Title Image

Highlights

Harald Beharie Workshop

August 5 – 9, 2026

Forum Dança, Espaço da Penha, Lisbon

Registration open.

Ambiguous Intensities

A workshop with Harald Beharie

 

In the last years Harald Beharie has been engaged in exploring the body as a site of ambivalence. A site where opposing forces, desires, and mechanics coexist and collide. The workshop draws on materials and methodologies developed across a trilogy of works (Batty Bwoy, Undersang and Sweet Spot, 2022 – 2026) , where the body is approached as something unstable, excessive, and exposed in its constant negotiation with its surroundings. Fragments, practices, and scores from these works will function as starting points and shared references. Not as fixed choreographies, but as material to be reactivated, distorted, and reimagined within the group. Together, we will form a temporary collective. A space for delving into ways of being, for channeling and manifesting attitudes and energetic states. Beginning with specific somatic and vocal practices, we will move into more open sessions, working with both voice and movement. The workshop explores how ambiguity can be sustained as a generative force, allowing a collective body to emerge, dissolve, and reconfigure. We will explore how playfulness and uncanniness can produce layers of magic, confusion, and slippage. How to remain in confusion, together and also leaning into awkwardness and silliness as a productive state. How ambiguity can be embodied through form, sensation, and duration. How something lingers and leaks.
The workshop includes elements of contact work and is open to professional performers and students within the performing arts.

Informations

Who is it for

Professional performers and students within the performing arts.

Schedule

DatEs: 5 – 9 August

Hours: Tuesday through Thursday from 6:30 p.m. to 9:30 p.m. | Saturday and Sunday from 10:00 a.m. to 1:00 p.m. and from 2:00 p.m. to 5:00 p.m.

Venue

Forum Dança
Espaço da Penha
Travessa do Calado, 26B,
1170-070 Lisboa

Participation fee

  • 150€

 

Discounts

 

  • 20% discount for people who participate or have participated in long-term courses at Forum Dança, participants in workshops promoted by Parasita/Forum Dança, and dance students.
  • 50% scholarships for artists and/or dance students, with support from the GDA Foundation (upon application, until May 21, 2026)

Form

All fields are required.

Bio

Harald Beharie

Harald Beharie(he/they) is a Norwegian-Jamaican performer and choreographer based in Oslo, Norway.
Beharie’s practice and choreographies often emerge in the tension between the everyday and the extreme, the banal and the sacred, playing with transformation as a continuous principle, for both the body and the spaces they move through. At the core lies a desire to challenge how we sense, understand, and organize reality. Their works explore how queerness and the body can act as a medium and a site for revolt, ecstasy, and dissolution They hold a special interest for the DIY and the vulnerability of being in the unknown.
Beharie is interested in how the body can function as a motor for dramaturgy, a force in itself that transforms through practice. In his works Batty Bwoy and Undersang, pleasure, excess, and monstrosity can become forces for empowerment and transformation while using the body as a site of ambivalence.

Organization

Forum Dança & Associação Parasita

Logos Workshops PACAP 8/Mys

Top image credits © Chai Saeidi

Cartografias #6

Series of presentations

2026 | Forum Dança

We bring back Cartografias cycle with four works that together create a space for reflecting on the body as a living archive, a field of contention and transformation. Their constellation traces a territory where choreographic creation asserts itself as an act of radical listening, symbolic friction and ethical reinvention. Each work opens a distinct fissure, yet all share the impulse to map liminal zones – between the visible and the spectral, the intimate and the political, the mythical and the biographical – building on the atmosphere created by these artists during their participation in PACAP 8, directed by Meg Stuart.

 

Thus, in COWBOYS CORNER, the stage becomes a field of active haunting, where bodies and words guide the audience through a landscape of contested belonging. The dramaturgy summons the invisible as choreographic material, producing a suspended space-time that questions who may occupy the commons. PAGAN POETRY shifts this investigation towards ritual and the power of language. Drawing on cartographic notebooks, the work proposes an insurgent poetics that dignifies marginalised bodies and affirms love as resistance, dissolving boundaries between the divine and the profane.

 

In Monstrosity Studies // Staging Innocence, monstrosity emerges as a critical tool. The work draws upon myths, genealogies and intergenerational wounds to expose the residues of violence that shape contemporary behaviours and moralities, unleashing a storm that disorients in order to reveal. Finally, LENTO explores queer intimacy through deceleration as a political strategy. Slow-motion movement opens up micro-perceptions where lesbian love breaks away from normative narratives and claims new ways of inhabiting affection.

