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Forum Dança - Meg Stuart | PACAP 8

PACAP 8
soon

Performing Arts Advanced Programme

Curated by Meg Stuart

Edition to take place in 2025

Forum Dança has invited choreographer Meg Stuart to curate the 8th edition of PACAP, which will take place in 2025.

American choreographer and dancer Meg Stuart works from Brussels and Berlin with her company Damaged Goods. Stuart’s oeuvre, which comprises over thirty creations, is situated on the border between dance and theatre. Stuart has been at the forefront of numerous improvisation projects and regularly collaborates with artists in the fields of visual arts, music and dance.

More information about this next edition and the application process will be available soon.

 

More information about Meg Stuart/Damaged Goods here.

PACAP 8 Activities

PACAP 8 / Mystery School lectures

Support and Partnerships

Co-Production PACAP 8: Culturgest | Teatro do Bairro Alto | Anda & Fala | Walk e Talk | Goethe-Institut Portugal, in the scope of Kulturfest festival.

Co-producer in Residency PACAP 8: O Espaço do Tempo

Support PACAP 8: Alkantara | Casa da Dança – Almada | Fundação GDA | Kees Eijrond Foundation | OPART, E.P.E/Estúdios Victor Córdon | O Rumo do Fumo | Piscina

Forum Dança | Parcerias e Apoios PACAP 8

Top image credit © Edouard Jacquinet (2018)

Palestra "A Minha História da Dança", por Mark Tompkins

Mark Tompkins

28 March 2024, at 18h30
Espaço da Penha – Lisbon
Approximate duration: 2 hours

Free entry, subject to capacity.

 

An American dancer, choreographer, singer and teacher, he founded the I.D.A. Company in 1983. His way of making unidentified performance objects, mixing dance, music, song, text and video, has become his signature. Solos, group pieces, concerts and improvised performances are all elements of this journey, which began in the 1970s, with the complicity of set and costume designer Jean-Louis Badet in 1988. His passion for real-time composition has led him to collaborate with dancers, musicians, light designers and video makers. Recognised for his teaching, he travels all over the world. In 2008, he was awarded the SACD Choreography Prize for his work as a whole (Society of Dramatic Authors Composers).

 

Fascinated by the frictions and resonances between high and low entertainment, his shows are inspired by popular forms such as cabaret, music hall, musicals and burlesque, as well as themes of ambiguity and ambivalence. She sings and dances in the concerts of Sarah Murcia & musicians, NEVER MIND THE FUTURE and MY MOTHER IS A FISH, and collaborates with choreographer Mariana Tengner Barros in A POWER BALLAD and RESURRECTION. He recently published ONE SHOT dialogues on real time composition, with Meg Stuart and the images of Gilles Toutevoix at Editions L’œil d’or. His most recent performances: a solo STAYIN ALIVE (2018) and a trio CELEBRATION (2021).

 

Photo © Denise Luccioni

Forum Dança - PACAP 7

PACAP 7
Participants

Biographies

Select each of the sections below to meet the artists participating in PACAP 7.

Beatriz Baião (PT)

Forum Dança - PACAP 7 - Beatriz Baião (PT)
Forum Dança - PACAP 7 - Beatriz Baião (PT)

Beatriz Baião, 2001, Setúbal. She began her artistic life with ballet classes at Vitória FC’s gymnastics centre, where she stayed for 8 years.

However, the search for something more led her to the theatre.

With a degree in Theatre from the Caldas da Rainha School of Arts and Design, she is now looking to discover herself more and more as an actress/dancer, director and perhaps artist.

Carlota Mantecón (ES)

Forum Dança - PACAP 7 - Carlota Mantecón (ES)
Forum Dança - PACAP 7 - Carlota Mantecón (ES)

Carlota Mantecón (Tenerife, Spain).

In my artistic practice I relate to the sound or the tactile, developing somatic and perceptive sensitivities as a starting point from which to explore other ways of coexisting.

I fabulate with choreographies between the singular and the plural, in an attempt to displace the normative individualistic gaze.

Damien Najean (FR)

Forum Dança - PACAP 7 - Damien Najean (FR)
Forum Dança - PACAP 7 - Damien Najean (FR)

Damien Najean. Trained as an architect, I turned away from conventional project management to seek alternative paths in architecture.

Joining architectural collectives, I experimented various connections between architecture, urban planning, events and open construction sites.

Learning raw earth masonry enabled me to link the hand that designs to the hand that builds, while integrating a criticism of relationships of domination.

Today I’m convinced that it’s through dance that I can connect and makes my approaches of architecture evolves in order to nourish a freedom that takes power over our livelihoods and interdependencies.

Giulia Romitelli (IT)

Forum Dança - PACAP 7 - Giulia Romitelli (IT)
Forum Dança - PACAP 7 - Giulia Romitelli (IT)

With background studies in dance and architecture, Giulia Romitelli is fascinated by merging movement, visual, and plastic arts.

Her current research delves into the body as a repository of memories and probes the existential features of humankind.

Guillermina Gancio (UY)

Forum Dança - PACAP 7 - Guillermina Gancio (UY)
Forum Dança - PACAP 7 - Guillermina Gancio (UY)

Guillermina Gancio Bertoletti. Born in Uruguay in 1994. Graduated from the National School of Dance of Uruguay in its contemporary dance division.

She has participated in seminars with national and foreign artists.

She works as a teacher and choreographer with children, young people and adults; as a photographer of scenic projects, and since 2013, she has been working professionally as a performer of pieces that combine dance and performance.

Hernie Harmon (DE)

Forum Dança - PACAP 7 - Henri Kirsch (DE)
Forum Dança - PACAP 7 - Henri Kirsch (DE)

Hernie Harmon is a multidimensional artist, exploring life through the expressive body of performance, nature and Butoh.

Jakob von Kietzell (DE)

Forum Dança - PACAP 7 - Jakob von Kietzell (DE)
Forum Dança - PACAP 7 - Jakob von Kietzell (DE)

Jakob von Kietzell is a multidisciplinary creative at the intersection of movement, visual arts, and design, based in Berlin and around Europe.

He is passionate about cross-collaborations, exploring human interactions and site-specific work.

Joana Duvet (PT)

Forum Dança - PACAP 7 - Joana Duvet (PT)
Forum Dança - PACAP 7 - Joana Duvet (PT)

Joana Duvet began in visual arts at the Artistic School António Arroio.

Later, curious about textile plasticity, she dedicated herself to handcrafted embroidery at the Royal School of Needlework.

In Portugal, Joana graduated in fashion and textile design.

Her fascination with dance led her to classical ballet and contemporary dance.

Currently, she explores body practices.

Katerina Giannouli (GR)

Forum Dança - PACAP 7 - Aikaterini Giannouli (GR)
Forum Dança - PACAP 7 - Aikaterini Giannouli (GR)

Katerina Giannouli (she/her) is a performance artist and choreographer based in Athens. She has graduated in Psychology (UK) and Dance Studies (Greece).

Her artistic practice is often fueled by introspection and personal challenges, interweaving autobiographical elements to deepen her exploration of the self and the threshold between the personal and the collective. Her thematic explorations include among others, internal dialogues on fear and loss, the complex process of transformation, and the delicate interplay between pleasure, intimacy, and the struggles of caregiving. In crafting her creative vision, she utilizes a variety of tools and media, such as the body and its senses, movement, found objects, writing, and drawing. In her choreographies, she frequently integrates elements of repetition, linearity, and bouncing to establish structure and rhythm.

She is a founding member of M54 Collective, an independent space that aims to support the Athenian dance community and art scene, by hosting performances, workshops, and interdisciplinary art projects.

As an independent artist, she has choreographed and performed in solo pieces and duets, while also presenting site-specific and improvisational performances. Namely, 4/1 Capriccio (2015), Lamento (2016), Moving Sound (2017), Red Ghost (2018), Having One No Idea (2018), and The Other Things That You Say (2018).

Αs a member of the Underscore Collective, an independent dance group, she has collaborated on research projects, such as Open Field (2021) and Caring as Pleasure: Brush Me Before I Go To Bed (2022).

