Title Image

Highlights

Cristina Planas Leitão | Flying Low

August 31 to September 4, 2026 | 7:00 p.m.–9:30 p.m.
Forum Dança

Registration open

FLYING LOW – ‘I incorporate and share the knowledge of the Flying Low technique created by David Zambrano, adapted to my artistic vision, always taking care of the temporary group that forms for the class. This technique teaches me about the spirals of my body and my relationship with the floor, moving in a direct and intentional way—it is something I always have with me in my pocket and use when necessary, just like other techniques.

In practice, the dynamics increase progressively, using images and touch to explore and explode each short exercise, through which participants are challenged to find their own solutions by doing, discovering individually which paths cross their bodies, rather than any pre-established form or formula. We will work with principles and states, starting from the exercises, and challenge the usual idea of right and left. The proposed exercises change every day, so there is no need to get attached!

The technique focuses on the relationship with the ground, using simple movement sequences and practicing speed and energy release throughout the body to activate the center. There is special attention to the extremities as extensions of the center and indicators of direction, proposing awareness and clarity to the movement. The material challenges each participant to discover the primary laws of physics: cohesion and expansion, and therefore many basic exercises are deconstructed in a more exploratory work to achieve the necessary individual state.’

[Cristina Planas Leitão]

Informations

Who is it for

+ 16 with experience in dance or performing arts, interested individuals with little experience in dance and movement practices.

Schedule

Dates: August 24 to 28, 2026
Time: 7:00 p.m.–9:30 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bios

Cristina Planas Leitão

Cristina Planas Leitão — Curator, artistic director, and teacher, she has been developing teaching methodologies since 2010 that promote a somatic, critical, and autonomous experience of the body. She teaches internationally in artistic and academic contexts. Her pedagogical practice intersects with curating, understood as a space for new visions, accompaniment, and the construction of contexts for learning and creation.

Créditos da imagem de topo © Israel Pimenta

© Israel Pimenta

Cristina Planas Leitão | Passing Through

August 24 to 28, 2026 | 3:00 p.m. to 6:00 p.m.
Forum Dança

Registration open.

PASSING THROUGH — ‘I incorporate and share the principles of the Passing Through technique, created by David Zambrano, reinterpreting it from my artistic vision and always taking care of the temporary group that is formed for the practice.
It is a set of tools organized in different layers, from the simplest to the most complex, from the individual to the collective, which challenge and expand the space that exists within us and around us. Throughout this process of temporary compositions, we focus on developing systems that operate as a living network, a group-network in constant adaptation. Through curved and spiral trajectories that expand into macrospace, I propose flexible and complex dynamics, capable of sustaining the cohesion of the group without closing the door to unpredictability. We move continuously, transforming the environment and playing together, within a shared matrix of rules and sub-rules that each participant feeds and transforms.’
[Cristina Planas Leitão]

Informations

Who is it for

+ 16 with experience in dance or performing arts, interested individuals with little experience in dance and movement practices.

Schedule

Dates: August 24 to 28, 2026
Time: 3:00 p.m. to 6:00 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bios

Cristina Planas Leitão

Cristina Planas Leitão — Curator, artistic director, and teacher, she has been developing teaching methodologies since 2010 that promote a somatic, critical, and autonomous experience of the body. She teaches internationally in artistic and academic contexts. Her pedagogical practice intersects with curating, understood as a space for new visions, accompaniment, and the construction of contexts for learning and creation.

Top image credits © Israel Pimenta

Alex Cassal | Soluble Dramaturgy

August 31 to September 4, 2026 | 3:00 p.m. to 6:00 p.m.
Forum Dança

Registration open.

This workshop, led by playwright Alex Cassal, invites creators, performers, and artists of the body and word to embark on a somewhat bumpy journey behind the scenes of theatrical creation. Everyday anecdotes and extravagant inventions, implausible lies and personal memories, non-recyclable materials and organic waste: everything becomes raw material for a process that asserts itself as a journey, rather than a result. A process in which participants collaborate in the collective construction of fictions anchored in the reality of the present time, giving shape to a plot where diverse voices and perspectives intersect. More than a formal learning space, this encounter is proposed as a territory of sharing and risk, where writing intersects with performance and memory with imagination. Because, as Bertolt Brecht said, “it is beautiful to solve problems.” Or was it Donna Haraway?

Informations

Who is it for

For all audiences (+16)

Schedule

Dates: August 31 to September 4, 2026
Time: 3:00 p.m. to 6:00 p.m.

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • €70

 

Discounts

 

  • 10% discount when registering for more than 1 workshop
  • 15% discount when registering for more than 3 workshops
  • 20% discount when registering for more than 4 workshops
  • 15% discount for people who are participating or have participated in Forum Dança long-term courses (PACAP or PEPCC)
  • 10% discount for dance students

Application form

All fields are required.

Bios

Alex Cassal

Dramaturgy workshop with Alex Cassal from August 31 to September 4

Alex Cassal is a director, playwright, and performer. His works explore relationships with others and reveal the mechanisms of theater in creating spaces for artistic encounters and challenges. In Brazil, he is a member of the Foguetes Maravilha group, and in Portugal, he is part of the Má-Criação structure.

Top image credits © Renato Mangolin

Monumental, Jocelyn Cottencin, Macval © image Jocelyn Cottencin

Jocelyn Cottencin Workshop

April 20 – May 1, 2026 | 10:00 a.m. – 5:00 p.m. *
Forum Dança

Registration open. 