 

These four proposals emerge from three-week artistic residencies at Forum Dança and invite us to bear witness to their emergence and to exchange with the artists after each performance, so that, together, we may craft thoughts that inspire action and help transform the world.

Programme

May 8, 6.30 pm

Emily da Silva, Isabela Rossi, María Ibarretxe

Cowboys Corner

 

Tiago Vieira

Pagan Poetry

May 29, 6.30 pm

Belmon / Therese Bendjus

Monstrosity Studies // Staging Innocence

 

Isabela Rossi e Julia Kosalka

Lento

Informations

 

forumdança@forumdança.pt

Luís Guerra Workshop

September 30 to October 4, 2026

Forum Dança, Espaço da Penha, Lisboa

Registration open.

dancing with the invisible or dancing with your whole body

Workshop with Luís Guerra

 

During these days of exploration, I will share approaches, strategies, and tools that I have been developing over more than twenty years of continuous work as a performer and improviser in the fields of dance, performance, and the visual arts. The proposal involves immersing ourselves in the body as one of the richest territories and one of the privileged instruments for the expression of creative impulse, activating dimensions that are often dormant or uninhabited, seeking to reawaken consciousness to all that dwells or hides in the darkness of the unconscious. We will work primarily with sensory stimuli that extend beyond the visual field, prioritizing listening and hearing, but also internal archaeology, opening space for transcendental dives that may stray beyond the scripts of control and predictability. Above all, it will be a space for exploration, experimentation, spontaneous composition, and improvisation, where the body of each day will become the primary guide and conductor. We will seek states of presence that are more detached from preconceived notions of right and wrong, good and evil, and valid and invalid, without, however, compromising our standards regarding form or content. In this way, we will create space for intense experiences—sometimes akin to or evoking altered states of consciousness—that reveal bodies that are more receptive, sensitive, and alive. Above all, this will be an encounter to be built together, with the hope that for each participant it will be a nourishing moment that propels the expansion of the physical, psychic, and emotional realms.

Informations

Who is it for

This workshop is open to anyone, whether a professional or not, who has a genuine interest in dance and the body.

Schedule

Dates: September 30 to October 4

Hours: Tuesday through Thursday from 6:30 p.m. to 9:30 p.m. | Saturday and Sunday from 10:00 a.m. to 1:00 p.m. and from 2:00 p.m. to 5:00 p.m.

Venue

Forum Dança
Espaço da Penha
Travessa do Calado, 26B,
1170-070 Lisboa

Participation fee

Discounts

 

  • 20% discount for people who participate or have participated in long-term courses at Forum Dança, participants in workshops promoted by Parasita/Forum Dança, and dance students.
  • 50% scholarships for artists and/or dance students, with support from the GDA Foundation (upon application, until May 21, 2026)

Form

All fields are required.

Bio

Luís Guerra

IMG_2309 - Cópia

Luís Guerra [Lisbon, 1985] studied dance at the National Conservatory (1995–2003); choreography at the Gulbenkian Foundation (2005); relaxation massage at the Institute of Traditional Medicine (2020); painting and drawing at ArCo (2019–2022); and also completed the advanced course and individual project in visual arts at that same school (2022–2025), where he received the Vera Futscher scholarship. He regularly exhibits his visual work and has been working for over two decades as a performer, dancer, improviser, model for drawing classes, teacher, and choreographer, with recent and/or regular collaborations with Vera Mantero, Sofia Dias & Vitor Roriz, Simon Vincenzi, Emio Greco|PC, Claudia Castelucci, Christophe Haleb, Meg Stuart, Elisabete Francisca, Mariana Tengner Barros, Teresa Silva, David Marques, Tânia Carvalho, among others. He was a DanceWeb fellow and in recent years has devoted himself primarily to improvisation and the evocation of trance states, generally in durational performances presented in non-theatrical contexts such as art galleries, gardens, or outdoor spaces. Among her recent works, highlights include an improvisational tribute to Almada Negreiros on the steps of the Gulbenkian Foundation, a solo piece featuring dance and text of her own creation in the garden of Casa da Cerca, improvisations in the Monsanto forest during the Silvestre Festival, an improvisational performance involving audience interaction presented at MAAT, and improvised performances at the TicTac Art Centre. She currently resides in Brussels, where she conducts a series of occasional workshops in the field of improvisation within the context of the performing arts.