As a teacher, she delivers improvisation classes. Through this shared experience she aims to empower participants to develop their connection to their bodies, self-expression, and each other.

Luna Anaïs (CH)

Forum Dança - PACAP 7 - Luna Anais (CH)
Forum Dança - PACAP 7 - Luna Anais (CH)

I am dedicated to creation, production, and performance, actively participating in various projects and collectives in Montevideo, such as TIGRE, HYPED, RAREO, among others.

My explorations are influenced by music, celebration, and sensitive experiences.

My creative process unfolds through collaboration, curiosity, discovery, and intuition, engaging in artistic endeavours that manipulate ideas to create scenic experiences and foster communal interactions.

I am part of the FIDCU team and firmly believe that art is a state of encounter – a way for me to connect with others.

When I create, I engage in a dialogue with my inner darkness, beasts, and places. I pour myself into the performance, allowing what moves me to manifest.

Marina de Moraes (BR)

Forum Dança - PACAP 7 - Marina de Moraes (BR)
Forum Dança - PACAP 7 - Marina de Moraes (BR)

Marina de Moraes. Artist and Researcher in the Arts of the Body, with an emphasis on Creation Processes and Dramaturgies in Dance and Decolonial, Feminist and Political-Cognitive Studies.

She currently is studying for a master’s degree in Dance at PRODAN-UFBA in the line of Artistic Experiences, Production and Management in Dance, where her research has been awarded a Fabesp research grant and also a PIBEXA 2023 notice (for the production of the piece she has been developing); she has a degree in Visual Arts from the Institute of Arts – UFRGS, and has undertaken ANDIFES academic mobility in Visual Arts at the Centre for Art, Humanities and Letters – UFRB.

Marusya Byzova (RU)

Forum Dança - PACAP 7 - Mariia Byzova (RU)
Forum Dança - PACAP 7 - Mariia Byzova (RU)

Marusya Byzova (born in 1998) was raised in Saint Petersburg, Russia, before moving to Yerevan, Armenia, in 2022.

A dancer and performer with diverse backgrounds, she began with ballroom dance competitions, then explored contemporary dance, theatre, somatic practices, and vogue.

Over the past year, ballroom culture has been a significant influence and main focus for her.

Maria holds a BA degree in architectural environment design (2016-2021).

Currently, she is intrigued by exploring movement through an ironic lens, incorporating elements of games, pop-culture references, and personal memories into her artistic expression.

Maud Buckenmeyer (FR)

Forum Dança - PACAP 7 - Maud Buckenmeyer (FR)
Forum Dança - PACAP 7 - Maud Buckenmeyer (FR)

Maud Buckenmeyer (France, 1996) navigates through different performative layers and mediums in order to create narrations where dance, storytelling, voicing and burlesque can merge.

She is dealing with the topics of loss and grief and is interested in dance as a place of invocation and imaginary.

She studied literature, theatre, and clown before graduating from the inter-university of dance in Berlin (HZT) in July 2022.

Minjin Lee (KR)

Forum Dança - PACAP 7 - Minjin Lee (KR)
Forum Dança - PACAP 7 - Minjin Lee (KR)

Minjin Lee (1995) is a dance artist based in Seoul, Korea. After finishing her studies in dance at Kookmin University, she started her practice as a dancer by performing with Lee K. Dance company. She also collaborated in depth with choreographers such as Lyon Eun Kwon (KR) and Mårten Spångberg(SE).

Recently her research is about the authorship of dance and body as a political statement. Based on her experience and memories as a dancer and a performer, she is reinvestigating the role and the position of being a dancer as a mediator between the viewer (audience, choreographer and more) and the dance itself, which no one owns and cannot be owned.

She explores dancing with (the) others to capture the moment when the dynamic of hierarchy reverses in the process of making dance.

She also cofounded Femifloor, which is a feminist community organization based in Seoul. We organize events such as lectures, workshops, and festivals to create a continuous discourse of feminism within the dance scene in Korea.

Renan Capivara (BR)

Forum Dança - PACAP 7 - Renan Capivara (BR)
Forum Dança - PACAP 7 - Renan Capivara (BR)

Renan Capivara (Brazil, 1993) is a body and stage artist, yoga instructor and dancer with a degree in Dance Education from the Federal University of Ceará (BR).

He directs his research, creation, and pedagogical sharing around the body in movement, states of presence and dramaturgical composition.

He works on creative projects of collective and solo authorship that focus on choreographic research, bodily practices, and imaginative and fictional elaborations.

Sérgio Diogo Matias (PT)

Forum Dança - PACAP 7 - Sérgio Diogo Matias (PT)
Forum Dança - PACAP 7 - Sérgio Diogo Matias (PT)

Sèrge, Sérgio Diogo Matias (1985) began his studies in the visual arts and in 2008 and 2010 he took a degree in Interpretation/Creation at the Escola Superior de Dança.In the final year of his degree, he attended the ArteZ Hogeeschool in Arnhem on an Erasmus scholarship. In 2013/2014 he took the Forum Dança PEPCC course.

As a performer, he has collaborated with Amélia Bentes, Miguel Pereira, Ballet Contemporâneo do Norte, Vânia Rovisco and Henrique Furtado, among others.

His creations and collaborations include Insólido (2014), MASS|MESS (2018), GEMINIS (2019) and LOOP (2019).

During 2020/2021 he was a student on the Composition and Musical Performance course at Restart, which culminated in the presentation/concert of the original themes developed during the course.

In 2023 he played the role of Mário de Sá Carneiro in the play “A Morte do Corvo”, directed by Nuno Moreira, with actors by Ana Padrão and choreography by Bruno Rodrigues.

He is currently a student on the PACAP7 course, directed by Miguel Pereira and Nuno Lucas, at FORUM DANÇA.

Actividades PACAP 7

Support and Partnerships

PACAP 7 co-producer:  Teatro do Bairro Alto.

PACAP 7 co-producer in Residency: O Espaço do Tempo

PACAP 7 support: Alkantara, Casa da Dança – Almada, Fundação GDA, OPART, E.P.E./Estúdios Victor Córdon, O Rumo do Fumo and Piscina.

Forum Dança | Parcerias e Apoios PACAP 7
Núcleo - Programa de Residências Artísticas do Forum Dança

Núcleo 2024

Núcleo emerges as a project that fulfils one of Forum Dança’s objectives: to host artistic residencies and the informal presentations that result from them, under the care of a specific programme line.

It has a self-reflexive impulse in Forum Dança’s history, referencing the Núcleo de Apoio Coreográfico (NAC) – Choreographic Support Centre -, which in the 1990s was an important platform for supporting the creation and internationalization of Portuguese dance.

It is a place of experimentation, where the craft of creating, showing, reflecting, creating circularity with the artistic community and its public side in the creation and mediation of audiences is taken care of.

Artistic Residencies 2024

Open Call deadline: February 4, 2024

As one of Forum Dança’s objectives is to support residencies, in accordance with the programme outlined by its artistic direction, the Residency Programme is designed to create a space that allows for a period of experimentation and research through action, linking creation with transmission to the artistic community.

This year’s programme will support three projects in the field of contemporary dance or performance. We will favour projects that are at an early stage of development.

The programme offers rehearsal space, artistic supervision by Forum Dança’s associate artist-researcher João Fiadeiro and a support grant of €750 (seven hundred and fifty euros).

Periods

  • Residency 1: October 7 to 18
  • Residency 2: October 28 to November 8
  • Residency 3: November 18 to 29

Conditions

  1. Support for 3 projects selected by Forum Dança’s management;
  2. A grant of €750 (seven hundred and fifty euros) per residency, upon submission of a green receipt or equivalent (in the case of artists not resident in Portugal, must present a tax residency certificate issued by the authorities in their country of residence.);
  3. Support for publicising the project in Forum Dança’s media;
  4. Final public sharing, in the residency space, in the form of an informal show, talk or similar, with João Fiadeiro as mediator;
  5. Mandatory mention of “Support for Creation – Forum Dança” and insertion of the logo in all the project’s promotional material;
  6. Provision of the record of the presentation of the supported project, where applicable, for archiving in the Forum Dança Documentation Centre;
  7. The organisation of travel, accommodation, meals, and medical assistance during the period of the residencies is the sole responsibility of those taking part.

