Title Image

Highlights

Marcelo Evelin Workshop

March 2–6, 2026 | 10:00 a.m. – 5:00 p.m.

Forum Dança

Registration open.

At Forum Dança, we are once again opening up the PACAP training program to the artistic community with several workshops throughout the year.

 

Choreographer Marcelo Evelin shares some of his training tools, performance practices, and procedures used in processes and creations by the Demolition Incorporada platform over the last 30 years.

 

For this instance, an opening of his construction site for research into voice and movement, based on the idea of death and resurrection as a performance device.

 

The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.

Informations

Who is it for

The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.

Schedules

Dates: March 2–6, 2025
Time: 10:00 a.m. to 5:00 p.m. (with a 1-hour break)

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • Marcelo Evelin: €150
  • Christine Greiner: €40
  • Jocelyn Contencin: €230

 

Discounts

 

  • 15% for the second and third workshops (Christine Greiner and/or Jocelyn Contencin)
  • 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
  • 10% for dance students

Application form

All fields are mandatory.

Bio 

Marcelo Evelin

Forum Dança | PACAP 9 - Marcelo Evelin
Marcelo Evelin

Marcelo Evelin é bailarino, coreógrafo e pesquisador. Vive entre Teresina e Amsterdão e trabalha no Brasil, Japão e em vários países da Europa como artista independente à frente da Plataforma Demolition Incorporada, baseada no CAMPO, um espaço de Residência e Resistência das Artes Performáticas em Teresina, no Piaui. Os seus espetáculos “De Repente Fica Tudo Preto de Gente”, “Batucada” e “A Invenção da Maldade” circulam atualmente por teatros e festivais do mundo. Ensina na Escola Superior de Artes de Amsterdão desde 1999 e cria projetos em universidades e cursos de mestrado, entre eles ISAC (Bruxelas), Museu Reina Sofia (Madrid), EXERCE (Montpellier) e CND (Paris). Em 2019 recebeu o título de Doutor Honoris Causa pela Universidade Federal do Piauí. Em 2020 criou “And Yes, I sad Yes, I will Yes” para Coroline Eckly/Companhia Carte Blanche (Bergen,Noruega), “Drama” para La Manufacture (Lausanne, Suíça), “La Nuit Tombe Quand Elle Veut” (Rennes, França) em colaboração com Latifa Laabissi, e reapresentou o seu solo “ai, ai, ai” (1995) no Festival d’Automne em Paris. Em 2022 recriou o acontecimento performático BARRICADA para o Festival Transborda (Almada, Portugal) e estreou UIRAPURU a mais recente criação da Plataforma Demolition Incorporada.

Bruno Moreno

Forum Dança | PACAP 9 - Bruno Moreno
Bruno Moreno

Bruno Moreno was born in 1988 in São Paulo. Since 2018 he has lived between the capital of São Paulo and Teresina/PI, where he is a resident artist at CAMPO arte contemporânea. He has a degree in performing arts from the University of São Paulo and is a performer and choreographer.

Since 2014 he has collaborated with the Marcelo Evelin/Demolition Incorporada platform. He has collaborated as a performer with choreographers Alejandro Ahmed, Luis Garay, Gustavo Ciríaco and was a member of [pH2]: estado de teatro, where he created works as a performer, director and choreographic director. His creations start from choreography and oscillate between performance, installation and video.

He has taken part in the residency programme at Espaço Alkantara (Lisbon), as well as performing at Mostra VERBO (São Paulo). His video works have been shown at the Tiradentes Film Festival (Brazil), the Ann Arbor Film Festival (USA), the Short Waves Festival (Poland), Short Out (Italy), the Accesos magazine of artistic practices at the Reina Sofia Museum (Spain), and are part of the collection of works at the Paraná Museum of Contemporary Art. He was one of the resident artists on the PIVÔ Research 2024 programme.

Créditos da imagem de topo © DR \ Marcelo Evelin

Workshop Butoh 2025_ Outro_Lado

Butoh Workshop
Yael Karavan

17 e 18 january 2026  |  11h00 – 17h00

Butoh workshop – The body as a vessel of metamorphoses with Yael Karavan

 

Butoh is an avant-garde dance form, a philosophy, and a method that was created in Japan in the late 1950s by Tatsumi Hijikata and Kazuo Ohno. It is not a technique, but rather a method and approach to dance that arises from within us and connects us to our essence, nature, the universe, and the cycles of life and death.

Karavan is proposing an intensive exploration of Butoh, starting from the philosophy of its founding members until its current relevance, as a tool of creation, rebirth and transformation.

“Again and again we are reborn. It is not enough simply to be born of the mother’s womb. Many births are necessary. Be reborn always and everywhere. Again and again.” [T. Hijikata Founder of Butoh.]

What is butoh? An exotic performance style based on spectacular effects, white body makeup, grotesquely distorted limbs and faces, and a grueling slow speed of motion? Or is it a form of physical training that releases and brings forth primordial memory in the body that has been suppressed by contemporary society? It is both and neither and something completely else all together. As a simple man from the street once tried to explain:

  1. All movements and dances, whose origins are unknown, are butoh.
  2. Butoh is that which knows no rules or taboos.
  3. When one person says “no” and the others say “yes”, then it’s butoh.

In contrast with other dance styles, butoh does not require learning a fixed vocabulary of dance movements. It draws its inspiration and power from internalised imagery: Buto is a “state of continual emptiness” in which transformation is limitless, and it is ‘possible’ to become any other thing. From another perspective, it is the continual process of self-erasure.

This workshop will work on the elements of metamorphosis, presence, readiness, contrast, dance through images, and tension between opposites. The aim is to free the body from its preconceived mundane set of gestures and movements and thus allow us to access a deeper and more authentic essence of movement and archetypal expression. Questioning how Butoh can be translated into a European body and why Butoh is not only relevant but extremely vital today.

