

Andrei Bessa (BR), Bárbara Cordeiro (PT), Bruno Levorin (BR), Carolina Canteli (BR), Chloé Saffores (FR), Francisco Thiago (BR), Giovanna Monteiro (BR), Katarina Lanier (US), Leonardo Shamah (BR), Leonor Lopes (PT), Leonor Mendes (PT), Lucas Damiani (UY), Nazario Díaz (ES), Nicole Gomes (BR), Roberto Dagô (BR), Rosa Sijben (NL), Ves Liberta (PT), Vicente Antunes Ramos (BR).

Technical direction Leticia Skrycky e Santiago Rodriguez Tricot

Production Forum Dança

PACAP 5 Activities

Support and Partnerships

PACAP 5 Coproduction: Teatro do Bairro Alto

PACAP 5 Support: O Rumo do Fumo, Alkantara, OPART | Estúdios Victor Córdon, O Espaço do Tempo, Fundação GDA, Piscina

Support PACAP 5 Logos
Sessions of Stretch and Placing- Klein Technique™ - Forum Dança

Stretch and Placement
– Klein Technique™
Season 3

With Gisela Dória

Member of  the Klein Technique™ Training Program

From 18h00 to 19h20

Days
March: 31
April: 5, 19, 21, 26, e 28
May: 3, 5, 12, 19 e 31

“Klein Technique™ is an ongoing process of discovery. It requires a constant articulation of theoretical information and experiential practice. Like nature, it is ordered and infinite in its discovery. The goal of Klein Technique™ is education at a deep level of understanding the total use of the body to maximize each individual’s unique movement potential. It is a technique that honors the individual. It aims to teach movement from the individual perspective of internal knowledge and understanding. Students at all levels of Klein Technique™ practice will gain insight into their movement patterns and habits and gain a greater internal understanding of their bodies.

 

It is a process-oriented practice of great value to people of all proficiency levels, dancers and non-dancers alike.

 

In this workshop we will work from simple exercises and slow stretches that seek to align our bone architecture so we can find connection with our deeper postural support musculature. Because these muscles are intimately connected to the bones, they are also intimately related to movement. Klein Technique™ is a deep and ongoing investigation aimed at bringing learning, good positioning, stretching, strengthening and healing to the body in a connected and integrated way.”

 

Gisela Dória

Bio

Gisela Dória (BR) is a choreographer, researcher, teacher and dancer. Graduated in London from the College of the Royal Academy of Dance, she has a specialization in Pilates from CGPA/ SP and from the Kane School in New York. She is trained in GYROKINESIS® and is a member of the Klein Technique® Certification program.  She is a post-doctoral fellow at the Center for Theatre Studies, Faculty of Arts, University of Lisbon. She holds a PhD in Performing Arts from the Institute of Arts at Unicamp, Brazil.

 

Stretch and Placing- Klein Technique™ - Forum Dança | Gisela Doria
Gisela Doria © Gustavo Vicente

Pre-registration

Registration is carried out through the form available on our website and will be validated after receipt of proof of payment, which you must send to our email.

Recipients: For people of all proficiency levels, amateurs and professionals.

.

Maximum number of participants: 20 people

 

Registration process

  1. Pre-register online using the form provided bellow.
  2. Wait for our email with payment instructions.
  3. Pay your registration, as indicated in the email sent.
  4. Send us the respective payment receipt to our email.
  5. Your registration will only be validated after we receive your proof of payment.

Fee

10 classes: 80,00 €

5 classes: 50,00 €

Single classes: 12,00 €/each

 

Discount: 10% students and former students of Forum Dança courses.

Pre-registration form

Stretch and Placement
– Klein Technique™ | 2022

With Gisela Dória

Member of the Klein Technique™ Training Program

Thursday | 18h00-19h20

January 13 to Março 17

 

“Klein Technique™ is an ongoing process of discovery. It requires a constant articulation of theoretical information and experiential practice. Like nature, it is ordered and infinite in its discovery. The goal of Klein Technique™ is education at a deep level of understanding the total use of the body to maximize each individual’s unique movement potential. It is a technique that honors the individual. It aims to teach movement from the individual perspective of internal knowledge and understanding. Students at all levels of Klein Technique™ practice will gain insight into their movement patterns and habits and gain a greater internal understanding of their bodies.