Artistic supervision

These artistic residencies will be overseen by João Fiadeiro.

Forum Dança | PACAP 5 - João Fiadeiro
João Fiadeiro © Ana Viotti

Born in 1965, João Fiadeiro is part of a generation of choreographers that emerged in the late 1980’s and gave rise to the Nova Dança Portuguesa (New Portuguese Dance).

His career, both as a choreographer or performer and as a researcher or curator, has centered on creating conditions for experimentation, for laboratorial practices and for the intersection between artistic and scientific research. This activity was developed as much by coordinating programming and artistic research projects at Centro Cultural da Malaposta [1990-95], Espaço Ginjal [1995-98], Lugar Comum [1999-2000], Espaço A Capital [2000-2002] and Atelier Real [2004-2019] as by his artistic practice through his choreographies and the research workshops on and around Real Time Composition.

In all these different platforms João Fiadeiro was always accompanied by artists that participated as creators, performers, researchers and programmers, contributing in a decisive manner to the existence of this project through thirty years of non-stop activity.

Process

Applications must be submitted by February 4, 2024.

The results will be announced by email, by April 1, 2024.

Application form

All fields marked with * are mandatory.

Applications are closed.

Results

The following projects were supported:

 

  • Residency I – 28 October to 8 November: Clarissa Rêgo Teixeira
  • Residency II – 18 to 29 November: Herlandson Duarte
  • Residency III – 9 to 20 December: Inés Sybille Vooduness

 

The residencies will always have an informal show on the last day (Fridays).

In addition to filling in the form at the bottom of this page, you must send us a filled-in project sheet in pdf format (up to 2 MB). The project sheet is available at this link:

 

Project Sheet | Application Núcleo 2024

Foram apoiados os seguintes projetos:

 

  • Residência 1 (7-18 Agosto): Ana Renata Polónia com o projecto VERBAL IMAGES
  • Residência 2 (21 Agosto-1 Setembro): Inês Cartaxo com o projecto SUPERADAPTATION
  • Residência 3 (21 Agosto-1 Setembro): Sara Manubens e Ves Liberta com o projecto NOSFERATU: A SYMPHONY OF HORROR
  • Residência 4 (16 – 27 Outubro): Djam Neguin com o projecto Tx@bet_a
  • Residência 5 (30 Outubro – 10 Novembro): Sara Bernardo com o projecto Efemérida
  • Residência 6 (13 – 24 Novembro): Andrei Bessa e Acauã El Bandide Shereya com o projecto URRO – Parte 3 – Para não caber no mundo
Palestra "A Minha História da Dança", por Cristina Planas Leitão

Cristina
Planas Leitão

18 January 2024, at 18h30
Camões Library – Lisbon
Approximate duration: 2 hours

Free entry, subject to registration.

 

Choreographer, performing arts programmer and teacher. She is co-artistic director of Ágora’s Performing Arts Department (Teatro Municipal do Porto, DDD – Festival Dias da Dança, CAMPUS Paulo Cunha e Silva), having taken over as interim artistic director in July 2022, and the performing arts programme, under the artistic direction of Tiago Guedes, since 2019. In 2011, she was one of the initiators of the desNORTE meetings (2011-2017) and was a member of the Braga’27 consultancy group.

Her aggregative curatorial practice focuses on the development of sustainable creative formats, new narratives and caring relationships in the performing arts. She approaches her choreographic work as an act of resistance and affection, researching themes connected to social and political movements, and their relationship to the performing body in the intimacy of the theatre. She created The very delicious piece and The Very Boring Piece, with Jasmina Krizaj, bear me, FM [featuring mortuum] and UM [unimal], chosen as one of the best pieces in 2018 by JN and Expresso. In 2023 he premieres [O SISTEMA] in a co-production with 23 Milhas, TM Faro and TAGV.

Her work is documented in the RTP2 series Portugal que Dança. She has a degree in contemporary dance from ArtEZ, where she is a mentor and regular teacher. She teaches internationally, using a somatic and unconventional approach.

 

Photo © José Caldeira

Palestra "A Minha História da Dança", por Margarida Bettencourt

Margarida Bettencourt

2 November 2023, at 18h30
Camões Library – Lisbon
Approximate duration: 2 hours

Free entry, subject to registration.

 

Margarida Bettencourt was born in 1962 in Johannesburg, South Africa, where she started dance classes as a child while also taking part in sporting activities such as swimming, gymnastics and tennis. She moved with her family to Portugal in 1973. She is a dancer-choreographer and dance teacher who is considered one of the pioneers of Portuguese New Dance.

She attended the Calouste Gulbenkian Foundation’s dance training courses and then joined the company where she danced from 1980 to 1993. She soon began working independently, solo and in collaboration with other artists, namely the dancer and choreographer João Natividade with whom she formed the group Aparte. She maintained a close creative relationship with composers Carlos Zíngaro and Constança Capdeville, with works commissioned by the Calouste Gulbenkian Foundation’s Acarte Service, Culturgest, Forum Dança and the Danças na Cidade Festival.

Her solo work is characterised by an emphasis on the body as a potential for expression and communication – in 2009 the adaptation of ‘At Once’ by American choreographer Deborah Hay, in collaboration with artist João Tabarra, was another stage in this research.

From 1997 to 2012 she taught at various dance teaching institutions, namely the Escola de Dança do Conservatório Nacional, Escola Superior de Dança, Forum Dança, and was a member of various reflection groups on dance teaching in Portugal.

In 2006 she was a tutor on the Choreography Course organised by the Calouste Gulbenkian Foundation.

In 2007, she completed her training as a therapeutic chi kung instructor at the Escola Superior de Medicina Tradicional Chinesa – where she now regularly teaches this discipline in various contexts.
She has continued her research into the development of a relationship with the body as a potential transformative, therapeutic and inspiring force – exploring the integration of her personal history and experience as a dancer, training and practice with anatomy, the physiology of the body, processes and rituals of creation.

After accompanying her father during his last year of life, she trained as a volunteer to accompany people at the end of their lives – with AMARA, an association whose mission is dignity in life and death. All these experiences have fuelled the way she develops and shares her practice with passion and devotion for the body and movement as a vital force.

 

Photo © António Rebolo

Palestra "A Minha História da Dança", por Sofia Neuparth

Sofia Neuparth

12 October 2023, at 18h30
Camões Library – Lisbon
Approximate duration: 2 hours

Free entry, subject to registration.

 

Sofia Neuparth has a unique career in Contemporary Art in Portugal. It is her understanding of the body as an event in relationship that determines all her actions, from the training work she has been doing since the early 1980s to the programming of the professional structure she co-created and directs. This is how, at the end of the 1980s, he created a space for research, experimentation, training, creation and artistic documentation that supports practices in the study of the Body, Movement and the Common: c.e.m-centro em movimento. The c.e.m organisation’s regular programming includes the Experimental Space (in existence since 1993), the work with the city since 2005 (Pedras – practices with people and places), the research / creation / training programmes (such as O Risco da Dança, FIA or DEMORA) that have been taking shape since the late 1990s, and the constant side-by-side monitoring of paths of experimentation and creation.

 

A teacher, researcher and creator, she nurtures the continuous reflection to which she dedicates herself, exercising the generation of possible worlds and practising Art as a fundamental form of Knowledge. Active and critical in relation to the recurrent implementation of policies (not just cultural ones) that tend to stifle the vitality of existence, she was involved in the creation of APPD (Portuguese Association for Dance) and REDE (Association of Structures for Contemporary Dance), which she co-directed for several years, continuing to be attentive and involved in the generation of implicated and vibrant ways of being.

 

She keeps the experience of dance open in the encounter with other forms of knowledge such as embryology or philosophy, from which creations such as ‘mmm – a physical poem’ (2005), ‘practices for seeing the invisible and keeping it a secret’ (dance-book 2010), ‘1 or 2 comedidos contentments’ (2011), or ‘Sopro’ (2017 – with Margarida Agostinho and Bruno de Azevedo) or publications (‘written in a state of dance’) such as ‘movimento’ 2014 or ‘Criação’ 2020, the latter with Margarida Agostinho, have emerged.