Yael shares nearly 3 decades of Butoh Dace experience, having worked and studied with Butohists from 1st, 2nd, and 3rd generation, in Japan and Europe.

Informations

Select each of the sections below to learn about all the workshop specifications and the registration process.

Who is it for?

This workshop is aimed at professionals, students, and people with or without previous experience in movement, dance, and/or theater.

Maximum number of participants: 20 people.

Schedule

Dates: January 17 and 18 (Saturday and Sunday) 2026
Time: From 11:00 a.m. to 5:00 p.m.

Local

Forum Dança / Espaço da Penha
Travessa do Calado, 26B
1170-070 Lisboa

Participation fee

    • Until January 10, 2026: €80.00
    • From January 10, 2026: €90.00
    • 10% discount: for people who attend or have attended long-term courses at Forum Dança (PACAP/CGPAE/PEPCC/etc.);

Pre-registration

Pre-registration is done using the form available on our website and will be validated after receipt of proof of payment, which should be sent to our email address.

Processo de inscrição

  1. Faça a sua pré-inscrição on-line no formulário indicado para o efeito;
  2. Aguarde o nosso email com as instruções de pagamento;
  3. Proceda ao pagamento da sua inscrição, conforme indicado no email enviado;
  4. Envie-nos o respetivo comprovativo de pagamento para o nosso email;
  5. A sua inscrição só é validada após a receção do seu comprovativo.

Form

All fields are required.

Bio

Yael Karavan

Yael Karavan
Yael Karavan

Yael Karavan, award-winning performer, dancer, and Director, In her dance research, she traveled across Japan, Russia and Europe searching for a physical language of expression that bridges between East and West, Dance and theatre. She studied and worked with Butoh masters such as Kazuo Ohno, Tadashi Endo, Carlotta Ikeda, Yumiko Yoshioka, Akiko Motofuji, Ko Morobushi, and Katsura Kan, Yuko Kaseki, Yuko Kawamoto, Natsu Nakajima, Sankai Juku, Akira Kasai, amongst others. She was a member of Tadashi Endo’s MAMU Dance Theatre for nearly 8 years and of Ten-Pen-Chi led by Yumiko Yoshioka for 3 years.

Mais informações: www.yaelkaravan.com

Top image credits © Socrates Mitsos

Exhibitions CTR_matrix

Training takes place between Herdade do Freixo and Forum Dança

Informal presentations of the research process at Forum Dança

The CTR_matriz intensive course group, created and facilitated by João Fiadeiro, presents parts of the process of a residency that began at Herdade do Freixo, in Alentejo, and continues at Forum Dança, in Lisbon.

 

Until October 30, every week at Forum Dança, we will open the studio doors to host informal presentations for the entire community, resulting from the Real-Time Composition exercises.

 

Thursdays | 5:30 p.m.

 

We invite everyone to join us for this opportunity to learn a little about the practice of Real-Time Composition!

General Note

For those wishing to take part in any of our CTR transmission and practice programmes

Even though we are committed to creating a safe place of practice, sustained by a work ethic based on principles of care and mutual respect, the experience of improvisation and performance, by definition, can take performers to places of intense sharing, often vulnerable and emotionally charged, where doubt and error have a prominent place. When signing up, bear in mind that in this practice you may find yourself in situations of experimentation that shake up your comfort zones, even if only temporarily.

Participants

Ali Ahmed Talaat Nagiub (EG), Ana Catarina Oliveira Brito Real (PT), Chloé Saffores (FR), Filipa Carloto Matta e Silva (PT), Kat Freya (EUA), Lucia Giannoni (Buenos Aires), Marise Dinis Sousa (BR), Nia Lejander (AT), Polina Fenko (RU), Rafael Arribas Hernandez (ES), Rocio Barrenechea (AR) Bernardez, Tim Winkler (UK), Valentina Gallo (BR), Vera Yin (EUA)

Real Time Composition activities

CTR Matriz 2025 | ©Márcia Lança

Real Time Composition_Open Sessions

Mondays | 6pm

[no prior registration required]

Facilitated by João Fiadeiro and Márcia Lança

We will continue with the Monday sessions (from 6pm to 7.30pm), which are free and open to anyone, with or without experience in CTR or even in artistic practices. These sessions have proved to be extremely rich as they create a spontaneous community of study and sharing of this tool, in an informal and inclusive way, slowly establishing itself as the backbone of CTR’s presence at Forum Dança. The sessions will be led by João Fiadeiro and Márcia Lança.

 

Runs until November 24, 2025

Information

Select each of the sections below to find out more about the open sessions.

Contextualisation

During the period in which REAL (a structure run by João Fiadeiro from 1990-2019) ran Atelier Real, open sessions were organised for the community to practice Real Time Composition, free of charge. These were unpretentious sessions, somewhere between a jam and a master class, which had an important impact on the community of artists at the time and on research into (and around) this tool. They were also very important sessions as a meeting place and for the creation of professional and emotional networks that continue to this day.

 

Over the next months, as part of the programme of activity developed within the framework of Forum Dança’s Resident Research Artist position, we will replicate these sessions to share our experience, but also to allow ourselves to be contaminated by discourses, perspectives and practices outside our comfort zone. These sessions are open to anyone – artist or non-artist, with or without experience of improvisation, with a background in practice or theory – as long as the premises and principles of this practice arouse curiosity.

 

“The ‘object of study’ of Real Time Composition is the interval that emerges when linear time is interrupted and the sense of continuity is suspended (via accident, incident or ‘just because’). The space that opens up as a result of this interruption is where Real Time Composition research takes place. Within this space, time has that rare quality of being simultaneously ‘no more’ and ‘not yet’. Within this space, time is not linear (or even circular), but ‘twisted’ (like the topological surface of the ‘Möbius Tape’), governed by laws that do not respect the conventional notions of before and after, inside and outside or far and near.”