At Forum Dança, we are once again opening up the PACAP training programme to the artistic community with several workshops throughout the year.

 

Jocelyn Cottencin’s performance piece Monumental explores how monuments and architecture shape our bodies and our shared narratives.

By involving students, residents or performers, Jocelyn Cottencin creates a dialogue between bodies, territories and narratives.

His work seeks not so much to produce objects as to open up spaces for thought, perception and encounter.

A performance piece created in 2016 at the Centre Pompidou in Paris, Monumental aims to activate a visual and collective memory resulting from representations of European history, in particular art history, or from the media and contemporary events. Monuments, architecture, statues and works of art form the basis of a visual score initially performed by a group of 12 performers within a defined spatial and temporal framework. Through the heritage of statuary, architecture and works in public spaces, the project, via this group, shifts the notions of figure, narrative and form.

Since 2017, Jocelyn Cottencin has been presenting this performance to art students and young dancers. Each re-enactment is an opportunity to question the structure of forms and images within a specific context. On this occasion, at the invitation of Marcelo Evelin and Dora Carvalho for Forum Dança, Monumental will form the basis of the workshop, exploring the specific history of Lisbon in relation to that of Brazil.

 

 

* Informal presentation on April 30 at 6.00 pm.

Informations

Who is it for

Students, residents, artists, anyone interested in the dialogue between bodies, territories, and narratives.

Schedule

Dates: April 20 – May 1, 2026
Time: 10.00 am to 5.00 pm (with a 1-hour break)

Informal Presentation: April 30, 6.00 pm

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

    • Marcelo Evelin: €150
    • Christine Greiner: €40
    • Jocelyn Cottencin: €230

 

Discounts

 

 

  • 15% for the second and third workshops (Christine Greiner and/or Jocelyn Cottencin)
  • 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
  • 10% for dance students

Application form

All fields are required.

Bios

Jocelyn Cottencin

Jocelyn Cottencin is a visual artist working across performance, choreography, book, installation and film. His work examines how images, monuments and architecture shape bodies, power and collective narratives, opening shared spaces for perception, dialogue and embodied experience.

Support & Parternships

Coproduction: Teatro do Bairro Alto

Coproduction in Residency PACAP 9: O Espaço do Tempo

Support PACAP 9: Alkantara | Casa da Dança – Almada | Fundação GDA | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Top image credits [Monumental, Jocelyn Cottencin, Macval] © Jocelyn Cottencin

© Fernando Saiki

Christine Greiner Workshop

April 13 and 14, 2026 | 2:00 p.m. – 5:00 p.m.

Forum Dança

Registration open.

At Forum Dança, we are once again opening up the PACAP training programme to the artistic community with several workshops throughout the year.


Fabulations and Transcreations

“In recent decades, many artists have worked with the power of fabulations and the power of the false to approach plural realities. As Isabelle Stengers explained, fabulation is a way of narrating in another way; it is not a break with “reality.” The falsehood of fabulation is always a construction to deal with opacities.

In this conversation, I will draw parallels between these ideas and the proposal for transcreation by poet and translator Haroldo de Campos. In an expanded view, translating and fabulating are processes that teach us how to make worlds, dealing with narrative in the very materiality of bodies, images, and events.

 

The spectral turn of butoh and its promiscuous strategies

When Jacques Derrida wrote the book Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (1993), he opened up ways for us to perceive how far beyond mystical entities, specters generated by devices of power continue to haunt us, such as capitalism and class struggles.

In this conversation, I propose that by triggering movements characterized by the ambiguity between catastrophe and creation, living bodies and dead bodies, subjects and objects, Tatsumi Hijikata (and other creators of the so-called butoh dance) also promoted a spectral turn in the late 1950s in Japan, establishing a choreographic logic as an intoxicating operation to erode power relations. More than a dance technique, a spectral power.”

 

[Christine Greiner]

Informations

Who is it for

Artists, students, researchers, curators, cultural producers, and people interested in dialogues between Japan and the West, body philosophy, and cosmopolitics.

Schedules

Dates: April 13 and 14 de abril de 2026
Time: 10:00 a.m. to 2:00 p.m.

Venue

KEF – Kees Eijrond Foundation

Rua de Santa Catarina, number 9

Ground Floor, Lisbon

Application form

All fields are required.

Participation fee

    • Marcelo Evelin: €150
    • Christine Greiner: €40
    • Jocelyn Contencin: €230

 

Discounts

 

  • 15% for the second and third workshops (Christine Greiner and/or Jocelyn Contencin)
  • 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
  • 10% for dance students

Bios

Christine Greiner

Christine Greiner
Christine Greiner © Christine Greiner

Christine Greiner is head of the Arts Department and professor at PUC-SP. Since 1998, she has coordinated the Center for Oriental Studies, teaching and supervising research in the Graduate Program in Communication and Semiotics and in the Body Arts course.

Support & Parternships

Coproduction: Teatro do Bairro Alto

Coproduction in Residency PACAP 9: O Espaço do Tempo

Support PACAP 9: Alkantara | Casa da Dança – Almada | Fundação GDA | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Top image credits © Fernando Saiki

Marcelo Evelin Workshop

March 2–6, 2026 | 10:00 a.m. – 5:00 p.m.

Forum Dança

Registration open.