 

For more information: www.c-e-m.org

 

Photograph © Valentina Parravicini

Forum Dança - Miguel Pereira & Nuno Lucas | PACAP 7

PACAP 7
2024

Performing Arts Advanced Programme

Curated by Miguel Pereira and Nuno Lucas

From 7th of February 2024 to 23rd of July 2024

APPLICATIONS CLOSED

Until 31st of July 2023 | Extension of applications until September 10

Introduction

We consider that having time for studying is a privileged moment that allows us to experimentat and reflect upon artistic practises. Our intent is that this experience creates a space for sharing, learning, meeting and research, beeing a possibilty for new connections and creating new ties.

 

In this programme we intend to plunge into some core principles that guide our artistical pratice: working on performativity skills and stage presence, the urgency and discipline in the act of artistic creation, the relationship between entertainment and reflection, composition and dramaturgy as central axes in the construction of a work and the crossing between different artistic disciplines. We will be present throughout the duration of the all programme and at the same time we will count with the cumplicity of a wide range of artists, that have influenced our paths, and who will contribute with new perspectives and that will enrich this experience.

 

The focus of the programme is in the process and in the encounters that it can create, with a view to creating a space where artistic relationships expand and influence our identity. To promote a creative experience in an expanded period of time that allows each person to consolidate their needs and discover new impulses that will feed each future artistic project. Without undermining the importance of (a) public performances and the sharing of one’s work, as an inherent and necessary gesture of artistic practice, we want to nurture a space of reflection and experimentation, to reconsider the way we see what we do and how we do it.

 

Collaboration is one of the fundamental foundations of our work, as such we also intend to propose different forms of artistic collaboration, defying the need for the individual signature in favour of the place of the “other”. The one that challenges us, confronts and compels us to look at things from a different point of view. We will also promote the circularity of roles inside of an artistical process by consciously beeing able to play different roles in it (dramaturg, assistant, performer, producer, etc).

 

A programme that lasts six months is inevitably a compact format. We believe that this will be a countainer of possibilities that will reveal some of them during the duration of the course, but as well to create a resonance that goes beyond that time. Sometimes experiences are not immediately digested and because of that our priority is to create a community of action and thinking, one that defies the finite time that this programme allows.

Outline

  • Introduction: Forum Dança, Lisbon – 3 days
  • Residency: O Espaço do Tempo, Montemor-o-novo – 1 week
  • First block: Workshops and seminars with artists* – 4 weeks
  • First Research Period: 2 weeks
  • Second block: Workshops and seminars with artists* – 4 weeks
  • Second research period: 2 weeks
  • Descampado”: Undefined terrain – 1 week
  • Third Block: Workshops and seminars with artists* – 3 weeks
  • Third research period: – 4 weeks
  • Occupation: A moment to share and showcase work at TBA – Teatro do Bairro Alto and other spaces TBC – 2 weeks.

 

*Artists: Eleonora Fabião, João Fiadeiro, Jonathan Burrows, Joris Lacoste, Leticia Skrycky & Santiago Rodriguez Tricot, Loïc Touzé, Luara Raio & Acauã Shereya El_Bandide, Marcelo Evelin, Mark Tompkins (to be confirmed), Marlene Monteiro Freitas (to be confirmed), Pedro Paiva e Vera Mantero.

 

The programme begins with the participants’ welcoming at Forum Dança to introduce the cultural associations and spaces in Lisbon.

 

Afterwards there will be a weeklong residency at O Espaço do Tempo, in Montemor-o-Novo, to deepen the participants’ connection and solidify the group. Here, the participants will show each other their work and begin taking part in joint exercises, sharing experiences and motivation.

 

Once back in Lisbon, we will enter into an outline that alternates between approximately four weeks of workshops and seminars, followed by two weeks dedicated to research. We believe that this time dedicated to research not only helps digest and internalise the experiences that the participants have during the preceding workshops and seminars, but also acts as a space in which to explore and create from any questions that come up either during, or that may have come up before, the programme.

 

At the midpoint of the programme, we come to a point that we call DESCAMPADO: a period of time in which nothing is defined. A chance to go off course; the chance to create new, spontaneous work and connections. This idea of an open terrain filled with opportunity to explore is central to this moment in the course.

 

Before we get to the moment where we celebrate this whole experience, what we call the OCCUPATION, we still have four more weeks of research. During those four weeks, not only will we welcome several guests who make up the training programme as well as new accomplices, and we encourage the group to invite external people to the training.

 

The OCUPATION, which will take place in Teatro do Bairro Alto, is a moment for sharing far more than a showcase of the group’s final presentations. It’s a free space, open to all possible formats; from classes given by the group’s participants, conferences and demonstrations, the sharing of ideas, demonstrations of work both finished and unfinished, as well as proposing experiences to the public, etc.

 

A partnership with the Centre National de la Danse in Pantin (Paris, France) provides the possibility of creating an extension of PACAP 7 in October 2024 for the duration of CAMPING. This experience which lasts one week, is a place to encounter different artistic fields (prop design, visual arts, dance, theatre, etc) and from different parts of the world. Furthermore, it also allows, on the one hand, to come into contact with different types of approach, taking part in workshops, conferences, attending shows, and on the other, to be a platform for showcasing work and meetings that will provide new partnerships and future collaborations.

 

NOTE: All travel, lodging and food expenses associated with CAMPING are the participant’s own responsibility.

Information

Who should apply

People, with 23 years of age or over (there is no older age limit), interested in:

 

  • Artistic practices where the body is present,
  • Furthering artistic creation methods,
  • Incorporating physical practices,
  • Collaborative processes,
  • Developing different stage performance skills,
  • A space for research and choreographic creation.

Please note

PACAP functions primarily in English as its working language.

Invited Guests

Process of Selection

The process of selection will be done by the curators of PACAP 7 and the direction of Forum Dança.

 

It will take place in two separate phases:

 

  • Phase One – Applications, open until 31st of July 2023 | Extension of applications until September 10;
  • Phase Two – Auditions, which will take place in October 2023.

Phase 1

Applications

 

The submission of applications will take place through the online application form (link to the form can be found below) until the 31st of July 2023 | Extension of applications until September 10. Applications can be submitted in Portuguese or English.

 

Components to include in the application:

 

  • Curriculum Vitae with a photograph and a brief biography (max. 2 pages A4. Pdf – no larger than 1MB),
  • Link to portfolio of works, with texts, images and links to videos,
  • Motivation Letter that answers the question: “What do I expect from this kind of training programme?” (max. 1 page A4 format .pdf),
  • A video (max. 3 minutes in length) that answers the following question “My body and my work” (this can be made up of excerpts from previous work or improvisational works that illustrate how you use your body on stage.).

 

Phase One results

All candidates will be contacted via email by the 11th of September 2023 | 11th of September 2023.

! IMPORTANT NOTE!

We do not accept links that require downloading videos or photographs.

The links sent must give direct access to the online visualization of the files (YouTube, Vimeo, etc).

The only files that require downloading that we will accept are the Curriculum vitae and the motivational letter.

Phase 2

Auditions

 

Two available options:

 

  • Online: 7 and 8 of October 2023,
  • In person at Forum Dança: 9 and 10th of October 2023,
  • Interviews: 11th and 12th of October 2023 (online).

 

Phase Two Results

All candidates will be contacted via email by the 18th of October 2023.

Tuition fees

  • Registration: 150€,
  • Payment in full of tuition: 1900€,
  • Payment in two instalments: 975€ x 2.

 

Please do not let financial concerns prevent you from applying.

If the tuition is a cause of concern for you, please include a letter in your application explaining your financial situation.