Organization

Forum Dança & Associação Parasita

Logos Workshops PACAP 8/Mys

Top image credits © DR

Núcleo 2026

Núcleo emerges as a project that fulfills one of the objectives of Forum Dança: to host artistic residencies and informal presentations under the care of a specific programmatic line.

It has a self-reflective impulse from the history of Forum Dança, referencing the Núcleo de Apoio Coreográfico (NAC), which in the 1990s was an important platform for supporting the creation and internationalization of Portuguese dance.

It is a place of experimentation, where the craft of creating, showing, reflecting, and creating circularity with the artistic community and its public aspect in the creation and mediation of audiences is taken care of.

Open Call | Residencies 2026

 

Applications are now closed

One of the objectives of Forum Dança is to support artistic creation, in accordance with the programme guidelines established by its management. The Núcleo 2026 Residency Programme was created to provide a space that enables a period of experimentation and research through action, linking creation with transmission to the artistic community.

 

This edition of the Programme will support three projects in the field of contemporary dance or performance that are at any stage of conception and development, provided they have not yet premiered.

 

The Programme offers rehearsal space for two weeks and the possibility of sharing with the public.

 

Applications must be submitted by March 25, 2026.

The results will be announced by March 27, 2026, by email.

Periods

  • Residency 1: August 3 to 14
  • Residency 2: August 10 to 21
  • Residency 3: August 17 to 28

Conditions

  1. Support for three projects selected by the Forum Dança management;
  2. Support for the promotion of the project in Forum Dança’s media channels;
  3. Possibility of public sharing, in the form of an informal showcase, open rehearsal, conversation, or similar, to be confirmed and defined with the Forum Dança team;
  4. Mandatory mention of “Support for Creation – Forum Dança” and inclusion of the logo in all promotional material for the project.

Dates

Applications must be submitted by March 25, 2026.

The results will be announced by March 27, 2026, via email.

Application form

Marcela Levi and Lucía Russo

Workshop with Marcela Levi and Lucía Russo.

From May 27 to May 31, 2026, at Forum Dança.

This workshop will be conducted in Portuguese and Spanish.

Registration open. 

Assemble, disassemble, reassemble

A workshop with Marcela Levi and Lucía Russo

 

‘A few years ago, Improvável Produções, founded by choreographers Marcela Levi and Lucía Russo, set out with a series of questions that call for work to be done: how to embody, that is, materialize, in conversation with the poet Édouard Glissant, the desire for “a world of many worlds”? What strategies are needed to disrupt the frontal architecture and unidirectional visuality of an Italian stage? How can we bridge distances without crushing the gaps, that is, how can we coexist with differences in a non-separatist way? What strategies are needed to sustain the continuity of collective research work, that is, how can we gain time?

Loaded with these questions, in a gesture that seeks crossovers, we will share some fundamental aspects of the artistic issues that (dis)orient our research.

In the first part of this workshop, aimed at professionals and students of the performing arts, we will practice the multifaceted nature of the body through the multidirectional conduction of bone masses (skull, pelvis, ribs, shoulder blades, calcaneus, and metatarsus), activated by the force of thrust and the pull of magnetization forces.
In a second moment, we will dedicate ourselves to searching for and fabricating connections between subjects distant in time and space. Recognizing resonances and echoes, in the search for commonalities between distinct visible and invisible subjects, will help us weave this field of forces in tension. Assemble, disassemble, reassemble, disassemble, reassemble…’
[Levi and Lucía Russo]

Informations

Who is it for

This workshop is intended for dancers, performers, and people with experience in body practices.

Schedule

Dates: May 27 to 31

Hours: Tuesday to Friday from 6:00 p.m. to 9:00 p.m. | Saturday and Sunday from 10:00 a.m. to 1:00 p.m. and from 2:00 p.m. to 5:00 p.m.

Venue

Forum Dança
Espaço da Penha
Travessa do Calado, 26B,
1170-070 Lisboa

Participation fee

  • One workshop: 150€

 

Discounts

 

  • 20% discount for people who participate or have participated in long-term courses at Forum Dança, participants in workshops promoted by Parasita/Forum Dança, and dance students.
  • 50% scholarships for artists and/or dance students, with support from the GDA Foundation (upon application, until May 21, 2026)

Form

All fields are required.

Bio

Improvável Productions

© Bea Borges

In 2010, choreographers Marcela Levi (Rio de Janeiro, Brazil) and Lucía Russo (Patagonia, Argentina), who have been active in the field of dance research in Brazil and abroad for over 30 years, founded Improvável Produções in Rio de Janeiro, a platform for training, research, and creation. Levi & Russo are committed to a polyphonic direction in which different inventive positions intersect in a process that welcomes deviant lines, dissent, and internal differences as a constructive critical force, rather than as mutually exclusive polarities.