At Forum Dança, we are once again opening up the PACAP training program to the artistic community with several workshops throughout the year.

 

Choreographer Marcelo Evelin shares some of his training tools, performance practices, and procedures used in processes and creations by the Demolition Incorporada platform over the last 30 years.

 

For this instance, an opening of his construction site for research into voice and movement, based on the idea of death and resurrection as a performance device.

 

The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.

Informations

Who is it for

The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.

Schedules

Dates: March 2–6, 2025
Time: 10:00 a.m. to 5:00 p.m. (with a 1-hour break)

Venue

Forum Dança / Espaço da Penha

Travessa do Calado, 26B, 1170-070 Lisboa

Participation fee

  • Marcelo Evelin: €150
  • Christine Greiner: €40
  • Jocelyn Contencin: €230

 

Discounts

 

  • 15% for the second and third workshops (Christine Greiner and/or Jocelyn Contencin)
  • 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
  • 10% for dance students

Application form

All fields are mandatory.

Bio 

Marcelo Evelin

Forum Dança | PACAP 9 - Marcelo Evelin
Marcelo Evelin

Marcelo Evelin é bailarino, coreógrafo e pesquisador. Vive entre Teresina e Amsterdão e trabalha no Brasil, Japão e em vários países da Europa como artista independente à frente da Plataforma Demolition Incorporada, baseada no CAMPO, um espaço de Residência e Resistência das Artes Performáticas em Teresina, no Piaui. Os seus espetáculos “De Repente Fica Tudo Preto de Gente”, “Batucada” e “A Invenção da Maldade” circulam atualmente por teatros e festivais do mundo. Ensina na Escola Superior de Artes de Amsterdão desde 1999 e cria projetos em universidades e cursos de mestrado, entre eles ISAC (Bruxelas), Museu Reina Sofia (Madrid), EXERCE (Montpellier) e CND (Paris). Em 2019 recebeu o título de Doutor Honoris Causa pela Universidade Federal do Piauí. Em 2020 criou “And Yes, I sad Yes, I will Yes” para Coroline Eckly/Companhia Carte Blanche (Bergen,Noruega), “Drama” para La Manufacture (Lausanne, Suíça), “La Nuit Tombe Quand Elle Veut” (Rennes, França) em colaboração com Latifa Laabissi, e reapresentou o seu solo “ai, ai, ai” (1995) no Festival d’Automne em Paris. Em 2022 recriou o acontecimento performático BARRICADA para o Festival Transborda (Almada, Portugal) e estreou UIRAPURU a mais recente criação da Plataforma Demolition Incorporada.

Bruno Moreno

Forum Dança | PACAP 9 - Bruno Moreno
Bruno Moreno

Bruno Moreno was born in 1988 in São Paulo. Since 2018 he has lived between the capital of São Paulo and Teresina/PI, where he is a resident artist at CAMPO arte contemporânea. He has a degree in performing arts from the University of São Paulo and is a performer and choreographer.

Since 2014 he has collaborated with the Marcelo Evelin/Demolition Incorporada platform. He has collaborated as a performer with choreographers Alejandro Ahmed, Luis Garay, Gustavo Ciríaco and was a member of [pH2]: estado de teatro, where he created works as a performer, director and choreographic director. His creations start from choreography and oscillate between performance, installation and video.

He has taken part in the residency programme at Espaço Alkantara (Lisbon), as well as performing at Mostra VERBO (São Paulo). His video works have been shown at the Tiradentes Film Festival (Brazil), the Ann Arbor Film Festival (USA), the Short Waves Festival (Poland), Short Out (Italy), the Accesos magazine of artistic practices at the Reina Sofia Museum (Spain), and are part of the collection of works at the Paraná Museum of Contemporary Art. He was one of the resident artists on the PIVÔ Research 2024 programme.

Créditos da imagem de topo © DR \ Marcelo Evelin

Workshop Butoh 2025_ Outro_Lado

Butoh Workshop
Yael Karavan

17 e 18 january 2026  |  11h00 – 17h00

Butoh workshop – The body as a vessel of metamorphoses with Yael Karavan

 

Butoh is an avant-garde dance form, a philosophy, and a method that was created in Japan in the late 1950s by Tatsumi Hijikata and Kazuo Ohno. It is not a technique, but rather a method and approach to dance that arises from within us and connects us to our essence, nature, the universe, and the cycles of life and death.

Karavan is proposing an intensive exploration of Butoh, starting from the philosophy of its founding members until its current relevance, as a tool of creation, rebirth and transformation.

“Again and again we are reborn. It is not enough simply to be born of the mother’s womb. Many births are necessary. Be reborn always and everywhere. Again and again.” [T. Hijikata Founder of Butoh.]

What is butoh? An exotic performance style based on spectacular effects, white body makeup, grotesquely distorted limbs and faces, and a grueling slow speed of motion? Or is it a form of physical training that releases and brings forth primordial memory in the body that has been suppressed by contemporary society? It is both and neither and something completely else all together. As a simple man from the street once tried to explain:

  1. All movements and dances, whose origins are unknown, are butoh.
  2. Butoh is that which knows no rules or taboos.
  3. When one person says “no” and the others say “yes”, then it’s butoh.

In contrast with other dance styles, butoh does not require learning a fixed vocabulary of dance movements. It draws its inspiration and power from internalised imagery: Buto is a “state of continual emptiness” in which transformation is limitless, and it is ‘possible’ to become any other thing. From another perspective, it is the continual process of self-erasure.