Scholarships

There are a few scholarships available:

 

  • 2 scholarships offering a 50% reduction of the tuition fees,
  • 1 scholarship offering 100% reduction of the tuition fees, aimed at artists from Portuguese Speaking African Countries or Black artists,

 

Other support suggestions:

 

  • Artists residing in Portugal are eligible for up to 50% reduction of the tuition fees through scholarships given out by the GDA Foundation (In cases where the applicant is a member of the GDA this increases up to 75%);
  • Artists residing in countries that are part of Creative Europe may apply for the Culture Moves Europe program.

 

Please do not let financial concerns prevent you from applying.
If the tuition is a cause of concern for you, please include a letter in your application explaining your financial situation.

Schedule

Monday to Friday, 10am to 5pm.

This timetable is only indicative and may suffer alterations.

A detailed calendar of the course will be sent to the selected group.

Application – until September 10

Form

Applications are now closed.

Curatorship

Miguel Pereira

Forum Dança | PACAP 7 - Miguel Pereira
Miguel Pereira

Miguel Pereira, attended The National Conservatory Dance School and the Higher School of Dance (ESD), in Lisbon.

He received a scholarship from the Portuguese Ministry of Culture to continue his studies in Paris (Théâtre Contemporain de la Danse) and in New York.

As a performer Miguel worked with, among others, Filipa Francisco, Francisco Camacho and Vera Mantero. He was part of the theatre play and film “António um rapaz de Lisboa” by Jorge Silva Melo, worked with Jerôme Bel in the piece “Shirtologia/Miguel” in 1997, and as a performer in “Les Inconsolés” by Alain Buffard, in the remake of 2017.

Of his choreographic work special mention goes to: the esteemed work “Antonio Miguel” for which he received the Revelation Prize José Ribeiro da Fonte/Ministry of Culture and an honour for the prize of Acarte/Madalena de Azeredo Perdigão (2000), “Notes for an invisible show” (2001), the performance that is only announced by date and place (2002), “Corpo de Baile” (2005), “Karima meets Lisboa meets Miguel meets Cairo” a collaboration with the Egyptian choreographer Karima Mansour (2006), “Doo” (2008), “Antonio & Miguel” (2010) a collaboration with Antonio Tagliarini, “Op. 49” (2012), “WILDE” (2013) a collaboration with Jorge Andrade/mala voadora, “Repertoire for chairs, costumes, and extras” (2015) for Ballet Contemporâneo do Norte and “Piece for business” and “Happy piece” (2017), “Era um peito só cheio de promessas” (2019), “False Friends” (2021) a collaboration with Guillem Mont de Palol, and “Miquelina and Miguel” (2022) based on the relationship between Miguel and his mother, of 87 years of age diagnosed with dementia.

In 2003, 2007 and 2014 Miguel created for the repertoire of Transitions Dance Company/Laban Centre the pieces “Transitions”, “Transitions II” and “Transitions III” that integrated the national and international tour of the company (2003/2004, 2007/2008 and 2014/2015).

His work has been shown across Europe and Brazil, Uruguay and Chile and in 2003 he was the subject of a mini-retrospective in Caldas da Rainha, as part of the cycle “Mapas”” organized by Transforma-AC in collaboration with ESTGAD.

Miguel is regularly invited to teach in composition labs and workshops in Portugal and abroad.

In 2000 Vera Mantero, invited him to become an associated artist of the company O Rumo do Rumo, which he continues to be involved in.

Nuno Lucas

Forum Dança | PACAP 7 - Nuno Lucas
Nuno Lucas

Nuno Lucas. Born in Portugal, Nuno now lives between Paris, Lisbon and Seoul.

He works as a choreographer, actor, author, dancer and teacher. From an early age Nuno began taking part in amateur theatre groups where he discovered a love for comedy. He began his musical studies at the age of eight on the Island of Madeira and later went on to study at the musical conservatory in Caldas da Rainha where he studied classical guitar and singing. Nuno moved to Lisbon in 1998 where he got a Master’s in Economics from the Nova University of Lisbon. It was during his studies that he got his debut working with choreographer Miguel Pereira at the Dona Maria II National Theatre in 2001. He would later be invited by João Fiadeiro to begin working on his first works as a choreographer at LAB10 in 2003.

Pesquisa e Criação Coerográfica at Forum Dança (2003) stands out amongst Nuno’s training as a choreographer as well as EXERCE at the Centre Chorégraphique National de Montpellier (2007) under the tutelage of Mathilde Monnier and Xiavier le Roy which he attended as recipient of the Fundação Calouste Gulbenkian bursary.

As an actor and dancer Nuno collaborated with several artists such as: Joris Lacoste, Philippe Quesne, Miguel Pereira, Rita Nunes, Leonardo Mouramateus, Ivana Müller, Jorge Andrade (Mala Voadora), João Fiadeiro.

As a solo artist he created the following works: “Self-portrait as a dancer” and “What can be shown cannot be said” (2007 – Festival Ùzes, France); “I Could Write a Song” (2015 – Théâtre de Vanves, France).

Nuno has also collaborated and co-created the following works with the following artists: Hermann Heisig “Pongo Land” (2008 – Théâtre L’usine, Switzerland); “What comes up, Must go up” (2009 – Festival Tanz im August, Germany) and “Schwerkraft leicht gemacht” (2019 – Schillertheater, Germany); with Márcia Lança “Trompe le Monde” (2010 – Culturgest) and “Por esse Mundo Fora” (2016 – Teatro Maria Matos); with Pieter Frédéric Danos & Geoffrey Carey “Ma vie va changer” (2019 – Festival Circular); with Joana Brandão, Paulo Quedas, Aurélien Vieira Lino and Hugo Coelho “Eu Cá, Tu Lá” (2022 – LU.CA Teatro Luís de Camões).

Nuno’s work has been shown in Portugal, France, Germany, Belgium, the Netherlands, Switzerland, Sweden, Norway, Finland, Estonia, Romania, Spain, the Czech Republic, Croatia, Argentina and South Korea.
He regularly teaches composition and performance in several countries, for adults as well as children.

Participants

Beatriz Baião (PT), Carlota Mantecón (ES), Damien Najean (FR), Giulia Romitelli (IT), Guillermina Gancio (UY), Hernie Harmon (DE), Jakob von Kietzell (DE), Joana Duvet (PT), Katerina Giannouli (GR), Luna Anaïs (CH), Marina de Moraes (BR), Marusya Byzova (RU), Maud Buckenmeyer (FR), Minjin Lee (KR), Renan Capivara (BR) and Sérgio Diogo Matias (PT).

PACAP 7 Activities

Top image credits: Miguel Pereira © Fernanda Ruiz | Nuno Lucas © Rita França.

Support and Partnerships

PACAP 7 co-producer:  Teatro do Bairro Alto.

PACAP 7 co-producer in Residency: O Espaço do Tempo

PACAP 7 support: Alkantara, Casa da Dança – Almada, Fundação GDA, OPART, E.P.E./Estúdios Victor Córdon, O Rumo do Fumo and Piscina.

Forum Dança | Parcerias e Apoios PACAP 7
Forum Dança - PACAP 6 | © Lucas Damiani

PACAP 6
Participants

Biographies

Select each of the sections below to meet the artists participating in PACAP 6.

Bobby Brim (FR)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Bobby Brim is a transdisciplinary artist who composts their soul according to the cyborg entities they meet on their way.

Fluid, creator of images, installations, sounds and digital troubles, they are working on producing data-producing monsters and exploring autonomous worlds.

Pixels, decibels, waves, bodies and collectives are the concrete materials that allow them to probe the transgressive spaces in a post-conspiratorial world.

www.bobbybrim.net

Camilla Morello (IT)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Camilla Morello’s artistic research, the result of eclectic interests and training, builds on the interdisciplinarity between theatrical language, dance and performance, having also been related with video, photography and installation. Graduated at the Scuola Nazionale di Cinema in Rome as actress, after a degree in Anthropology (La Sapienza University, Rome) and studies of art, philosophy, and aesthetics (Univesité Paris 8) moves to Lisbon where he specializes in the biennial course of Olga Roriz’s dance- theater and attends workshops with various artists. Worked with Tamara Cubas, Miguel Moreira, Miguel Pereira, Catarina Câmara, Maurícia Neves, Mickaël de Oliveira and Nuno M. Cardoso among others.