João Fiadeiro

Who it's for

The sessions are aimed at anyone who identifies with the premises of the proposal and feels available and comfortable to experiment with composition and improvisation practices with the body.

Schedule

Every Monday until November 24, 2025, at 6:00 p.m.

Venue

Forum Dança / Espaço da Penha
Travessa do Calado, 26B
1170-070 Lisboa

Bios

João Fiadeiro

Forum Dança | PACAP 5 - João Fiadeiro
João Fiadeiro © Ana Viotti

João Fiadeiro (1965) is a Portuguese performer, choreographer, researcher, teacher and curator.
He belongs to the generation of artists that emerged at the end of the 1980s in Portugal and gave rise to the New Portuguese Dance movement.
In the 1990s he studied and practised Contact-Improvisation intensively, which led him to pursue and systematise his own research into improvisation under the name Real-Time Composition. This research has led him to coordinate workshops in master’s and doctoral programmes at various schools and universities around the world.
He has toured extensively in Europe, North America and South America with his solo and group works.
His career, whether as a choreographer or performer, or as a researcher or curator, has centred on creating conditions for experimentation, laboratory practice and interdisciplinary cross-fertilisation.
This activity has been carried out both within the framework of directing artistic programming and research projects, which have included the Centro Cultural da Malaposta (1990-95), Espaço Ginjal (1995-1998), Lugar Comum (1999-2000), Espaço A Capital (2000-2002) and Atelier Re.AL (2004-2019), and within the framework of his artistic practice, through creations and research workshops organised around Real-Time Composition.
Atelier Re.AL was a structure that played a leading role in the development of contemporary dance and transdisciplinary initiatives in Portugal.
In all these different meeting platforms, João Fiadeiro was always accompanied by artists who actively participated as creators, performers, researchers and programme-makers, making a decisive contribution to the existence of this project over 30 years of uninterrupted activity.

Márcia Lança

Forum Dança | PACAP 5 - Márcia Lança
Márcia Lança

Márcia Lança was born in Beja and lives in Lisbon. In 2008 she founded VAGAR, of which she is artistic director. She has worked as a choreographer and performer in various collaborative configurations.

She moves in territories where the boundaries between the fictional and the real are tenuous and diffuse. Her interest in the poetic materiality of concrete actions and tasks is at the centre of her creative processes.

She is passionate about emerging collective compositions, thought as action and situated constructions.

General Note

For those wishing to take part in any of our CTR transmission and practice programmes

 

Even though we are committed to creating a safe place of practice, sustained by a work ethic based on principles of care and mutual respect, the experience of improvisation and performance, by definition, can take performers to places of intense sharing, often vulnerable and emotionally charged, where doubt and error have a prominent place. When signing up, bear in mind that in this practice you may find yourself in situations of experimentation that shake up your comfort zones, even if only temporarily.

TECER activities

Imagem © Márcia Lança

Contemporary Dance | Children

Com Sérgio Matias

From 7 to 12 years old

School Year 2025/26

Wednesday | 18h30-19h30

” In these classes, we will intertwine technique and imagination, awakening the body as an instrument of discovery. We begin by waking it up, stretching it, and activating it to activate the energy that dwells within it.

We will explore technical notions while opening space for liberation and expansion. Each proposal is an invitation to challenge attention, refine coordination, give voice to expression, and unleash creativity. Here, questions arise with each movement: How do I move? How do I feel? How can I create my own body? The body ceases to be a presence and becomes language. ”

[Sérgio Matias]

Note: Come try it out on September 17! Classes start on October 1.

Bio 

Sèrge, Sérgio Diogo Matias (1985) began his studies in the visual arts and in 2008 and 2010 enrolled in the Performance/Creation degree program at the Escola Superior de Dança (Higher School of Dance). In the final year of his degree, he attended ArteZ Hogeeschool in Arnhem on an Erasmus scholarship. In 2013/2014, he took the Forum Dança course at PEPCC. As a performer, he has collaborated with Amélia Bentes, Miguel Pereira, Ballet Contemporâneo do Norte, Vânia Rovisco, Henrique Furtado, among others. His creations and collaborations include Insólido (2014), MASS | MESS (2018), GEMINIS (2019), and LOOP (2019). During the 2020/2021 academic year, he was a student on the Composition and Musical Performance course at Restart, which culminated in the presentation/concert of original themes developed throughout the course. In 2023, he played the role of Mário de Sá Carneiro in the play “A Morte do Corvo” (The Death of the Raven), directed by Nuno Moreira, with actors directed by Ana Padrão and choreography by Bruno Rodrigues. In 2024, he is once again a student on the Fórum Dança course, PACAP, under the artistic direction of Miguel Pereira and Nuno Lucas. In the same year, he is the performer-creator of the play “O que é que é para fazer?” (What is there to do?), with the CIC-Rumo group, under the artistic direction of Yana Suslovets.

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.

Top image credits © João Rosa

Creative Dance ’25

With Sérgio Matias

From 3 to 6 years old

School Year 2025/26

Wednesday | 17h45-18h30

” Open the doors of imagination and explore the flavors, dynamics, colors, and textures of movement. This will be the theme for creative dance classes!

We will activate the senses through playful exercises with the aim of developing physical skills and awareness of the parts of the body and the body as a whole. Combining fun with thought and emotions. We will explore scales from the “giant to the microscopic.” Being with myself, being with the other, and being with others. ” [Sérgio Matias]

 

Note: Classes start on October 1.

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.