This workshop will work on the elements of metamorphosis, presence, readiness, contrast, dance through images, and tension between opposites. The aim is to free the body from its preconceived mundane set of gestures and movements and thus allow us to access a deeper and more authentic essence of movement and archetypal expression. Questioning how Butoh can be translated into a European body and why Butoh is not only relevant but extremely vital today.

Yael shares nearly 3 decades of Butoh Dace experience, having worked and studied with Butohists from 1st, 2nd, and 3rd generation, in Japan and Europe.

Informations

Select each of the sections below to learn about all the workshop specifications and the registration process.

Who is it for?

This workshop is aimed at professionals, students, and people with or without previous experience in movement, dance, and/or theater.

Maximum number of participants: 20 people.

Schedule

Dates: January 17 and 18 (Saturday and Sunday) 2026
Time: From 11:00 a.m. to 5:00 p.m.

Local

Forum Dança / Espaço da Penha
Travessa do Calado, 26B
1170-070 Lisboa

Participation fee

    • Until January 10, 2026: €80.00
    • From January 10, 2026: €90.00
    • 10% discount: for people who attend or have attended long-term courses at Forum Dança (PACAP/CGPAE/PEPCC/etc.);

Pre-registration

Pre-registration is done using the form available on our website and will be validated after receipt of proof of payment, which should be sent to our email address.

Processo de inscrição

  1. Faça a sua pré-inscrição on-line no formulário indicado para o efeito;
  2. Aguarde o nosso email com as instruções de pagamento;
  3. Proceda ao pagamento da sua inscrição, conforme indicado no email enviado;
  4. Envie-nos o respetivo comprovativo de pagamento para o nosso email;
  5. A sua inscrição só é validada após a receção do seu comprovativo.

Form

All fields are required.

Bio

Yael Karavan

Yael Karavan
Yael Karavan

Yael Karavan, award-winning performer, dancer, and Director, In her dance research, she traveled across Japan, Russia and Europe searching for a physical language of expression that bridges between East and West, Dance and theatre. She studied and worked with Butoh masters such as Kazuo Ohno, Tadashi Endo, Carlotta Ikeda, Yumiko Yoshioka, Akiko Motofuji, Ko Morobushi, and Katsura Kan, Yuko Kaseki, Yuko Kawamoto, Natsu Nakajima, Sankai Juku, Akira Kasai, amongst others. She was a member of Tadashi Endo’s MAMU Dance Theatre for nearly 8 years and of Ten-Pen-Chi led by Yumiko Yoshioka for 3 years.

Mais informações: www.yaelkaravan.com

Top image credits © Socrates Mitsos

Exhibitions CTR_matrix

Training takes place between Herdade do Freixo and Forum Dança

Informal presentations of the research process at Forum Dança

The CTR_matriz intensive course group, created and facilitated by João Fiadeiro, presents parts of the process of a residency that began at Herdade do Freixo, in Alentejo, and continues at Forum Dança, in Lisbon.

 

Until October 30, every week at Forum Dança, we will open the studio doors to host informal presentations for the entire community, resulting from the Real-Time Composition exercises.

 

Thursdays | 5:30 p.m.

 

We invite everyone to join us for this opportunity to learn a little about the practice of Real-Time Composition!

General Note

For those wishing to take part in any of our CTR transmission and practice programmes

Even though we are committed to creating a safe place of practice, sustained by a work ethic based on principles of care and mutual respect, the experience of improvisation and performance, by definition, can take performers to places of intense sharing, often vulnerable and emotionally charged, where doubt and error have a prominent place. When signing up, bear in mind that in this practice you may find yourself in situations of experimentation that shake up your comfort zones, even if only temporarily.

Participants

Ali Ahmed Talaat Nagiub (EG), Ana Catarina Oliveira Brito Real (PT), Chloé Saffores (FR), Filipa Carloto Matta e Silva (PT), Kat Freya (EUA), Lucia Giannoni (Buenos Aires), Marise Dinis Sousa (BR), Nia Lejander (AT), Polina Fenko (RU), Rafael Arribas Hernandez (ES), Rocio Barrenechea (AR) Bernardez, Tim Winkler (UK), Valentina Gallo (BR), Vera Yin (EUA)

Real Time Composition activities

CTR Matriz 2025 | ©Márcia Lança

Real Time Composition_Open Sessions

Mondays | 6pm

[no prior registration required]

Facilitated by João Fiadeiro and Márcia Lança

We will continue with the Monday sessions (from 6pm to 7.30pm), which are free and open to anyone, with or without experience in CTR or even in artistic practices. These sessions have proved to be extremely rich as they create a spontaneous community of study and sharing of this tool, in an informal and inclusive way, slowly establishing itself as the backbone of CTR’s presence at Forum Dança. The sessions will be led by João Fiadeiro and Márcia Lança.

 

Runs until November 24, 2025

Information

Select each of the sections below to find out more about the open sessions.

Contextualisation

During the period in which REAL (a structure run by João Fiadeiro from 1990-2019) ran Atelier Real, open sessions were organised for the community to practice Real Time Composition, free of charge. These were unpretentious sessions, somewhere between a jam and a master class, which had an important impact on the community of artists at the time and on research into (and around) this tool. They were also very important sessions as a meeting place and for the creation of professional and emotional networks that continue to this day.