Her first solo “Uma peça dançada – abordagem semi-séria do vazi” was presented at Centro Cultural de Belém. Created the performance “Common Land” for non-conventional spaces. She dedicated herself to the exclusive study of the photographic medium from which the project “Enclosures” resulted and which was followed by the video-art work “Dissonances” (Projeções – Balleteatro, Coliseu do Porto). Invited by Festival Cumplicidades within the framework of the Tandem Shaml program she collaborated with the artists Inês Campos, Mohamed Abdelkarim and Mostafa El Barrody to create the installation work “Documenting Questions”. Her solo “Urna”, with which she was selected as artist in residence for Festival Linha de Fuga 2018, premiered on Palcos Instáveis platform 2020 – Teatro Municipal Campo Alegre. It was presented in 2021 at MAPS – Mostra de artes performativas de Setúbal, and in the Ciclo de Teatro e Artes Performativas Mimesis (Teatrão, Coimbra). In 2022 she premiered “É Como Dançar Por Cima de Manteiga” and, in collaboration with Maria Inês Marques, “Holobiont”.

Connor Scott (UK)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Connor is a performer and dance maker born and raised in the northeast of England. They’re background in movement stems from their studies in martial arts, breakdance and most prominently Latin and ballroom dances. Their practice is shaped through various intersections of performance from choreographic and movement research to texts, interviews, and archives. In their own dances they often work with the notion of people as an already existing choreography, looking at how to generate a collective energetic event departing from the hope in which dance instils within them. They are currently investigating how to disappear and reappear in the act of dancing…

Estrellx Supernova (US-GUAT)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Estrellx (they/them/elle) is a queer, Afro-Central-American-American choreographer, performer, curator, writer and somatic entrepreneurial brujx. Choreographically, Estrellx integrates club spaces as sites of generative dissonance and asks, “Are we celebrating or mourning or both?” They implement Qi Energetic principles, divination, improvisation, and club dancing into their ritualistic performative language and conceive of choreography as an intimate practice of embodied excavation.

www.linktr.ee/estrellxsupernova

Lorea Burge (UK/ES)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Lorea is a dance artist trained at Laban (2011-2014), and is informed by improvised performance, doing as practice, live music and singing, and most recently House. She is one of Unbaptised Infants (est. 2015) with Hannah Parsons (UK) and Josefina Rozenwasser (AR), creating experimental sound-dance shows, and in 2022 were resident artists at MACBA & LCE. As a performer, Lorea has worked with Charles Linehan (UK), Seke Chimutengwende (UK), J N Harrington (UK) and Ehryn Torrell (CA) among others.

www.loreaburge.com

Lucas Damiani (UY)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Lucas Damiani (he/they) is a Uruguayan artist working-researching in the intersections of Visual and Performing Arts, with specific background studies in Photography, Psychology, Contemporary Dance and Performance. Born and raised near the sea in Montevideo, he has then lived, studied and worked in Madrid, Amsterdam and Berlin. Currently in Lisbon in the context of PACAP 6.

www.lucas-damiani.com

Marcelo Castro (BR)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Marcelo Castro is a scene artist. He is currently investigating walking as an aesthetic practice. He is interested in the poetics of space, encounter, and chance. In the theater, he developed his work in partnership with several artists and theater companies. He was a founding member of Grupo Espanca! where he remained for 13 years, acting, and directing.

María Ibarretxe (ES)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

María Ibarretxe is a visual and performing artist who combines various mediums including film, sound, installation and choreography. Her live performances and installations simulate cinematographic experiences in which the audience becomes part of the action. Her work is driven fundamentally by artistic research–inspired by the culture and context of each individual project.
She studied drama art in Basque Country and direction at the EICTV/Cuba. In 2002 she co-funded with Alaitz Arenzana the artistic collective Sra Polaroiska, obtaining awards such as Gure Artea for best creative activity in Basque Country 2017, Ertibil 2012, Choreographic Contest of Madrid 2012 or INJUVE 2003 (Ministry of Culture of Spain). They were associated artists in Azkuna Zentroa 2019-2021. Parallel, Ibarretxe collaborated with Koen de Preter in Belgium, Renate Keerd in Estonia and Miriam Sedacca in Japan.
Since 2014, Ibarretxe has developed a project-process that reflects on states of mourning throughout different residencies in Belgium, South Korea, Japan, up state New York and Kurdistan Irak.

Mariana Catalina Iris (UY)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

I am a transdisciplinary researcher and creator working between performing arts and installation. Manager and producer at the Center for Contemporary Practices CROMA (UY) and cultural
projects aimed at children. I studied at the National school of Dance (SODRE – UY), at the Bachelor of Plastic and Visual Arts and at the Bachelor of Contemporary Dance at UdelaR. I had the pleasure of working and collaborating with creators of the living arts such as Carolina Silveira (UY), Lucía Valeta (UY), Lucía Romero (UY), Diego Wizoczynski (BR), Daniel Lepkoff and Sakura Shimada (USA), Max Cuccaro (IT), Abigail Jara (MX), Marko Fonseca (CR) among others.

Rafaela Santos (PT)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Born in Lisbon, in 1972. She is an Actress, Director and Theater Trainer and thinks she has a certain talent for dance. She co-founded Amarelo Silvestre in Canas de Senhorim where she is co-artistic director, together with Fernando Giestas. She has a son and a daughter. Is happy. Often.
She took a Bi-Stage Degree in Theater and Education_ 2007 and a bachelor’s degree in Actors’ Training _1995, at ESTC in Lisbon, after the Actors’ Training Course, IFICT_ 1991. She debuted professionally in 1994 with Jorge Silva Melo, later working with Rogério de Carvalho, John Mowat, Ana Nave, Sandra Faleiro, Bruno Bravo, Maria Gil, Victor Hugo Pontes, Lígia Soares, among others. Receives the award for Best Actress – Teatro na Década_1996.

Silvana Ivaldi (PT/IT)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Bordighera, 1987. Graduated in Fashion and Master in Image Design, she makes use of the heterogeneity of her path to think, explore and create poetic forms through visual, performative, and spectacular means. She is a creator, performer, actress, costume designer, art director and graphic designer. She is the founder of Sr. João e Activo Tóxico. She is an associate artist of Cão Solteiro.

Tarli Lumby (UK)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Tarli Lumby is a British dance artist and choreographer currently based in Berlin. With a BA in Art and Visual Culture and many years training and working in dance they have developed a rich interdisciplinary practices focused on contemporary dance and live art. Preoccupied with the exploration of altered states, spirit and mystery; Their choreographic works aim to create immersive sites of encounter where deep states of connection, fantasy and the transpersonal expose the body as an archive of human dreams.

Vanessa Lonau (DE)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

Vanessa Lonau (she/her) is a performing artist from Moldova/ raised in Germany. She works with the entities of gestures and the architectural body in space. She explores different ways of communication and symbols through dream like states which interplay between movement, text, voice, and electronic soundscapes. In her work she’s constantly researching on the relation between body and mind. Her aim is to create a sense of empowerment through the celebration of the body and social practices.

Victor Lattaque (FR)

Forum Dança - PACAP 6 -
Forum Dança - PACAP 6 -

I no longer want to say by courage
I want to present myself to space, to time, to the object, to others through what I am,
I no longer want to walk by will
But to celebrate life out of necessity
I no longer want my good understanding of what I see, what I hear
I want a more unfathomable/penetrating/essential relationship to the living and to all that is attempted
I want to have regards for reality when she is stands beneath my eyes and when I speak about her
I want to hold in esteem the living, the dead and the unborn

PACAP 6 activities

Top banner image credit © Lucas Damiani

Coproducers and Support

Coproducers PACAP 6: Teatro do Bairro Alto and Culturgest

Support PACAP 6: Casa da Dança – Almada, Fundação GDA, O Rumo do Fumo, Alkantara, OPART | Estúdios Victor Córdon, O Espaço do Tempo, Piscina.