Bio

Sèrge, Sérgio Diogo Matias (1985) began his studies in the visual arts and in 2008 and 2010 enrolled in the Performance/Creation degree program at the Escola Superior de Dança (Higher School of Dance). In the final year of his degree, he attended ArteZ Hogeeschool in Arnhem on an Erasmus scholarship. In 2013/2014, he took the Forum Dança course at PEPCC. As a performer, he has collaborated with Amélia Bentes, Miguel Pereira, Ballet Contemporâneo do Norte, Vânia Rovisco, Henrique Furtado, among others. His creations and collaborations include Insólido (2014), MASS | MESS (2018), GEMINIS (2019), and LOOP (2019). During the 2020/2021 academic year, he was a student on the Composition and Musical Performance course at Restart, which culminated in the presentation/concert of original themes developed throughout the course. In 2023, he played the role of Mário de Sá Carneiro in the play “A Morte do Corvo” (The Death of the Raven), directed by Nuno Moreira, with actors directed by Ana Padrão and choreography by Bruno Rodrigues. In 2024, he is once again a student on the Fórum Dança course, PACAP, under the artistic direction of Miguel Pereira and Nuno Lucas. In the same year, he is the performer-creator of the play “O que é que é para fazer?” (What is there to do?), with the CIC-Rumo group, under the artistic direction of Yana Suslovets.

Contemporary Dance ’25

With Josefa Pereira & Bárbara Faustino

School year 2025/26

Tuesday & Wednesday | 19h30-21h30

ESGOTADO

As aulas de Dança Contemporânea já se encontram esgotadas. Se tiver interesse em frequentar, envie-nos um email para marcar presença na nossa fila de espera.

“The Contemporary Dance classes at Forum Dança will be conducted in the 2025/26 academic year through a multifaceted experience proposed by Josefa Pereira, Bárbara Faustino, and guests. The aim of our classes is to create a space for encounter and collectivity, where the alternation between artists encourages the sharing and crossing of different bodily practices, exploring both what they have in common and the particularities that each work proposal will allow them to experience.

Based on this exchange between teachers/artists and students/artists, the aim is to provide a context for experimentation that activates in each participant the availability and readiness necessary for a journey through practices that seek to provide the experience of creative tools through dance and the body in movement.

In our classes, different techniques and training methods are used to achieve a more powerful and self-aware body. Little by little, we cultivate a sensitive, more accessible, and porous body, with better vitality and energy circulation, more resilient and malleable with itself and in relation to its surroundings. Finally, we seek to mobilize a more inventive body that is constantly updating its ways of being and existing.

The classes on Tuesdays and Thursdays are open to anyone interested in dance and movement practices. Therefore, not only dance artists and beginners are welcome, but also people who have no previous experience in physical practices. Curiosity and availability are the only requirements to join us.”

[Josefa Pereira and Bárbara Faustino]

 

As part of the annual scholarships offered by Forum Dança, we would like to extend an invitation to black, trans, non-binary, and/or immigrant individuals who are unable to afford the classes. If you fall into any of these categories and are interested in joining us, please contact us by email at: forumdança@forumdanca.pt

(the two scholarships available will be awarded in order of application)

Biographies

Josefa Pereira (BR/PT) is a choreographer and performer. She lives in Portugal and collaborates in São Paulo, the city where she grew up and trained artistically. She completed her master’s degree at DAS Choreography – AHK (NL) with a scholarship from the Gulbenkian Foundation. She participated in PACAP and graduated in Dance and Performance at PUC-SP (BR) as a PROUNI program scholarship recipient.

With a strong focus on practice and research, her artistic approach involves engaging with available and readily accessible materials that can emerge as fabulous, enchanted, or monstrous. Her attention focuses on a field of listening and sensitivity in which doing through different frictions becomes capable of enabling other potentials of poetic and aesthetic agency, generating transformations and mutations of forms, states, and perceptions. In this dynamic relationship between materials/collaborators or between human and more-than-human entities, collaborative thinking, cooperative agency, and coexistence implied in each choreographic gesture are prioritized.

In addition to her authorial work and collaborations as a performer and in the field of dramaturgy, she is dedicated to teaching activities, which include classes and workshops.

https://cargocollective.com/josefapereira

 

Bárbara Faustino (BR/PT) is dedicated to creation and teaching in the areas of contemporary dance and performance. She researches the body as a territory of study where expressive possibilities are infinite and investigates the fertile dialogue between teaching and creation. She graduated from the Municipal Ballet School of the Municipal Theater of São Paulo and also holds a degree in Dance and Movement from Anhembi Morumbi University. She completed the Pre-Primary and Primary Teachers’ Course at the Royal Academy of Dance of London.
Based in Portugal since 2014, she has worked as a dancer, manager, and dance teacher at Musibéria – International Center for Music and Dance of the Iberian World – in Serpa, Alentejo, where she developed her own research in the areas of dance teaching and creation. She currently resides in Lisbon, working as a dance teacher at venues such as Academia Inatel and Fórum Dança, in addition to continuing her artistic research at the intersection of teaching, performance, and creation. She worked with Jérôme Bel on THE SHOW MUST GO ON, founded the HIDRA dance company in partnership with dancer Janice Iandritsky, and is also part of Mosaicollective. She recently received the Pédexumbo New Creations Grant for the project “ATRAVESSAR – the invention of a dance route through the Celeiros neighborhood.”

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.

From Body to Body ’25

With Gisela Dória

Interdisciplinary movement practices

School year 2025/26

Monday | 19h30-21h00

These classes are for anyone who wants to explore the body in action and discover the pleasure of moving — with or without dance experience.

Inspired by techniques such as contemporary dance, Pilates, Gyrokinesis®, and other somatic practices, Gisela Dória leads a process-oriented work that values the uniqueness of each body, developing physical awareness and sensory perception.