 

Over the next months, as part of the programme of activity developed within the framework of Forum Dança’s Resident Research Artist position, we will replicate these sessions to share our experience, but also to allow ourselves to be contaminated by discourses, perspectives and practices outside our comfort zone. These sessions are open to anyone – artist or non-artist, with or without experience of improvisation, with a background in practice or theory – as long as the premises and principles of this practice arouse curiosity.

 

“The ‘object of study’ of Real Time Composition is the interval that emerges when linear time is interrupted and the sense of continuity is suspended (via accident, incident or ‘just because’). The space that opens up as a result of this interruption is where Real Time Composition research takes place. Within this space, time has that rare quality of being simultaneously ‘no more’ and ‘not yet’. Within this space, time is not linear (or even circular), but ‘twisted’ (like the topological surface of the ‘Möbius Tape’), governed by laws that do not respect the conventional notions of before and after, inside and outside or far and near.”

João Fiadeiro

Who it's for

The sessions are aimed at anyone who identifies with the premises of the proposal and feels available and comfortable to experiment with composition and improvisation practices with the body.

Schedule

Every Monday until November 24, 2025, at 6:00 p.m.

Venue

Forum Dança / Espaço da Penha
Travessa do Calado, 26B
1170-070 Lisboa

Bios

João Fiadeiro

Forum Dança | PACAP 5 - João Fiadeiro
João Fiadeiro © Ana Viotti

João Fiadeiro (1965) is a Portuguese performer, choreographer, researcher, teacher and curator.
He belongs to the generation of artists that emerged at the end of the 1980s in Portugal and gave rise to the New Portuguese Dance movement.
In the 1990s he studied and practised Contact-Improvisation intensively, which led him to pursue and systematise his own research into improvisation under the name Real-Time Composition. This research has led him to coordinate workshops in master’s and doctoral programmes at various schools and universities around the world.
He has toured extensively in Europe, North America and South America with his solo and group works.
His career, whether as a choreographer or performer, or as a researcher or curator, has centred on creating conditions for experimentation, laboratory practice and interdisciplinary cross-fertilisation.
This activity has been carried out both within the framework of directing artistic programming and research projects, which have included the Centro Cultural da Malaposta (1990-95), Espaço Ginjal (1995-1998), Lugar Comum (1999-2000), Espaço A Capital (2000-2002) and Atelier Re.AL (2004-2019), and within the framework of his artistic practice, through creations and research workshops organised around Real-Time Composition.
Atelier Re.AL was a structure that played a leading role in the development of contemporary dance and transdisciplinary initiatives in Portugal.
In all these different meeting platforms, João Fiadeiro was always accompanied by artists who actively participated as creators, performers, researchers and programme-makers, making a decisive contribution to the existence of this project over 30 years of uninterrupted activity.

Márcia Lança

Forum Dança | PACAP 5 - Márcia Lança
Márcia Lança

Márcia Lança was born in Beja and lives in Lisbon. In 2008 she founded VAGAR, of which she is artistic director. She has worked as a choreographer and performer in various collaborative configurations.

She moves in territories where the boundaries between the fictional and the real are tenuous and diffuse. Her interest in the poetic materiality of concrete actions and tasks is at the centre of her creative processes.

She is passionate about emerging collective compositions, thought as action and situated constructions.

General Note

For those wishing to take part in any of our CTR transmission and practice programmes

 

Even though we are committed to creating a safe place of practice, sustained by a work ethic based on principles of care and mutual respect, the experience of improvisation and performance, by definition, can take performers to places of intense sharing, often vulnerable and emotionally charged, where doubt and error have a prominent place. When signing up, bear in mind that in this practice you may find yourself in situations of experimentation that shake up your comfort zones, even if only temporarily.

TECER activities

Imagem © Márcia Lança

Contemporary Dance | Children

Com Sérgio Matias

From 7 to 12 years old

School Year 2025/26

Wednesday | 18h30-19h30

” In these classes, we will intertwine technique and imagination, awakening the body as an instrument of discovery. We begin by waking it up, stretching it, and activating it to activate the energy that dwells within it.

We will explore technical notions while opening space for liberation and expansion. Each proposal is an invitation to challenge attention, refine coordination, give voice to expression, and unleash creativity. Here, questions arise with each movement: How do I move? How do I feel? How can I create my own body? The body ceases to be a presence and becomes language. ”

[Sérgio Matias]

Note: Come try it out on September 17! Classes start on October 1.

Bio 

Sèrge, Sérgio Diogo Matias (1985) began his studies in the visual arts and in 2008 and 2010 enrolled in the Performance/Creation degree program at the Escola Superior de Dança (Higher School of Dance). In the final year of his degree, he attended ArteZ Hogeeschool in Arnhem on an Erasmus scholarship. In 2013/2014, he took the Forum Dança course at PEPCC. As a performer, he has collaborated with Amélia Bentes, Miguel Pereira, Ballet Contemporâneo do Norte, Vânia Rovisco, Henrique Furtado, among others. His creations and collaborations include Insólido (2014), MASS | MESS (2018), GEMINIS (2019), and LOOP (2019). During the 2020/2021 academic year, he was a student on the Composition and Musical Performance course at Restart, which culminated in the presentation/concert of original themes developed throughout the course. In 2023, he played the role of Mário de Sá Carneiro in the play “A Morte do Corvo” (The Death of the Raven), directed by Nuno Moreira, with actors directed by Ana Padrão and choreography by Bruno Rodrigues. In 2024, he is once again a student on the Fórum Dança course, PACAP, under the artistic direction of Miguel Pereira and Nuno Lucas. In the same year, he is the performer-creator of the play “O que é que é para fazer?” (What is there to do?), with the CIC-Rumo group, under the artistic direction of Yana Suslovets.