With a repertoire that crosses dances, music, voices, and thoughts from different times and places, Improvável affirms contemporary dance as an expanded field of coexistence and critical thinking. Among its creations, c h ãO, 3 contra 2: Psico Trópicos, Fora de Quadro, and o que é o coro. coro stand out, the latter commissioned for the 32 dancers of the Balé da Cidade de São Paulo.

Mais informações: https://improvavelproducoes.com/

Organization

Forum Dança and Associação Parasita

Logos Workshops PACAP 8/Mys

Support

Transborda

Top image credits © Ícaro Gaya

Top image credits © Ícaro Gaya

Sónia Baptista

September 7–11, 2026 | 3:00 p.m. to 6:00 p.m.
Forum Dança

Registration open.

‘ How does the word ally itself with movement, in the potentiality of dialogue and/or dissonance? How does one write and describe sensory experience, how does one assemble and disassemble the body? The important thing is not to know. In the fluidity of the question, what the brain says is watered down. ‘

[Sónia Baptista]

Informações

Who is it for

For all audiences (+16)

Schedule

Dates: September 7 to 11, 2026
Time: 3:00 p.m. to 6:00 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bio

Sónia Baptista

SoniaBaptista-8_BW

Sónia Baptista (Lisbon, 1973) is a choreographer, director, playwright, and performer. She has a degree in Contemporary Dance Performance from Fórum Dança and obtained, with distinction, a Master’s degree in Research in Choreography and Performance from the University of Roehampton in London, United Kingdom. Her work has been recognized by the Ministry of Culture and the SPA. Her language is multidisciplinary, mixing classical texts, philosophical texts, pop culture, gender issues, queer and ecofeminist contexts.

Top image credits © Raquel Melgue

Piny | From the body to the cosmos

September 7–11, 2026 | 7:00 p.m.–9:30 p.m.
Forum Dança

Registration open.

‘ Through the energies of the planets and the languages of street dance and clubbing, we read the body and the cosmos, in sequence and in consequence. What restricts and what expands, what revolutionizes and what maintains, what creates structure and what destroys it. Between everything there is the same space. We explore from a deep sense of context in search of pleasure, vitality, and resistance, interconnecting somatic practices with the cultures of street dance and clubbing—in building ancestral communities for the future. ‘

[Piny]

Informations

Who is it for

People connected to any area of dance or interested in movement practices.

Schedule

Dates: September 7 to 11, 2026
Time: 7:00 p.m. to 9:30 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bio

Piny

Piny

Piny – Born in Lisbon, she graduated in Architecture and Contemporary Dance. He studies North African dances and their contemporary fusions, Hip Hop and Clubbing culture, and Ballroom culture. He develops his career between performance and creation. He created the OU.kupa festival.

Top image credits © Piny

Jorge Ciprianno | Ọ̀kànràn Method

August 24 to 28, 2026 | 7:00 p.m. to 9:30 p.m.
Forum Dança

Registration open.

‘The Ọ̀kànràn Method is an Afrocentric pedagogical approach to dance that combines Afro-Brazilian physical practices, somatic principles, African cosmologies, and contemporary approaches to movement, understanding Afro-diasporic dance as an aesthetic, political, ancestral, spiritual, and epistemological field. The workshop investigates the body as a sensitive territory, nature, and memory archive based on the principle of the crossroads and a notion of spiraling time, where ancestry and future intersect.’

[Jorge Cipriano]

Informations

Who is it for

Body artists and people who wish to expand their language through Afro-contemporary dance, as well as those interested in practicing dance as a tool for communication, expression, and creation.

Schedule

Dates: August 24 to 28, 2026
Time: From 7:00 p.m. to 9:30 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bio

Jorge Ciprianno

Jorge Ciprianno is an Afro-diasporic dancer, choreographer, and art educator whose research combines ancestry, black corporeality, and contemporary creation. A multi-artist with an international career, he developed the Ọ̀kànràn method and works to shape new bodies and narratives in dance.

Top image credits © Joni Ricos

Cristina Planas Leitão | Flying Low

August 31 to September 4, 2026 | 7:00 p.m.–9:30 p.m.
Forum Dança

Registration open

FLYING LOW – ‘I incorporate and share the knowledge of the Flying Low technique created by David Zambrano, adapted to my artistic vision, always taking care of the temporary group that forms for the class. This technique teaches me about the spirals of my body and my relationship with the floor, moving in a direct and intentional way—it is something I always have with me in my pocket and use when necessary, just like other techniques.