More than simply combining methods, the classes integrate different approaches to expand the pleasure of movement, physical functionality, and vitality. They also create space for continuous self-observation and reflection about our bodies.
These sessions are designed for those who, instead of a traditional gym setting, prefer a creative and welcoming environment.

 

[Gisela Dória]

Duration: 1h20
For: adults of all ages, no technical prerequisites

 

Note: classes begin in October

Biografia

Gisela Dória is a choreographer, researcher, teacher and dancer who graduated from the College of the Royal Academy of Dance in London. She is a collaborator with the Centre for Theatre Studies at the University of Lisbon. She has a post-doctorate from USP’s School of Communications and Arts, a doctorate in Performing Arts from Unicamp’s Institute of Arts and a master’s degree in Performing Arts from USP. She published the book ‘A Poética de Sem Lugar: Por uma Teatralidade na Dança’ in 2013. She founded and directed Duo Escola de Dança in Campo Grande, MS, Brazil for over 24 years. She specialises in Pilates, GYROKINESIS® and Klein Technique® certification.
As a choreographer and performer, she has collaborated with Ginga Cia de Dança, Dançurbana and Coletivo Performa Teatro.

Personal website at www.giseladoria.com

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.
Meg Stuart/Damaged Goods | Let’s Not Get Used To This Place

Book Meg Stuart / Damaged Goods

Let’s Not Get Used To This Place

 

Meg Stuart / Damaged Goods 2008-2023

Let’s Not Get Used To This Place is a publication dedicated to the work of choreographer Meg Stuart and the company Damaged Goods, marking over a decade of choreographic creation.

Edited by Julie De Meester, Astrid Kaminski, and Jeroen Versteele, Let’s Not Get Used To This Place brings together an extensive collection of materials – reflections, interviews, scores, process notes, essays, poetry, photographs, and performance texts – that span Stuart’s work between 2008 and 2023.

 

As a memorial gesture for PACAP 8, a program directed by Meg Stuart in 2025, Forum Dança is offering a limited number of copies for sale.

[limited to the available stock]

Informations

About the book

Let’s Not Get Used to This Place // Meg Stuart/Damaged Goods

Since the early nineties, Meg Stuart, born 1965 in New Orleans, USA, and her Brussels-based dance company Damaged Goods, have produced a remarkable and audacious body of choreographic work. Ten years ago, Damaged Goods published Are we here yet? (ed. Jeroen Peeters), which spans the first twenty years of Meg Stuart’s career. 

 

In Let’s Not Get Used to This Place, the choreographer dives into more than a decade of works through reflections, interviews, scores and exercises, and notes on the practice of creating, performing, teaching and living dance. These are mixed with reports, essays and poetry by close collaborators and intimate strangers, photos, performance texts and archive material. The book’s title, gleaned from one of Stuart’s recent video works, ties together these multifaceted sources in a desire to discard tried and tested strategies, explore new contexts, and transgress the edge of what we (do not) know.

 

This publication also coincide with the thirtieth anniversary of Damaged Goods: a perfect way to celebrate this remarkable legacy.

Excerpt

‘For years, I have been calling out the word ‘change’ to dancers, so that they move from one improvised state to another without attachment or preparation. The more I propose this task, the more I discover that what remains is more significant than the change itself. The change reinforces not only the quality of letting go, but also the commitment of the attention we give to the state or physical idea we let go of. Abrupt changes mark where we are, what we have to leave, and what it takes to let go and open up again.

In another exercise, we hold a person tightly, and keep holding onto the trace of this physical contact after we let go of them; then we move with the trace and shape of this person. You can also do this with objects. Every lived experience leaves a mark. By tracing the shape of this mark, we take the experience with us to the next place. I believe that time is not one singular flow. You can always retrace and reframe. Past events are not fixed; they are a process that is still unfolding. You can write letters to people who have died, for example. It shifts your relationship with them. I have done this.’

 

Meg Stuart

+ Info

Edited by: Astrid Kaminski, Jeroen Versteele, Julie De Meester

Graphic design: Sean Yendrys with Björn Giesecke

Contributions: Jean-Marc Adolphe, Márcio Kerber Canabarro, Tim Etchells, Thomas F. DeFrantz, Philipp Gehmacher, Ezra Green, Astrid Kaminski, André Lepecki and Eleonora Fabiano, Jeroen Peeters, Gerald Siegmund, Claire Vivianne Sobottke, Maria F. Scaroni, Meg Stuart, Jeroen Versteele, Jozef Wouters and many others.

 

Distributed by: les presses du réel

Language: English 528p., 16.5 x 23.5 cm

ISBN: 9782960320718

Price:

€45 regular price

€38 discount for former students of long-term courses at Forum Dança

 

More information and pre-orders at forumdança@forumdança.pt

Bio

Meg Stuart

Forum Dança | PACAP 8 - Meg Stuart
Meg Stuart © Camille Blake

Choreographer, director, and dancer who lives and works in Berlin and Brussels. With her company, Damaged Goods, founded in 1994, she has created over thirty productions, ranging from solos and duets to group pieces, video works, site-specific creations and improvisation projects.

Stuart’s work moves freely between the genres of dance, theater and visual arts, driven by an ongoing dialogue with artists from different disciplines.

Through fictions and shifting narrative layers, she explores dance as a source of healing and a way to transform the social fabric.

Improvisation is an important part of Stuart’s practice, as a strategy to move from physical and emotional states or the memory of them.

Meg Stuart has received many awards for her work, notably the Golden Lion for Lifetime Achievement at the Biennale di Venezia in 2018, and she was a recipient of a Guggenheim Fellowship in 2023.