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.

Top image credits © João Rosa

Creative Dance ’25

With Sérgio Matias

From 3 to 6 years old

School Year 2025/26

Wednesday | 17h45-18h30

” Open the doors of imagination and explore the flavors, dynamics, colors, and textures of movement. This will be the theme for creative dance classes!

We will activate the senses through playful exercises with the aim of developing physical skills and awareness of the parts of the body and the body as a whole. Combining fun with thought and emotions. We will explore scales from the “giant to the microscopic.” Being with myself, being with the other, and being with others. ” [Sérgio Matias]

 

Note: Classes start on October 1.

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.

Bio

Sèrge, Sérgio Diogo Matias (1985) began his studies in the visual arts and in 2008 and 2010 enrolled in the Performance/Creation degree program at the Escola Superior de Dança (Higher School of Dance). In the final year of his degree, he attended ArteZ Hogeeschool in Arnhem on an Erasmus scholarship. In 2013/2014, he took the Forum Dança course at PEPCC. As a performer, he has collaborated with Amélia Bentes, Miguel Pereira, Ballet Contemporâneo do Norte, Vânia Rovisco, Henrique Furtado, among others. His creations and collaborations include Insólido (2014), MASS | MESS (2018), GEMINIS (2019), and LOOP (2019). During the 2020/2021 academic year, he was a student on the Composition and Musical Performance course at Restart, which culminated in the presentation/concert of original themes developed throughout the course. In 2023, he played the role of Mário de Sá Carneiro in the play “A Morte do Corvo” (The Death of the Raven), directed by Nuno Moreira, with actors directed by Ana Padrão and choreography by Bruno Rodrigues. In 2024, he is once again a student on the Fórum Dança course, PACAP, under the artistic direction of Miguel Pereira and Nuno Lucas. In the same year, he is the performer-creator of the play “O que é que é para fazer?” (What is there to do?), with the CIC-Rumo group, under the artistic direction of Yana Suslovets.

Contemporary Dance ’25

With Josefa Pereira & Bárbara Faustino

School year 2025/26

Tuesday & Wednesday | 19h30-21h30

ESGOTADO

As aulas de Dança Contemporânea já se encontram esgotadas. Se tiver interesse em frequentar, envie-nos um email para marcar presença na nossa fila de espera.

“The Contemporary Dance classes at Forum Dança will be conducted in the 2025/26 academic year through a multifaceted experience proposed by Josefa Pereira, Bárbara Faustino, and guests. The aim of our classes is to create a space for encounter and collectivity, where the alternation between artists encourages the sharing and crossing of different bodily practices, exploring both what they have in common and the particularities that each work proposal will allow them to experience.

Based on this exchange between teachers/artists and students/artists, the aim is to provide a context for experimentation that activates in each participant the availability and readiness necessary for a journey through practices that seek to provide the experience of creative tools through dance and the body in movement.

In our classes, different techniques and training methods are used to achieve a more powerful and self-aware body. Little by little, we cultivate a sensitive, more accessible, and porous body, with better vitality and energy circulation, more resilient and malleable with itself and in relation to its surroundings. Finally, we seek to mobilize a more inventive body that is constantly updating its ways of being and existing.

The classes on Tuesdays and Thursdays are open to anyone interested in dance and movement practices. Therefore, not only dance artists and beginners are welcome, but also people who have no previous experience in physical practices. Curiosity and availability are the only requirements to join us.”

[Josefa Pereira and Bárbara Faustino]

 

As part of the annual scholarships offered by Forum Dança, we would like to extend an invitation to black, trans, non-binary, and/or immigrant individuals who are unable to afford the classes. If you fall into any of these categories and are interested in joining us, please contact us by email at: forumdança@forumdanca.pt

(the two scholarships available will be awarded in order of application)

Biographies

Josefa Pereira (BR/PT) is a choreographer and performer. She lives in Portugal and collaborates in São Paulo, the city where she grew up and trained artistically. She completed her master’s degree at DAS Choreography – AHK (NL) with a scholarship from the Gulbenkian Foundation. She participated in PACAP and graduated in Dance and Performance at PUC-SP (BR) as a PROUNI program scholarship recipient.

With a strong focus on practice and research, her artistic approach involves engaging with available and readily accessible materials that can emerge as fabulous, enchanted, or monstrous. Her attention focuses on a field of listening and sensitivity in which doing through different frictions becomes capable of enabling other potentials of poetic and aesthetic agency, generating transformations and mutations of forms, states, and perceptions. In this dynamic relationship between materials/collaborators or between human and more-than-human entities, collaborative thinking, cooperative agency, and coexistence implied in each choreographic gesture are prioritized.