Forum Dança | Parcerias e Apoios PACAP 6
Palestra "A Minha HistPalestra "A Minha História da Dança", por Ligia Lewis

Ligia Lewis

27 April 2023, at 18h30
Palácio Galveias Library – Lisbon
Approximate duration: 2 hours

Free entry, subject to registration.

 

Ligia Lewis (born in the Dominican Republic) lives and works in Berlin. As an experimental choreographer, her work is often marked by physical intensity and humour. In her work, sound and visual metaphors meet the body, materialising the enigmatic, the poetic and the dissonant.

Lewis has received the Tabori Award in the Distinction category (2021); the Foundation for Contemporary Arts Grants award (2018); a Bessie Award for Outstanding Production for minor matter (2017); a Factory artist residency at tanzhaus nrw (2017-19); and a Prix Jardin d ‘Europe from ImPulsTanz for Sorrow Swag (2015).

His work has been presented throughout Europe and in the United States, at venues such as HAU Hebbel am Ufer, in Berlin; Tanzquartier, in Vienna; Arsenic, in Lausanne; MCA – Museum of Contemporary Art, in Chicago; Hammer Museum, in Los Angeles; Walker Art Centre, in Minneapolis; Kaaitheater, in Brussels; High Line Art, in New York; Performance Space, in New York; OGR Turin; Stedelijk, in Amsterdam; TATE Modern, in London, among others.

For more information: www.ligialewis.com

 

Photo © Luis Rodriguez

Forum Dança

Residencies 2023

NÚCLEO | Residencies Program

Applications deadline: January 22, 2023

One of the objectives of Forum Dança is the support to residences according to programmatic lines framed by its artistic direction.

Aimed at emerging artists, the Residency Program is included in the project Núcleo, providing a period of experimentation and research through action, articulating creation with transmission to the artistic community.

The present edition of the program will support 6 artistic projects in the area of contemporary dance or performance, three of which will be presented by artists who have participated in Forum Dança’s advanced creation programs (PEPCC and PACAP).

The Program offers rehearsal space, artistic monitoring by Forum Dança’s artist-researcher associated João Fiadeiro and a support grant worth €750 (seven hundred and fifty euros).

Periods of Residence 2023

  • Residence 1: 7 – 18 August
  • Residence 2: 21 August – 1 September
  • Residence 3: 21 August – 1 September
  • Residence 4: 16 – 27 October
  • Residence 5: 30 October – 10 November
  • Residence 6: 13 – 24 November

Application Process

Applications should be submitted sent to forumdanca@forumdanca.pt until January 22.

The results will be announced until January 31 by email to the selected projects.

Artistic accompaniment

Forum Dança | PACAP 5 - João Fiadeiro
João Fiadeiro © Ana Viotti

João Fiadeiro

Born in 1965, João Fiadeiro is part of a generation of choreographers that emerged in the late 1980’s and gave rise to the Nova Dança Portuguesa (New Portuguese Dance).

 

His career, both as a choreographer or performer and as a researcher or curator, has centered on creating conditions for experimentation, for laboratorial practices and for the intersection between artistic and scientific research. This activity was developed as much by coordinating programming and artistic research projects at Centro Cultural da Malaposta [1990-95], Espaço Ginjal [1995-98], Lugar Comum [1999-2000], Espaço A Capital [2000-2002] and Atelier Real [2004-2019] as by his artistic practice through his choreographies and the research workshops on and around Real Time Composition.

 

In all these different platforms João Fiadeiro was always accompanied by artists that participated as creators, performers, researchers and programmers, contributing in a decisive manner to the existence of this project through thirty years of non-stop activity.

General Conditions

  1. Support for 6 projects selected by Forum Dança management;
  2. Scholarship worth €750 (seven hundred and fifty euros) per residency, upon sending a green receipt or equivalent (in the case of artists not residing in Portugal*);
  3. Support for publicizing the project in the Forum Dança media;
  4. Possibility of final public presentation, in the space of the residence, in the format of an informal exhibition, conversation or similar (optional and by appointment);
  5. Mandatory mention “Support to Creation – Forum Dança” and insertion of the logo in all material promoting the project;
  6. Availability of a record of the presentation of the supported project, when applicable, for archiving in the Documentation Center of Forum Dança;
  7. The organization of travel, accommodation, food and medical assistance during the residency period is the sole responsibility of those who participate.

 

*Artists not resident in Portugal must present a tax residency certificate issued by the authorities of the country of residence.

Applications are closed.

Supported Projects

  • Residence 1 (7-18 August): Ana Renata Poland with the project VERBAL IMAGES
  • Residence 2 (August 21-September 1): Inês Cartaxo with the project SUPERADAPTATION
  • Residence 3 (August 21-September 1): Sara Manubens and Ves Liberta with the project NOSFERATU: A SYMPHONY OF HORROR
  • Residence 4 (16 – 27 October): Djam Neguin with the project Tx@bet_a
  • Residence 5 (October 30 – November 10): Sara Bernardo with the project Efemérida
  • Residence 6 (13 – 24 November): Andrei Bessa and Acauã El Bandide Shereya with the project URRO – Parte 3 – Para não caber no mundo

Application form

All fields are mandatory.

Projectos Apoiados

Aline Belfort (BR), Andrei Bessa (BR), Bárbara Cordeiro (PT), Bartosz Ostrowski (PL), Bruno Levorin (BR), Carolina Canteli (BR), Chloé Saffores (FR), Francisco Thiago (BR), Giovanna Monteiro (BR), Herlandson Duarte (CV/PT), Jean Lesca (FR), Katarina Lanier (US), Katinka Wissing (DK), Leonardo Shamah (BR), Leonor Lopes (PT), Leonor Mendes (PT), Lucas Damiani (UY), Nazario Díaz (ES), Nicole Gomes (BR), Nirvan Navrin (PT), Piero Ramella (IT), Roberto Dagô (BR), Rosa Sijben (NL), Ves Liberta (PT), Vicente Antunes Ramos (BR).

Mostras informais

Palestra "A Minha História da Dança", por Susan Klein

My Dance History,
by Susan Klein

September 29, at 6h30 p.m.
Estúdios Victor Córdon • Lisbon
Approximate duration: 2 hours

Free entry, upon registration in the following form available .

Bio

Susan Klein has been developing and teaching Klein Technique™ since 1972 teaching in daily classes New York City at her studio, The Susan Klein School of Movement and Dance, and during the last two years of the pandemic of Covid-19 on Zoom. Since 1989 she has been traveling throughout the world teaching intensive workshops in Klein Technique™.

Klein Technique™ is a result of a serious knee injury and developed out of Susan’s personal journey to get well. It serves as a way for people to work through their individual injuries, to understand and improve the workings of their bodies, to heal themselves and become better dancers. Her main influences in developing her work are Irmgard Bartenieff, Dr. Fritz Smith, and Professor J. R. Worsley.

Susan has a private practice as a Movement Therapist, Certified Zero Balancer, Senior Zero Balancing Teacher, and Traditional 5 Element Worsley Style Acupuncturist, L.Ac., B.Ac.(UK), M.Ac.,(USA),  Dipl. Ac.(NCCAOM)

For more information: www.kleintechnique.com

 

Photo © 

About the lecture cycle “My Dance History”

 

“All of us, dancers, choreographers or performers, have received in some way and by some route, more academic or more self-taught, an idea of the History of Dance, or the History of the Performing Arts, from which we feel “descended” (and perhaps we feel descended from several Histories at the same time!). There were certainly choreographic or scenic creators who made us understand the art we make the way we understand it today. Each one has a specific idea of how that History unfolded, and for each one there are certain creators and certain movements and artistic currents that contributed to configure the idea of dance that you have and practice and that, in some way, is responding to that History. These lectures will give us the opportunity to know the History of Dance that each one has created within themselves.”
Vera Mantero

 

Participants
Participants in My Dance History: Ana Borralho & João Galante, André Lepecki, António Pinto Ribeiro, Christine de Smedt, Clara Andermatt, Cláudia Dias, Eszter Salamon, Gil Mendo, Gustavo Ciríaco, Francisco Camacho, Jennifer Lacey, Jeroen Peeters, João Fiadeiro, Joclécio Azevedo, La Ribot, Lia Rodrigues, Lisa Nelson, Loïc Touzé, Madalena Victorino, Marcela Levi, Marcelo Evelin, Mark Tompkins, Meg Stuart, Mette Edvardsen, Miguel Pereira, Nadia Lauro, Olga Roriz, Panaibra Gabriel Canda, Rui Horta, Sofia Dias & Vitor Roriz, Sónia Baptista, Vânia Rovisco, Vera Mantero, Xavier Le Roy.