More informations: www.damagedgoods.be

Top image credits © Book cover: photo by Eva Würdinger, design by Sean Yendrys

Activities PACAP 8

Lectures PACAP 8 / Mystery School

PREMIERE 2025

PREMiERE Open Days in Oporto

As artes do espetáculo encontram-se com a tecnologia

19 a 21 de setembro de 2023

O PREMiERE é um projeto de investigação e inovação do Horizon Europe que visa modernizar as artes do espetáculo, desenvolvendo e validando um ecossistema abrangente de aplicações digitais, alimentado por tecnologias de ponta de IA, XR e 3D. Para tal, reúne parceiros de academias de arte, salas de espectáculos, centros de investigação e do sector empresarial, de seis países europeus diferentes.

 

Durante os Open Days do PREMIERE, o IDlab da Academia de Teatro e Dança e o ICK Space for Dance Art co-organizarão reuniões abertas, uma mesa redonda e um evento de discurso público com e para a comunidade local das artes performativas e o público em geral, a fim de apresentar o trabalho em curso do projeto, interagir com estudantes, antigos alunos e profissionais e refletir em conjunto sobre as potencialidades criativas e os aspectos éticos das relações entre a tecnologia, as artes performativas e o conhecimento intuitivo incorporado.

 

Serão três os eventos Open Day co-organizados e acolhidos pela IDlab ATD Academy of Theatre and Dance & ICK Space for Dance Art:

 

Terça-feira, 19 de setembro

Apresentações da Premiere – MEET & GREET
Apresentação dos quatro projectos-piloto e mostra do trabalho em curso relativo à captura e análise de movimentos, ensaios em RV, tecnologias de linguagem e criação de ontologias para as artes performativas.
17:00-18:30 | AHK Culture Club Marineterrein
Kattenburgerstraat 5, 27E, 1018 JA Amesterdão

 

Quarta-feira, 20 de setembro

Arquivar para o futuro – Mesa redonda
Mesa redonda pública com especialistas em artes performativas sobre as práticas de arquivo numa dimensão europeia.
14:00 – 18:00 | AHK Culture Club Marineterrein 
Kattenburgerstraat 5, 27E, 1018 JA Amesterdão

 

FRA: IA, Criatividade e o Corpo em Revolta
Potenciais criativos e aspectos éticos das relações entre a tecnologia, as artes performativas e o conhecimento intuitivo incorporado.
19:00-21:00 | ICK Space for Dance Art – WestBeat /Rhino Space 
Rijnlandlaan 3, Gebouw Westbeat 
Este evento será transmitido em direto.

 

Quinta-feira, 21 de setembro

Encontro de caminhadas
Apresentação do workshop de tecnologia interactiva do Instituto Stocos para ex-alunos/estudantes/artistas.
17:00 – 19:00 | ATD IDlab Studio 
Jodenbreestraat 3, 1011 NG Amesterdão

Registe-se aqui.

 

Todos os eventos terão lugar no local e são gratuitos. Descarregar o programa completo aqui. Toda a informação em inglês no site do projeto PREMiERE, aqui.

PREMiERE logo
Financiamento pela EU

Financiado pela União Europeia. Os pontos de vista e opiniões expressos são, no entanto, da exclusiva responsabilidade do(s) autor(es) e não refletem necessariamente os da União Europeia ou da Agência Executiva Europeia de Investigação (REA). Nem a União Europeia nem a autoridade que concedeu o financiamento podem ser responsabilizadas pelos mesmos.

Performing weeding with two brides

Arquives for Future Spells

PACAP 8 / Mystery School of Coreography

Culturgest

17 a 19 july 2025 | Sat and Sun (19h)

MYS
Mystery School of Choreography
Escola mistério de coreografia
L’école chorégraphique du mystère
Escola Misteriosa de Coreografia
Tajymnŏ szkōła choreografije
Schule der Mysterien in der Choreografie
Μυστηριώδες σχολείο χορογραφίας
Tajemnicza Szkoła Choreografii
Escuela Mística de Coreografía
مدرسه رمز و راز طراحی رقص
Mysterium Skola för Koreografi
Escuela Coreográfica del Misterio
コレオグラフィーのミステリースクール

As a closing gesture of a six-month program of experimentation and co-creation, PACAP 8 | Mystery School of Choreography (MYS) spills and installs its studies at Culturgest.  In residency, MYS will reflect, move, nest and digest together, and share a fountain of spells over three durational evenings. Meg Stuart, Ana Rocha, Márcio Canabarro, Santiago Tricot, Mieko Suzuki, Xullaji, and PACAP 8 | MYS artists Ana Szopa, António Bollaño, Arash Khakpour, Emily da Silva, Guillermo Tarasewicz, Isabela Rossi, iSSiE – iSaAc, Julia Kosałka, Kaya Freeman, María Ibarretxe, Martha Kotsia, Michiru Shin, Natacha Campos, Raul Aranha, Salomé Pham-Van-Hué, Sepideh Khodarahmi, Śomi Śniegocka, Therese Bendjus and Tiago Vieira, offer their real and fictional archive with spirited intention for our common futures.

How can we instigate and elevate community through its multiple dimensional legacy? Can mysticism be a crack in the real, so we may step into an archive of becoming? What if embodied mysticism is a radical political act? What is the revolution of our nervous system? By not looking at dance as spectacle but as spell, can we re-arrange our relational field with the many realities rapidly changing around us? Embodying the shared archive forward and back, visitors will enter a collective journey of oracular encounters, visions and dreams. MYS invites you to immerse into its inner architecture. MYS taps into remembrance as a contextual container. Here, you are not a spectator. You are a fragment of the divine in rebellion, so proceed accordingly.  Because archiving the future is a form of hope.