In addition to her authorial work and collaborations as a performer and in the field of dramaturgy, she is dedicated to teaching activities, which include classes and workshops.

https://cargocollective.com/josefapereira

 

Bárbara Faustino (BR/PT) is dedicated to creation and teaching in the areas of contemporary dance and performance. She researches the body as a territory of study where expressive possibilities are infinite and investigates the fertile dialogue between teaching and creation. She graduated from the Municipal Ballet School of the Municipal Theater of São Paulo and also holds a degree in Dance and Movement from Anhembi Morumbi University. She completed the Pre-Primary and Primary Teachers’ Course at the Royal Academy of Dance of London.
Based in Portugal since 2014, she has worked as a dancer, manager, and dance teacher at Musibéria – International Center for Music and Dance of the Iberian World – in Serpa, Alentejo, where she developed her own research in the areas of dance teaching and creation. She currently resides in Lisbon, working as a dance teacher at venues such as Academia Inatel and Fórum Dança, in addition to continuing her artistic research at the intersection of teaching, performance, and creation. She worked with Jérôme Bel on THE SHOW MUST GO ON, founded the HIDRA dance company in partnership with dancer Janice Iandritsky, and is also part of Mosaicollective. She recently received the Pédexumbo New Creations Grant for the project “ATRAVESSAR – the invention of a dance route through the Celeiros neighborhood.”

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.

From Body to Body ’25

With Gisela Dória

Interdisciplinary movement practices

School year 2025/26

Monday | 19h30-21h00

These classes are for anyone who wants to explore the body in action and discover the pleasure of moving — with or without dance experience.

Inspired by techniques such as contemporary dance, Pilates, Gyrokinesis®, and other somatic practices, Gisela Dória leads a process-oriented work that values the uniqueness of each body, developing physical awareness and sensory perception.

More than simply combining methods, the classes integrate different approaches to expand the pleasure of movement, physical functionality, and vitality. They also create space for continuous self-observation and reflection about our bodies.
These sessions are designed for those who, instead of a traditional gym setting, prefer a creative and welcoming environment.

 

[Gisela Dória]

Duration: 1h20
For: adults of all ages, no technical prerequisites

 

Note: classes begin in October

Biografia

Gisela Dória is a choreographer, researcher, teacher and dancer who graduated from the College of the Royal Academy of Dance in London. She is a collaborator with the Centre for Theatre Studies at the University of Lisbon. She has a post-doctorate from USP’s School of Communications and Arts, a doctorate in Performing Arts from Unicamp’s Institute of Arts and a master’s degree in Performing Arts from USP. She published the book ‘A Poética de Sem Lugar: Por uma Teatralidade na Dança’ in 2013. She founded and directed Duo Escola de Dança in Campo Grande, MS, Brazil for over 24 years. She specialises in Pilates, GYROKINESIS® and Klein Technique® certification.
As a choreographer and performer, she has collaborated with Ginga Cia de Dança, Dançurbana and Coletivo Performa Teatro.

Personal website at www.giseladoria.com

Pre-registration process

  1. Pre-register online using the form provided;
  2. Wait for our email with payment instructions;
  3. Pay for your registration as indicated in the email sent to you;
  4. Send us proof of payment to our email address;
  5. Your registration will only be validated once we have received your receipt.
Meg Stuart/Damaged Goods | Let’s Not Get Used To This Place

Book Meg Stuart / Damaged Goods

Let’s Not Get Used To This Place

 

Meg Stuart / Damaged Goods 2008-2023

Let’s Not Get Used To This Place is a publication dedicated to the work of choreographer Meg Stuart and the company Damaged Goods, marking over a decade of choreographic creation.

Edited by Julie De Meester, Astrid Kaminski, and Jeroen Versteele, Let’s Not Get Used To This Place brings together an extensive collection of materials – reflections, interviews, scores, process notes, essays, poetry, photographs, and performance texts – that span Stuart’s work between 2008 and 2023.

 

As a memorial gesture for PACAP 8, a program directed by Meg Stuart in 2025, Forum Dança is offering a limited number of copies for sale.

[limited to the available stock]

Informations

About the book

Let’s Not Get Used to This Place // Meg Stuart/Damaged Goods

Since the early nineties, Meg Stuart, born 1965 in New Orleans, USA, and her Brussels-based dance company Damaged Goods, have produced a remarkable and audacious body of choreographic work. Ten years ago, Damaged Goods published Are we here yet? (ed. Jeroen Peeters), which spans the first twenty years of Meg Stuart’s career. 

 

In Let’s Not Get Used to This Place, the choreographer dives into more than a decade of works through reflections, interviews, scores and exercises, and notes on the practice of creating, performing, teaching and living dance. These are mixed with reports, essays and poetry by close collaborators and intimate strangers, photos, performance texts and archive material. The book’s title, gleaned from one of Stuart’s recent video works, ties together these multifaceted sources in a desire to discard tried and tested strategies, explore new contexts, and transgress the edge of what we (do not) know.

 

This publication also coincide with the thirtieth anniversary of Damaged Goods: a perfect way to celebrate this remarkable legacy.

Excerpt

‘For years, I have been calling out the word ‘change’ to dancers, so that they move from one improvised state to another without attachment or preparation. The more I propose this task, the more I discover that what remains is more significant than the change itself. The change reinforces not only the quality of letting go, but also the commitment of the attention we give to the state or physical idea we let go of. Abrupt changes mark where we are, what we have to leave, and what it takes to let go and open up again.

In another exercise, we hold a person tightly, and keep holding onto the trace of this physical contact after we let go of them; then we move with the trace and shape of this person. You can also do this with objects. Every lived experience leaves a mark. By tracing the shape of this mark, we take the experience with us to the next place. I believe that time is not one singular flow. You can always retrace and reframe. Past events are not fixed; they are a process that is still unfolding. You can write letters to people who have died, for example. It shifts your relationship with them. I have done this.’