In practice, the dynamics increase progressively, using images and touch to explore and explode each short exercise, through which participants are challenged to find their own solutions by doing, discovering individually which paths cross their bodies, rather than any pre-established form or formula. We will work with principles and states, starting from the exercises, and challenge the usual idea of right and left. The proposed exercises change every day, so there is no need to get attached!

The technique focuses on the relationship with the ground, using simple movement sequences and practicing speed and energy release throughout the body to activate the center. There is special attention to the extremities as extensions of the center and indicators of direction, proposing awareness and clarity to the movement. The material challenges each participant to discover the primary laws of physics: cohesion and expansion, and therefore many basic exercises are deconstructed in a more exploratory work to achieve the necessary individual state.’

[Cristina Planas Leitão]

Informations

Who is it for

+ 16 with experience in dance or performing arts, interested individuals with little experience in dance and movement practices.

Schedule

Dates: August 24 to 28, 2026
Time: 7:00 p.m.–9:30 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bios

Cristina Planas Leitão

Cristina Planas Leitão — Curator, artistic director, and teacher, she has been developing teaching methodologies since 2010 that promote a somatic, critical, and autonomous experience of the body. She teaches internationally in artistic and academic contexts. Her pedagogical practice intersects with curating, understood as a space for new visions, accompaniment, and the construction of contexts for learning and creation.

Créditos da imagem de topo © Israel Pimenta

© Israel Pimenta

Cristina Planas Leitão | Passing Through

August 24 to 28, 2026 | 3:00 p.m. to 6:00 p.m.
Forum Dança

Registration open.

PASSING THROUGH — ‘I incorporate and share the principles of the Passing Through technique, created by David Zambrano, reinterpreting it from my artistic vision and always taking care of the temporary group that is formed for the practice.
It is a set of tools organized in different layers, from the simplest to the most complex, from the individual to the collective, which challenge and expand the space that exists within us and around us. Throughout this process of temporary compositions, we focus on developing systems that operate as a living network, a group-network in constant adaptation. Through curved and spiral trajectories that expand into macrospace, I propose flexible and complex dynamics, capable of sustaining the cohesion of the group without closing the door to unpredictability. We move continuously, transforming the environment and playing together, within a shared matrix of rules and sub-rules that each participant feeds and transforms.’
[Cristina Planas Leitão]

Informations

Who is it for

+ 16 with experience in dance or performing arts, interested individuals with little experience in dance and movement practices.

Schedule

Dates: August 24 to 28, 2026
Time: 3:00 p.m. to 6:00 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bios

Cristina Planas Leitão

Cristina Planas Leitão — Curator, artistic director, and teacher, she has been developing teaching methodologies since 2010 that promote a somatic, critical, and autonomous experience of the body. She teaches internationally in artistic and academic contexts. Her pedagogical practice intersects with curating, understood as a space for new visions, accompaniment, and the construction of contexts for learning and creation.

Top image credits © Israel Pimenta

Alex Cassal | Soluble Dramaturgy

August 31 to September 4, 2026 | 3:00 p.m. to 6:00 p.m.
Forum Dança

Registration open.

This workshop, led by playwright Alex Cassal, invites creators, performers, and artists of the body and word to embark on a somewhat bumpy journey behind the scenes of theatrical creation. Everyday anecdotes and extravagant inventions, implausible lies and personal memories, non-recyclable materials and organic waste: everything becomes raw material for a process that asserts itself as a journey, rather than a result. A process in which participants collaborate in the collective construction of fictions anchored in the reality of the present time, giving shape to a plot where diverse voices and perspectives intersect. More than a formal learning space, this encounter is proposed as a territory of sharing and risk, where writing intersects with performance and memory with imagination. Because, as Bertolt Brecht said, “it is beautiful to solve problems.” Or was it Donna Haraway?

Informations

Who is it for

For all audiences (+16)

Schedule

Dates: August 31 to September 4, 2026
Time: 3:00 p.m. to 6:00 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bios

Alex Cassal

Dramaturgy workshop with Alex Cassal from August 31 to September 4

Alex Cassal is a director, playwright, and performer. His works explore relationships with others and reveal the mechanisms of theater in creating spaces for artistic encounters and challenges. In Brazil, he is a member of the Foguetes Maravilha group, and in Portugal, he is part of the Má-Criação structure.