Artistic director & MYS concept : Meg Stuart
Artistic collaboration PACAP8 | MYS : Ana Rocha
Artistic collaboration Archives for Future Spells: Márcio K. Canabarro and Santiago Rodriguez Tricot
Live music: Mieko Suzuki and Xullaji
Technical direction: Santiago Tricot
Special thanks: Aline Belfortm, Pedro Azevedo

 

Duration 4h | public entry and exit is allowed freely

 

PACAP 8 participants: Ana Szopa (PL), António Bollaño (PT), Arash Khakpour (IR), Emily da Silva (BR), Guillermo Tarasewicz (UY), Isabela Rossi (BR/IT), iSaAc iSaBeL Espinoza Hidrobo (EC), Julia Kosałka (PL), Kaya Freeman (PT), María Ibarretxe (ES), Martha Kotsia (GR), Michiru Shin (JP), Natacha Campos (PT), Raul Aranha (IN), Salomé Pham-Van-Hué (FR), Sepideh Khodarahmi (SE/IR), Śomi Śniegocka (PL), Therese Bendjus (DE) e Tiago Vieira (PT).

Production: Forum Dança Co-production PACAP 8: Teatro do Bairro Alto, Culturgest, Anda & Fala | Walk e Talk, Goethe-Institut Portugal, as part of the Kulturfest festival Co-production in Residency: O Espaço do Tempo PACAP 8 Support: Alkantara, Casa da Dança – Almada, Fundação GDA, Kees Eijrond Foundation, OPART, E.P.E/Estúdios Victor Córdon, O Rumo do Fumo, Piscina

Venue

Cultugest

R. Arco do Cego 50, 1000-300 Lisboa

More information here

Actividades PACAP 8

Lectures PACAP 8 / Mystery School

Apoios e Parcerias

Coprodução PACAP 8: Culturgest | Teatro do Bairro Alto | Anda & Fala | Walk e Talk | Goethe-Institut Portugal, no âmbito do festival Kulturfest.

Coprodução em Residência PACAP 8: O Espaço do Tempo

Apoios PACAP 8: Alkantara | Casa da Dança – Almada | Fundação GDA | Kees Eijrond Foundation | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Forum Dança | Parcerias e Apoios PACAP 8

Top image © Vitorino Coragem

© António Poppe

António Poppe

June 18th, 2025, from 6:00 p.m. to 8:00 p.m.

the mystery of invention during the creative act

GEMEAMENTE: to merge the word into many voices. Passing it through a ring of inventions.
The invention, as it travels through memory, generates the presence that leads any magnetisms to the ends of this voice: GEMEAMENTE

António Poppe

António Poppe © António Poppe
António Poppe © António Poppe

Poet, visual artist, performer, lives and works in Lisbon. He completed the advanced visual arts course at Ar.Co, in Lisbon, and studied drawing and sculpture at the Royal College of Arts, London. He completed a master’s degree in Performance Art and Film at the School of the Art Institute of Chicago, with a scholarship from the Calouste Gulbenkian Foundation and the Luso American Development Foundation.

He is the author of a hybrid work between the visual arts, performance and poetry, which he has presented since 1996 in various cultural institutions and galleries such as the Serralves Museum, MAAT, Culturgest, Gulbenkian, Carmona e Costa Foundation, Soares dos Reis Museum, ZDB Gallery, 111 Gallery, Casa Fernando Pessoa, GIAJG, among others. He has published five books: Torre de Juan Abad (Assírio e Alvim), Livro da Luz (Documenta), Medicin (Douda Correria), Come Coral (Douda Correria), O Agitador e a Corrente (written with Mumtazz and published by Mariposa Azual).

General information

Date

June 18th, 2025, from 18h00 to 20h00

Venue
Forum Dança – Espaço da Penha
Travessa do Calado, 26B, 1170-070 Lisboa

 

Free entry, subject to capacity.

Top picture © António Poppe

PACAP 8 / Mystery School lectures

Support and Partnerships

Co-Production PACAP 8: Culturgest | Teatro do Bairro Alto | Anda & Fala | Walk e Talk | Goethe-Institut Portugal, in the scope of Kulturfest festival.

Co-producer in Residency PACAP 8: O Espaço do Tempo

Support PACAP 8: Alkantara | Casa da Dança – Almada | Fundação GDA | Kees Eijrond Foundation | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Forum Dança | Parcerias e Apoios PACAP 8
A person with their entire face covered in a black cloth, holding a white scarf, sitting on a chair

Maria F. Scaroni

11 june, 2025, from 18h00 to 20h00

The lecture will be conducted in English.

Maria F. Scaroni

Lecture PACAP 8/MyS, by Maria F. Scaroni. Espaço da Penha, June 4, 2025, from 18h00 to 20h00.

Maria F. Scaroni (IT/DE) has been active in the Berlin scene since 2004, both interpreting and choreographing works and building community through teaching workshops and hosting events. She worked with Meg Stuart, Tino Sehgal, Jeremy Wade, Wilhelm Groener, Manuel Pelmus and several others. Between 2004 and 2014 in San Francisco she met, trained and collaborated with artists such as Sara Shelton Mann, Stephanie Maher, Keith Hennessy, Jess Curtis, a.o., these encounters deeply shaped her physical and performative practice, where dance is intertwined with healing, queer methodologies, social justice and radical play. Her workshops and curated events swell beyond the dance field and include dancers, queers, theater makers, visual artists, academics, social workers, ravers, activists.

General Information

Data

June 11, 2025, 18h00 – 20h00

 

Local
Forum Dança – Espaço da Penha
Travessa do Calado, 26B, 1170-070 Lisboa

 

Entrada livre, sujeita à lotação do espaço.

Top photo © YA

PACAP 8 / Mystery School lectures

Support and Partnerships

Co-Production PACAP 8: Culturgest | Teatro do Bairro Alto | Anda & Fala | Walk e Talk | Goethe-Institut Portugal, in the scope of Kulturfest festival.