 

Meg Stuart

+ Info

Edited by: Astrid Kaminski, Jeroen Versteele, Julie De Meester

Graphic design: Sean Yendrys with Björn Giesecke

Contributions: Jean-Marc Adolphe, Márcio Kerber Canabarro, Tim Etchells, Thomas F. DeFrantz, Philipp Gehmacher, Ezra Green, Astrid Kaminski, André Lepecki and Eleonora Fabiano, Jeroen Peeters, Gerald Siegmund, Claire Vivianne Sobottke, Maria F. Scaroni, Meg Stuart, Jeroen Versteele, Jozef Wouters and many others.

 

Distributed by: les presses du réel

Language: English 528p., 16.5 x 23.5 cm

ISBN: 9782960320718

Price:

€45 regular price

€38 discount for former students of long-term courses at Forum Dança

 

More information and pre-orders at forumdança@forumdança.pt

Bio

Meg Stuart

Forum Dança | PACAP 8 - Meg Stuart
Meg Stuart © Camille Blake

Choreographer, director, and dancer who lives and works in Berlin and Brussels. With her company, Damaged Goods, founded in 1994, she has created over thirty productions, ranging from solos and duets to group pieces, video works, site-specific creations and improvisation projects.

Stuart’s work moves freely between the genres of dance, theater and visual arts, driven by an ongoing dialogue with artists from different disciplines.

Through fictions and shifting narrative layers, she explores dance as a source of healing and a way to transform the social fabric.

Improvisation is an important part of Stuart’s practice, as a strategy to move from physical and emotional states or the memory of them.

Meg Stuart has received many awards for her work, notably the Golden Lion for Lifetime Achievement at the Biennale di Venezia in 2018, and she was a recipient of a Guggenheim Fellowship in 2023.

More informations: www.damagedgoods.be

Top image credits © Book cover: photo by Eva Würdinger, design by Sean Yendrys

Activities PACAP 8

Lectures PACAP 8 / Mystery School

PREMIERE 2025

PREMiERE Open Days in Oporto

As artes do espetáculo encontram-se com a tecnologia

19 a 21 de setembro de 2023

O PREMiERE é um projeto de investigação e inovação do Horizon Europe que visa modernizar as artes do espetáculo, desenvolvendo e validando um ecossistema abrangente de aplicações digitais, alimentado por tecnologias de ponta de IA, XR e 3D. Para tal, reúne parceiros de academias de arte, salas de espectáculos, centros de investigação e do sector empresarial, de seis países europeus diferentes.

 

Durante os Open Days do PREMIERE, o IDlab da Academia de Teatro e Dança e o ICK Space for Dance Art co-organizarão reuniões abertas, uma mesa redonda e um evento de discurso público com e para a comunidade local das artes performativas e o público em geral, a fim de apresentar o trabalho em curso do projeto, interagir com estudantes, antigos alunos e profissionais e refletir em conjunto sobre as potencialidades criativas e os aspectos éticos das relações entre a tecnologia, as artes performativas e o conhecimento intuitivo incorporado.

 

Serão três os eventos Open Day co-organizados e acolhidos pela IDlab ATD Academy of Theatre and Dance & ICK Space for Dance Art:

 

Terça-feira, 19 de setembro

Apresentações da Premiere – MEET & GREET
Apresentação dos quatro projectos-piloto e mostra do trabalho em curso relativo à captura e análise de movimentos, ensaios em RV, tecnologias de linguagem e criação de ontologias para as artes performativas.
17:00-18:30 | AHK Culture Club Marineterrein
Kattenburgerstraat 5, 27E, 1018 JA Amesterdão

 

Quarta-feira, 20 de setembro

Arquivar para o futuro – Mesa redonda
Mesa redonda pública com especialistas em artes performativas sobre as práticas de arquivo numa dimensão europeia.
14:00 – 18:00 | AHK Culture Club Marineterrein 
Kattenburgerstraat 5, 27E, 1018 JA Amesterdão

 

FRA: IA, Criatividade e o Corpo em Revolta
Potenciais criativos e aspectos éticos das relações entre a tecnologia, as artes performativas e o conhecimento intuitivo incorporado.
19:00-21:00 | ICK Space for Dance Art – WestBeat /Rhino Space 
Rijnlandlaan 3, Gebouw Westbeat 
Este evento será transmitido em direto.

 

Quinta-feira, 21 de setembro

Encontro de caminhadas
Apresentação do workshop de tecnologia interactiva do Instituto Stocos para ex-alunos/estudantes/artistas.
17:00 – 19:00 | ATD IDlab Studio 
Jodenbreestraat 3, 1011 NG Amesterdão

Registe-se aqui.

 

Todos os eventos terão lugar no local e são gratuitos. Descarregar o programa completo aqui. Toda a informação em inglês no site do projeto PREMiERE, aqui.

PREMiERE logo
Financiamento pela EU

Financiado pela União Europeia. Os pontos de vista e opiniões expressos são, no entanto, da exclusiva responsabilidade do(s) autor(es) e não refletem necessariamente os da União Europeia ou da Agência Executiva Europeia de Investigação (REA). Nem a União Europeia nem a autoridade que concedeu o financiamento podem ser responsabilizadas pelos mesmos.

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