Top image credits © Renato Mangolin

Monumental, Jocelyn Cottencin, Macval © image Jocelyn Cottencin

Jocelyn Cottencin Workshop

April 20 – May 1, 2026 | 10:00 a.m. – 5:00 p.m. *
Forum Dança

Registration open. 

At Forum Dança, we are once again opening up the PACAP training programme to the artistic community with several workshops throughout the year.

 

Jocelyn Cottencin’s performance piece Monumental explores how monuments and architecture shape our bodies and our shared narratives.

By involving students, residents or performers, Jocelyn Cottencin creates a dialogue between bodies, territories and narratives.

His work seeks not so much to produce objects as to open up spaces for thought, perception and encounter.

A performance piece created in 2016 at the Centre Pompidou in Paris, Monumental aims to activate a visual and collective memory resulting from representations of European history, in particular art history, or from the media and contemporary events. Monuments, architecture, statues and works of art form the basis of a visual score initially performed by a group of 12 performers within a defined spatial and temporal framework. Through the heritage of statuary, architecture and works in public spaces, the project, via this group, shifts the notions of figure, narrative and form.

Since 2017, Jocelyn Cottencin has been presenting this performance to art students and young dancers. Each re-enactment is an opportunity to question the structure of forms and images within a specific context. On this occasion, at the invitation of Marcelo Evelin and Dora Carvalho for Forum Dança, Monumental will form the basis of the workshop, exploring the specific history of Lisbon in relation to that of Brazil.

 

 

* Informal presentation on April 30 at 6.00 pm.

Informations

Who is it for

Students, residents, artists, anyone interested in the dialogue between bodies, territories, and narratives.

Schedule

Dates: April 20 – May 1, 2026
Time: 10.00 am to 5.00 pm (with a 1-hour break)

Informal Presentation: April 30, 6.00 pm

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

    • Marcelo Evelin: €150
    • Christine Greiner: €40
    • Jocelyn Cottencin: €230

 

Discounts

 

 

  • 15% for the second and third workshops (Christine Greiner and/or Jocelyn Cottencin)
  • 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
  • 10% for dance students

Application form

All fields are required.

Bios

Jocelyn Cottencin

Jocelyn Cottencin is a visual artist working across performance, choreography, book, installation and film. His work examines how images, monuments and architecture shape bodies, power and collective narratives, opening shared spaces for perception, dialogue and embodied experience.

Support & Parternships

Coproduction: Teatro do Bairro Alto

Coproduction in Residency PACAP 9: O Espaço do Tempo

Support PACAP 9: Alkantara | Casa da Dança – Almada | Fundação GDA | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Top image credits [Monumental, Jocelyn Cottencin, Macval] © Jocelyn Cottencin

© Fernando Saiki

Christine Greiner Workshop

April 13 and 14, 2026 | 2:00 p.m. – 5:00 p.m.

Forum Dança

Registration open.

At Forum Dança, we are once again opening up the PACAP training programme to the artistic community with several workshops throughout the year.


Fabulations and Transcreations

“In recent decades, many artists have worked with the power of fabulations and the power of the false to approach plural realities. As Isabelle Stengers explained, fabulation is a way of narrating in another way; it is not a break with “reality.” The falsehood of fabulation is always a construction to deal with opacities.

In this conversation, I will draw parallels between these ideas and the proposal for transcreation by poet and translator Haroldo de Campos. In an expanded view, translating and fabulating are processes that teach us how to make worlds, dealing with narrative in the very materiality of bodies, images, and events.

 

The spectral turn of butoh and its promiscuous strategies

When Jacques Derrida wrote the book Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (1993), he opened up ways for us to perceive how far beyond mystical entities, specters generated by devices of power continue to haunt us, such as capitalism and class struggles.

In this conversation, I propose that by triggering movements characterized by the ambiguity between catastrophe and creation, living bodies and dead bodies, subjects and objects, Tatsumi Hijikata (and other creators of the so-called butoh dance) also promoted a spectral turn in the late 1950s in Japan, establishing a choreographic logic as an intoxicating operation to erode power relations. More than a dance technique, a spectral power.”

 

[Christine Greiner]

Informations

Who is it for

Artists, students, researchers, curators, cultural producers, and people interested in dialogues between Japan and the West, body philosophy, and cosmopolitics.

Schedules

Dates: April 13 and 14 de abril de 2026
Time: 10:00 a.m. to 2:00 p.m.

Venue

KEF – Kees Eijrond Foundation

Rua de Santa Catarina, number 9

Ground Floor, Lisbon

Application form

All fields are required.