 

It is a process-oriented practice of great value to people of all proficiency levels, dancers and non-dancers alike.

 

In this workshop we will work from simple exercises and slow stretches that seek to align our bone architecture so we can find connection with our deeper postural support musculature. Because these muscles are intimately connected to the bones, they are also intimately related to movement. Klein Technique™ is a deep and ongoing investigation aimed at bringing learning, good positioning, stretching, strengthening and healing to the body in a connected and integrated way.”

 

/ Gisela Dória

Bio

Gisela Dória (BR) is a choreographer, researcher, teacher and dancer. Graduated in London from the College of the Royal Academy of Dance, she has a specialization in Pilates from CGPA/ SP and from the Kane School in New York. She is trained in GYROKINESIS® and is a member of the Klein Technique® Certification program.  She is a post-doctoral fellow at the Center for Theatre Studies, Faculty of Arts, University of Lisbon. She holds a PhD in Performing Arts from the Institute of Arts at Unicamp, Brazil.

Stretch and Placing- Klein Technique™ - Forum Dança | Gisela Doria
Gisela Doria © Gustavo Vicente

Pre-registration

Registration is carried out through the form available on our website and will be validated after receipt of proof of payment, which you must send to our email.

Recipients: For people of all proficiency levels, amateurs and professionals.

Maximum number of participants: 20 people

 

Registration process

  1. Pre-register online using the form provided bellow.
  2. Wait for our email with payment instructions.
  3. Pay your registration, as indicated in the email sent.
  4. Send us the respective payment receipt to our email.
  5. Your registration will only be validated after we receive your proof of payment.

Participation fee

10 classes: 80,00 €

5 classes: 50,00 €

Single classes: 12,00 €/each

Discount: 10% students and former students of Forum Dança courses.

Pre-registration form

Seminário PACAP 5 | Forum Dança

How to make
a mantic dance

Open talk PACAP 5
with Mathieu Bouvier and Emma Bigé

Forum Dança | Espaço da Penha

October 29th | 11h-13h

[Seminar in French and English]

This seminar is part of the PACAP 5 program

BOOKING ONLY!
Participation is free, but because the capacity is limited to a maximum of 15 participants, it is only possible to participate by booking in advance.
To book, just send your request to our email.

Mathieu Bouvier is a visual artist, filmmaker and researcher (PhD in Aesthetics of Dance, Paris 8 University).

He makes short videos, looking for a « déjà-vu » (more here).

He regularly attends the field of contemporary dance as an artistic collaborator.

In collaboration with the french choreographer Loïc Touzé, he is currently conducting a program of artistic workshops and a research project called «For an atlas of figures» (more here).

 

Booking Send email to forumdanca@forumdanca.pt

 

© Image: “Animal Locomotion: Plate 169 (Leapfrog)” por Eadweard Muybridge.

Seminário PACAP 5 | Forum Dança

Cosmopoetics of Refuge

Talk with
Dénètem Touam Bona and Emma Bigé

Forum Dança | Espaço da Penha

October 8 | 14h-16h

[Talk in French & English]

This talk is part of the programation for PACAP 5

BOOKING ONLY!

Participation is free but because the capacity is limited to a maximum of 15 participants, it is only possible to participate by booking in advance. To book, just send your request to our email.

In these troubled times where control devices proliferate, resistance must be in stealth rather than frontal. To attack in open terrain is to offer oneself as cannon fodder to the multiple powers that tend to subject us, to expose oneself to be captured, discredited, criminalized. What we need, then, might be a kind of resistance in the minor, because to posit oneself as a major, mature, and responsible person, means necessarily having to surrender when the police, the secret services, and the security agencies summon us to account for our fugitive lives.

Marronage, therefore, is less a form of conquest than of subtraction from power. Tactics of the furtive are tactics of de-capture: to those who seek to capture their substances, they oppose emptiness. It is this corrosive potency of marronage in the face of the apparatuses of capture and the simulacra produced that I call fugue.

Cosmopoética do Refúgio, Cultura e Barbárie, 2020.

 

Dénètem Touam Bona is a philosopher and writer, a collaborator to the Tout-Monde Institute (a center dedicated to the work of Edouard Glissant). He is the author of Fugitif où cours-tu ? (Puf, 2014), Cosmopoética do Refugio (Cultura e Barbarie, 2020) and La sagesse des lianes (post éditions, 2021), books that seek to investigate and celebrate the fugitive arts of marronage and the metaphysical promises of a philosophy centered around the thickness of foliage and the intertwining of lianas. Dénètem Touam Bona has had many experiences: training and writing workshops in prison, documentalist in an international solidarity network, literature and philosophy teacher in Guyana and Mayotte, etc.