Co-producer in Residency PACAP 8: O Espaço do Tempo

Support PACAP 8: Alkantara | Casa da Dança – Almada | Fundação GDA | Kees Eijrond Foundation | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Forum Dança | Parcerias e Apoios PACAP 8

Núcleo 2025

Núcleo emerges as a project that fulfils one of Forum Dança’s objectives: to host artistic residencies and the informal presentations that result from them, under the care of a specific programme line.

It has a self-reflexive impulse in Forum Dança’s history, referencing the Núcleo de Apoio Coreográfico (NAC) – Choreographic Support Centre -, which in the 1990s was an important platform for supporting the creation and internationalization of Portuguese dance.

It is a place of experimentation, where the craft of creating, showing, reflecting, creating circularity with the artistic community and its public side in the creation and mediation of audiences is taken care of.

Artistic Residencies 2025

 

Open Call deadline: July 31st (EXTENDED DEADLINE)

As one of Forum Dança’s objectives is to support residencies, in accordance with the programmatic lines set out by its artistic direction, the Residency Program is designed to create a space that enables a period of experimentation and research through action, linking creation with transmission to the artistic community.

 

This edition of the Program will support two projects in the area of contemporary dance or performance that are in the initial stages of conception and development. 

 

The Program offers rehearsal space, artistic supervision by Forum Dança’s associate artist-researcher – João Fiadeiro – and a support grant of €750 (seven hundred and fifty euros). 

Periods

  • Residency 1: November 17 – 28, 2025
  • Residency 2: December 2 – 15, 2025

Conditions

1. Support for 2 projects selected by Forum Dança’s management;

2. A grant of €750 (seven hundred and fifty euros) per residency, upon submission of a recibo-verde or equivalent (in the case of artists not resident in Portugal*);

3. Support for publicizing the project in Forum Dança’s media;

4. Final public sharing, in the residency space, in the form of an informal show, talk or similar, mediated by João Fiadeiro;

5. Mandatory mention of “Support for Creation – Forum Dança” and insertion of the logo in all the project’s promotional material;

6. Provision of the record of the presentation of the supported project, when applicable, for archiving in the Forum Dança Documentation Center;

7. The organization of travel, accommodation, meals and medical assistance during the residency period is the sole responsibility of those taking part.

 

*Artists who are not resident in Portugal must present a tax residency certificate issued by the authorities in their country of residence.

Artistic supervision

These artistic residencies will be overseen by João Fiadeiro.

Forum Dança | PACAP 5 - João Fiadeiro
João Fiadeiro © Ana Viotti

Born in 1965, João Fiadeiro is part of a generation of choreographers that emerged in the late 1980’s and gave rise to the Nova Dança Portuguesa (New Portuguese Dance).

His career, both as a choreographer or performer and as a researcher or curator, has centered on creating conditions for experimentation, for laboratorial practices and for the intersection between artistic and scientific research. This activity was developed as much by coordinating programming and artistic research projects at Centro Cultural da Malaposta [1990-95], Espaço Ginjal [1995-98], Lugar Comum [1999-2000], Espaço A Capital [2000-2002] and Atelier Real [2004-2019] as by his artistic practice through his choreographies and the research workshops on and around Real Time Composition.

In all these different platforms João Fiadeiro was always accompanied by artists that participated as creators, performers, researchers and programmers, contributing in a decisive manner to the existence of this project through thirty years of non-stop activity.

Process

Applications must be submitted until (23h59), 31st July

 

– Fill in the form below and the project form – completed and in pdf format (up to 2 MB):

 

Project Sheet | Application Núcleo

Application form

All fields marked with * are mandatory.

Results

The results will be announced in August 2025 by email.

Keith Hennessy

4 june 2025, 18h00 to 20h00

Dancing as Political Healing

Hennessy will share ideas and stories that circle around the potential for experimental dance and improvisation practices to contribute to political healing.  If the harm or trauma is political (structural, legal, normative), should the healing be entirely personal? Jewish anarchist Gustav Landauer (1870-1919) meets Black lesbian feminist Audre Lorde (1934-1992) in a Fake Healing clinic at Forum Dança in 2025. What is happening? What is possible?

 

Organização: Forum Dança e Associação Parasita

 

The lecture will be conducted in English.

Keith Hennessy

Biopic-KeithHennessy

Keith Hennessy, is a frolicker, imperfectionist, and witch working in the fields of dance, performance, activism, affordable housing, and queer sexuality. Always learning through improvisation and collaboration, Hennessy’s work is interdisciplinary and experimental. Born in Canada, based in San Francisco (Yelamu) for over 40 years, Hennessy tours internationally. Collaborations include Ishmael Houston-Jones, Sarah Crowell, Snowflake Towers, Jassem Hindi, Meg Stuart, And Peaches. www.circozero.org

 

www.circozero.org

Informação geral

Data

25 de junho de 2025, das 18h00 às 20h00

 

Local
Forum Dança – Espaço da Penha
Travessa do Calado, 26B, 1170-070 Lisboa

 

Entrada livre, sujeita à lotação do espaço.

Top picture © Pat Mic

PACAP 8 / Mystery School lectures

Support and Partnerships

Co-Production PACAP 8: Culturgest | Teatro do Bairro Alto | Anda & Fala | Walk e Talk | Goethe-Institut Portugal, in the scope of Kulturfest festival.

Co-producer in Residency PACAP 8: O Espaço do Tempo

Support PACAP 8: Alkantara | Casa da Dança – Almada | Fundação GDA | Kees Eijrond Foundation | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Forum Dança | Parcerias e Apoios PACAP 8
Loading new posts...
No more posts