Participation fee

    • Marcelo Evelin: €150
    • Christine Greiner: €40
    • Jocelyn Contencin: €230

 

Discounts

 

  • 15% for the second and third workshops (Christine Greiner and/or Jocelyn Contencin)
  • 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
  • 10% for dance students

Bios

Christine Greiner

Christine Greiner
Christine Greiner © Christine Greiner

Christine Greiner is head of the Arts Department and professor at PUC-SP. Since 1998, she has coordinated the Center for Oriental Studies, teaching and supervising research in the Graduate Program in Communication and Semiotics and in the Body Arts course.

Support & Parternships

Coproduction: Teatro do Bairro Alto

Coproduction in Residency PACAP 9: O Espaço do Tempo

Support PACAP 9: Alkantara | Casa da Dança – Almada | Fundação GDA | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Top image credits © Fernando Saiki

Marcelo Evelin Workshop

March 2–6, 2026 | 10:00 a.m. – 5:00 p.m.

Forum Dança

Registration open.

At Forum Dança, we are once again opening up the PACAP training program to the artistic community with several workshops throughout the year.

 

Choreographer Marcelo Evelin shares some of his training tools, performance practices, and procedures used in processes and creations by the Demolition Incorporada platform over the last 30 years.

 

For this instance, an opening of his construction site for research into voice and movement, based on the idea of death and resurrection as a performance device.

 

The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.

Informations

Who is it for

The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.

Schedules

Dates: March 2–6, 2025
Time: 10:00 a.m. to 5:00 p.m. (with a 1-hour break)

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • Marcelo Evelin: €150
  • Christine Greiner: €40
  • Jocelyn Contencin: €230

 

Discounts

 

  • 15% for the second and third workshops (Christine Greiner and/or Jocelyn Contencin)
  • 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
  • 10% for dance students

Application form

All fields are mandatory.

Bio 

Marcelo Evelin

Forum Dança | PACAP 9 - Marcelo Evelin
Marcelo Evelin

Marcelo Evelin é bailarino, coreógrafo e pesquisador. Vive entre Teresina e Amsterdão e trabalha no Brasil, Japão e em vários países da Europa como artista independente à frente da Plataforma Demolition Incorporada, baseada no CAMPO, um espaço de Residência e Resistência das Artes Performáticas em Teresina, no Piaui. Os seus espetáculos “De Repente Fica Tudo Preto de Gente”, “Batucada” e “A Invenção da Maldade” circulam atualmente por teatros e festivais do mundo. Ensina na Escola Superior de Artes de Amsterdão desde 1999 e cria projetos em universidades e cursos de mestrado, entre eles ISAC (Bruxelas), Museu Reina Sofia (Madrid), EXERCE (Montpellier) e CND (Paris). Em 2019 recebeu o título de Doutor Honoris Causa pela Universidade Federal do Piauí. Em 2020 criou “And Yes, I sad Yes, I will Yes” para Coroline Eckly/Companhia Carte Blanche (Bergen,Noruega), “Drama” para La Manufacture (Lausanne, Suíça), “La Nuit Tombe Quand Elle Veut” (Rennes, França) em colaboração com Latifa Laabissi, e reapresentou o seu solo “ai, ai, ai” (1995) no Festival d’Automne em Paris. Em 2022 recriou o acontecimento performático BARRICADA para o Festival Transborda (Almada, Portugal) e estreou UIRAPURU a mais recente criação da Plataforma Demolition Incorporada.

Bruno Moreno

Forum Dança | PACAP 9 - Bruno Moreno
Bruno Moreno

Bruno Moreno was born in 1988 in São Paulo. Since 2018 he has lived between the capital of São Paulo and Teresina/PI, where he is a resident artist at CAMPO arte contemporânea. He has a degree in performing arts from the University of São Paulo and is a performer and choreographer.

Since 2014 he has collaborated with the Marcelo Evelin/Demolition Incorporada platform. He has collaborated as a performer with choreographers Alejandro Ahmed, Luis Garay, Gustavo Ciríaco and was a member of [pH2]: estado de teatro, where he created works as a performer, director and choreographic director. His creations start from choreography and oscillate between performance, installation and video.

He has taken part in the residency programme at Espaço Alkantara (Lisbon), as well as performing at Mostra VERBO (São Paulo). His video works have been shown at the Tiradentes Film Festival (Brazil), the Ann Arbor Film Festival (USA), the Short Waves Festival (Poland), Short Out (Italy), the Accesos magazine of artistic practices at the Reina Sofia Museum (Spain), and are part of the collection of works at the Paraná Museum of Contemporary Art. He was one of the resident artists on the PIVÔ Research 2024 programme.