 

Reservations Send an email to forumdanca@forumdanca.pt

 

© Image credit: «La Sagesse des lianes» organized at the Centre international d’art du paysage Île de Vassivière from September 18, 2021.

Seminários Abertos - PACAP5

RE-PAIR

PACAP 5 Open Talks

Forum Dança | Espaço da Penha

From October 1st to November 12th  | 14h-16h

This talk is part of the programation for PACAP 5

BOOKING ONLY!
Participation is free but because the capacity is limited to a maximum of 15 participants, it is only possible to participate by booking in advance.
To book, just send your request to our email.

“They say river dolphins don’t leap as much as dolphins in the ocean. Because of turbid flows of rushing water, they do not trust their eyes. Their eyes grow small. Their listening becomes more nuanced. They become experts of shape, and shape themselves to become narrow, reaching forward like the river.” – Alexis Pauline Gumbs, Undrowned

 

Amid turbid waters, it is often urgent to develop techniques of listening and attending to one’s surrounding. Anthropocene, Capitalocene, Plantationocene, Coronocene: our present doesn’t know its name, but it invariably points to a dangerous extinction of many past, present and future species, practices, or modes of relations: a dangerous disappearance of ways of sensing and being with each other. In her Mushroom at the End of the World. On the Possibility of Life in the Ruins of Capitalism, Anna L. Tsing suggested an antidote to this extinction: the development of new “arts of attention”—that is: the insistence to celebrate old and new modes of living and dying, of noticing our surroundings, of being there for one another.

From September to November 2021, the first block of PACAP5 (https://www.forumdanca.pt/pacap5en/) will host 24 dancers, performers and researchers for a training in João Fiadeiro’s Real Time Composition, a technique among many others to practice radical decenterings and attend to what exceeds human experience. Fernanda Eugenio, a long-term collaborator of Fiadeiro’s, suggested the concept-tool reparar to describe these new modes of attention that seemed to be required by our troubled & troubling present. In Portuguese, reparar can be understood both as “noticing, attending”, and as “restoring, repairing”. It also means “stopping twice” (re-parar). There is power in the entanglement of these three meanings. They invite all at once to come to a halt and to observe as a commitment to the present and a willingness to restore what has been wounded.
In a series of evening fireside chats that will accompany our three months together, text-worker and guest thinker Emma Bigé invites writers, poets, makers & activists to think with us what poetics of attention are needed now. What do we notice? What do we ignore? What needs to be seen and felt for changes to occur? Who are we and what collectives are we to become to listen to the unheard voices in our experiences? 
Sometimes, our guests will be with us just one evening, sometimes, they will linger more and stay with us in the studio for a few days. Each time, our Wednesday encounter will be opened to the public, as a series of offering to our surrounding communities in Lisbon.

 

List of guests 

OCTOBER 1 Dani d’Emilia
OCTOBER 8 Dénètem Touam Bona
OCTOBER 15 Valentina Desideri – Canceled
OCTOBER 22 Lisa Nelson
OCTOBER 29 Mathieu Bouvier
NOVEMBER 5 Rita Natálio
NOVEMBER 12 Carla Bottiglieri

 

 

Responder: Emma Bigé

Emma Big digs, writes about, translates, curates, and improvises with contemporary experimental dances and queer& trans*feminist philosophies. She lives and teaches and researches nomadically in and out of Larret (Périgord), Aix-en-Provence (South of France) and other destinations reachable by train. She fell in dance in North America and Western Europe with Steve Paxton, Lisa Nelson, Nancy Stark Smith, Matthieu Gaudeau, and more recently A. Livingstone, João Fiadeiro and many others. She edited several books and curated exhibitions dedicated to dance and improvisation (Gestes du Contact Improvisation, Steve Paxton: Drafting Interior Techniques, La perspective de la pomme. Histoire, politiques et pratiques du Contact Improviation). Through books and textual practices, she currently investigates the somatopolitical potentials of dance for celebrating wyrd and rare forms of tenderness between humans &other critters of Terra.

Sessões Abertas de Composição em Tempo Real - PACAP5

Real Time
Composition

PACAP 5 Open Sessions

Forum Dança | Espaço da Penha

24 September to 12 November

Fridays / 6-8pm

ONLY WITH RESERVATION!

Participation is free, but because the capacity is limited, it is only possible to participate by making a prior reservation.

To book, just send your request to our email.

During the period that REAL (structure directed by João Fiadeiro between 1990-2019) directed the Atelier Real, open sessions of Composition in Real Time where organized, free to the community. They were unpretentious sessions, between the jam and the master class, which had an important impact on the artist community of the time and on the research in and around this tool. They were also very important sessions for meeting peers and for the creation of professional and affective networks that last until today.

 

During PACAP5, we want to replicate these sessions to share our experience but also to let ourselves be contaminated by speeches, gazes and practices that takes us out of our comfort zone. These sessions are open to anyone – artist or non-artist, with or without experience in improvisation, with paths linked to practice or theory – as long as the premises and principles of this practice arouse curiosity.

 

The “object of study” of Real Time Composition is the interval that emerges when linear time is interrupted and the sense of continuity is suspended (via accident, incident or “just because”). The gap resulting from this interruption, is where the research on Composition in Real Time takes place. Within that space, time has that rare quality of being simultaneously “no longer” and “not yet”. Within this space, time is not linear (or even circular) but “twisted” (like the topological surface of the “Möbius Stripe”), governed by laws that do not respect conventional notions of before and after, inside and outside or far and near.

João Fiadeiro

© Foto: Stella Iann – RTC workshop.

Forum Dança - Butoh Workshop 2021 - Yael Karavan

Yael Karavan

Butoh Workshop

9th and 10th October 2021 | 11h00 – 17h00

‘Again and again we are reborn. It’s not enough to simply be born from a mother’s womb. Many births are necessary. To be reborn always and everywhere. Once again.’ – Tatsumi Hijikata, founder of Butoh

 

Butoh is an avant-garde dance, a philosophy and a method that was created in Japan in the late 1950s by Tatsumi Hijikata and Kazuo Ohno. It is not a technique, but a method and an approach to dance that is born within us and connects us to our essence, nature, the universe and the cycles of life and death.

 

Yael Karavan has over 20 years’ experience, during which time she has had the opportunity to work with the founders of Butoh in Japan: Kazuo Ohno and Motofuji San – wife of Tatsumi Hijikata – as well as with Tadashi Endo and the MAMU dance theatre, Yumiko Yoshioka and Ten-Pen-Chi, Sankai Juku, Atsushi Takenuchi, Minako Seki, Carlota Ikeda, Yuko Kawamoto, Akira Kasai, Natsu Nakajuma and others.

 

The main elements that will be worked on in the workshop are: metamorphosis, presence, centre, contrast, expanding dance through images (Buoth-Fu) and tension between opposites.

 

The aim is to free the ‘domesticated’ body from a set of preconceived gestures and movements, allowing access to the deep and authentic essence of movement.

Bio

Award-winning performer, dancer and artistic director of the Karavan Ensemble, Yael Karavan was born in Israel and grew up in Florence, Paris and London. Researching dance, she travelled through Europe, Russia, Brazil and Japan in search of a language of physical expression that would connect East and West, dance and theatre. She studied and worked with Butoh masters such as Kazuo Ohno, Tadashi Endo, Carlotta Ikeda, Yumiko Yoshioka, Akiko Motofuji, Ko Morobushi, Katsura Kan, Yuko Kaseki, Yuko Kawamoto, among others. She was a member of Tadashi Endo’s MaMu Dance Theatre for 8 years and Yumiko Yoshioka’s Ten-Pen-Chi for 3 years.

 

More info: www.yaelkaravan.com

Pre-registration

Registration is made using the form available on our website and will be validated once proof of payment has been received and sent to our email address.

Recipients: Professionals, students and people with previous experience in movement, dance and/or theatre.

Maximum number of participants: 20 people

 

Registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay your registration fee as indicated in the email sent to you;
  4. Send us proof of payment by email;
  5. Your registration will only be validated once we have received your receipt.

Participation fee

Until 24 September: 65,00 €

After 24 September: 75,00 €

Discount: 10% for students and former students of Forum Dança courses.

Formulário de pré-inscrição

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