Créditos da imagem de topo © DR \ Marcelo Evelin

Workshop Butoh 2025_ Outro_Lado

Butoh Workshop
Yael Karavan

17 e 18 january 2026  |  11h00 – 17h00

Butoh workshop – The body as a vessel of metamorphoses with Yael Karavan

 

Butoh is an avant-garde dance form, a philosophy, and a method that was created in Japan in the late 1950s by Tatsumi Hijikata and Kazuo Ohno. It is not a technique, but rather a method and approach to dance that arises from within us and connects us to our essence, nature, the universe, and the cycles of life and death.

Karavan is proposing an intensive exploration of Butoh, starting from the philosophy of its founding members until its current relevance, as a tool of creation, rebirth and transformation.

“Again and again we are reborn. It is not enough simply to be born of the mother’s womb. Many births are necessary. Be reborn always and everywhere. Again and again.” [T. Hijikata Founder of Butoh.]

What is butoh? An exotic performance style based on spectacular effects, white body makeup, grotesquely distorted limbs and faces, and a grueling slow speed of motion? Or is it a form of physical training that releases and brings forth primordial memory in the body that has been suppressed by contemporary society? It is both and neither and something completely else all together. As a simple man from the street once tried to explain:

  1. All movements and dances, whose origins are unknown, are butoh.
  2. Butoh is that which knows no rules or taboos.
  3. When one person says “no” and the others say “yes”, then it’s butoh.

In contrast with other dance styles, butoh does not require learning a fixed vocabulary of dance movements. It draws its inspiration and power from internalised imagery: Buto is a “state of continual emptiness” in which transformation is limitless, and it is ‘possible’ to become any other thing. From another perspective, it is the continual process of self-erasure.

This workshop will work on the elements of metamorphosis, presence, readiness, contrast, dance through images, and tension between opposites. The aim is to free the body from its preconceived mundane set of gestures and movements and thus allow us to access a deeper and more authentic essence of movement and archetypal expression. Questioning how Butoh can be translated into a European body and why Butoh is not only relevant but extremely vital today.

Yael shares nearly 3 decades of Butoh Dace experience, having worked and studied with Butohists from 1st, 2nd, and 3rd generation, in Japan and Europe.

Informations

Select each of the sections below to learn about all the workshop specifications and the registration process.

Who is it for?

This workshop is aimed at professionals, students, and people with or without previous experience in movement, dance, and/or theater.

Maximum number of participants: 20 people.

Schedule

Dates: January 17 and 18 (Saturday and Sunday) 2026
Time: From 11:00 a.m. to 5:00 p.m.

Local

Forum Dança / Espaço da Penha
Travessa do Calado, 26B
1170-070 Lisboa

Participation fee

    • Until January 10, 2026: €80.00
    • From January 10, 2026: €90.00
    • 10% discount: for people who attend or have attended long-term courses at Forum Dança (PACAP/CGPAE/PEPCC/etc.);

Pre-registration

Pre-registration is done using the form available on our website and will be validated after receipt of proof of payment, which should be sent to our email address.

Processo de inscrição

  1. Faça a sua pré-inscrição on-line no formulário indicado para o efeito;
  2. Aguarde o nosso email com as instruções de pagamento;
  3. Proceda ao pagamento da sua inscrição, conforme indicado no email enviado;
  4. Envie-nos o respetivo comprovativo de pagamento para o nosso email;
  5. A sua inscrição só é validada após a receção do seu comprovativo.

Form

All fields are required.

Bio

Yael Karavan

Yael Karavan
Yael Karavan

Yael Karavan, award-winning performer, dancer, and Director, In her dance research, she traveled across Japan, Russia and Europe searching for a physical language of expression that bridges between East and West, Dance and theatre. She studied and worked with Butoh masters such as Kazuo Ohno, Tadashi Endo, Carlotta Ikeda, Yumiko Yoshioka, Akiko Motofuji, Ko Morobushi, and Katsura Kan, Yuko Kaseki, Yuko Kawamoto, Natsu Nakajima, Sankai Juku, Akira Kasai, amongst others. She was a member of Tadashi Endo’s MAMU Dance Theatre for nearly 8 years and of Ten-Pen-Chi led by Yumiko Yoshioka for 3 years.

Mais informações: www.yaelkaravan.com

Top image credits © Socrates Mitsos

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