 

The lecture series My Dance History is a project developed since 2011 by O Rumo do Fumo and Forum Dança. The project, initially implemented in Lisbon, was also presented in Viseu, Funchal and Barcelona, in partnership with: Teatro Viriato, Dançando com a Diferença and La Poderosa. The cycle has been hosted by: Edifício (LX Factory), Espaço da Penha, Lisbon Library Network and Victor Córdon/OPART Studios.

 

Rumo do Fumo and Forum Dança are structures financed by the Portuguese Republic – Culture / Directorate-General for the Arts. Project supported by the program contract with the Lisbon City Council / Municipal Directorate of Culture / Division of the Library Network.

Forum Dança - Aulas Regulares 2022/23

Regular Classes
2022/23 Registration

Beginning on September 19
Registration from August 15th

This next school year, Forum Dança’s regular studio classes, for adults and children, will start earlier and start on the 19th of September.

For this reason, enrollment for the 2022/23 academic year will open on the 15th of August.

As usual, you can pre-register online, simply fill out the form available on our website and make the respective payment.

Your registration will be validated as soon as we receive proof of payment, which you should send to our email forumdanca@forumdanca.pt.

You should read all the information that we have made available on our website, as well as consult our General Regulation to be aware of all the conditions.

Registration process

  1. Pre-register online using the form provided bellow.
  2. Wait for our email with payment instructions.
  3. Pay your registration, as indicated in the email sent.
  4. Send the respective payment receipt to our email.
  5. Your registration will only be validated after we receive your proof of payment.

Children

Extracurricular activities can (and should) include other forms of knowing-doing, such as developing bodily expression through dance, to stimulate the creativity of the younger ones in an alternative way.

As part of the regular training aimed at groups of different ages and levels of knowledge, Forum Dança will be holding various creative dance and contemporary dance activities for children throughout the school year. The trial class is free.

See the General Regulation for more information

Adults

Forum Dança’s regular classes at Espaço da Penha address the diverse facets of interpretation and movement.

Contemporary Dance and Choreographic Laboratory for adults are, at different times, guided by a teaching body constantly doing artistic research and combined with effective pedagogical strategies.

See the General Regulation for more information.

REGULAR STUDIO CLASSES | TIMETABLE AND PRICES

Timetables | 2022/23 School Year

17h45 – 18h30

Creative Dance | 3/5 y.o.

Maria Radich

18h30 – 19h30

Contemporary Dance | 6/9 y.o.

Maria Radich

19h00 – 20h30

From Body to Body | Interdisciplinary Movement Practices

Gisela Dória

19h30 – 21h30

Contemporary Dance

Josefa Pereira
Alina Ruiz Folini
Bárbara Faustino
Natália Mendonça

19h30 – 21h30
Choreographic Laboratory

Maria Ramos

19h30 – 21h30

Contemporary Dance

Josefa Pereira
Alina Ruiz Folini
Bárbara Faustino
Natália Mendonça

Registration Fee | 2022/23 School Year

  • 25 € (Normal Fee)
  • 15 € (Former Student) (2)
  • 15 € (Resident at Penha de França) (1)
  • 15 € (Normal Fee)
  • 10 € (Former Student) (2)
  • 10 € (Resident at Penha de França) (1)
  • 10 € – equal value for all users: former students and/or residents of Penha de França.

Monthly Fees | 2022/23 School Year

1x/week – 40 €

2x/week – 50 €

3x/week – 60 €

4x/week – 70 €

Experimental Class – 7 € (4)

1x/week – 30 €

Experimental Class – Free of Charge

1x/week – 35 €

Experimental Class – Free of Charge

NOTES

(1) – Upon presentation of proof of address.

(2) – Former students of Forum Dança’s long-term courses (PACAP, CDC or CGPAE) and students of Regular Classes attended in the immediately preceding academic year.

(3) – Renewal: when regular attendance at classes is interrupted, for one or more months, in the same academic year, and then you wish to resume regular attendance.

(4) – The amount will be deducted from the Registration Fee.

Palestra "A Minha História da Dança", por Rui Horta

My Dance History,
by Rui Horta

June 23 at 6:30 pm
Galveias Palace Library • Lisbon
Approximate duration: 2 hours

Free entry, upon registration in the following form available .

Bio

Born in Lisbon, Rui Horta began dancing at the age of 17 in ballet courses at the Ballet Gulbenkian, having later lived for several years in New York, the city where he completed his training and developed his career as a performer and teacher. In 84 he returned to Lisbon, being one of the most important drivers of a new generation of Portuguese dancers and choreographers.

During the 90’s he lived in Germany where he directed the SOAP Dance Theater Frankfurt, his work being considered a reference of European dance and presented in the most important theaters and festivals around the world, namely at the Thêatre de la Vile, which co-produced his work over a decade.

In 2000 he returned to Portugal, having founded “O Espaço do Tempo” in Montemor-o-Novo, a multidisciplinary center for residencies and artistic experimentation.

In addition to his intense work as an independent creator, Rui Horta created, as a guest artist, a vast repertoire for renowned companies such as the Cullberg Ballet, the Gulbenkian Ballet, the Grand Ballet de l’Opera de Genéve, the Marseille, the Netherlands Dance Theatre, the Gothenburg Opera Dance Company, Icelandic Ballet, Scottish Dance Theatre, Random Dance, Carte Blanche, Ballet am Gartner Platz, Ballet de Roubaix, Ballet of the Opera of Linz, Ballet of the Opera of Nuremberg, Tanzmainz, &c.

Throughout his career he received important awards and distinctions such as the Grand Prix de Bagnolet, the Bonnie Bird Award, the Deutsche Produzent Preis, the Acarte Award, the Almada Award, the degree of Officer of the Ordem do Infante, the degree of Chevalier de l’Ordre des Arts et des Lettres, by the French Ministry of Culture.

His choreographic creation has been classified as Heritage of German Dance. In the performing arts, his work as a director extends to theatre, opera, the new circus, and experimental music, as well as being a light designer and multimedia researcher, a universe he frequently uses in his works.

About the lecture cycle “My Dance History”

 

“All of us, dancers, choreographers or performers, have received in some way and by some route, more academic or more self-taught, an idea of the History of Dance, or the History of the Performing Arts, from which we feel “descended” (and perhaps we feel descended from several Histories at the same time!). There were certainly choreographic or scenic creators who made us understand the art we make the way we understand it today. Each one has a specific idea of how that History unfolded, and for each one there are certain creators and certain movements and artistic currents that contributed to configure the idea of dance that you have and practice and that, in some way, is responding to that History. These lectures will give us the opportunity to know the History of Dance that each one has created within themselves.”
Vera Mantero

 

Participants
Participants in My Dance History: Ana Borralho & João Galante, André Lepecki, António Pinto Ribeiro, Christine de Smedt, Clara Andermatt, Cláudia Dias, Eszter Salamon, Gil Mendo, Gustavo Ciríaco, Francisco Camacho, Jennifer Lacey, Jeroen Peeters, João Fiadeiro, Joclécio Azevedo, La Ribot, Lia Rodrigues, Lisa Nelson, Loïc Touzé, Madalena Victorino, Marcela Levi, Marcelo Evelin, Mark Tompkins, Meg Stuart, Mette Edvardsen, Miguel Pereira, Nadia Lauro, Olga Roriz, Panaibra Gabriel Canda, Rui Horta, Sofia Dias & Vitor Roriz, Sónia Baptista, Vânia Rovisco, Vera Mantero, Xavier Le Roy.

 

The lecture series My Dance History is a project developed since 2011 by O Rumo do Fumo and Forum Dança. The project, initially implemented in Lisbon, was also presented in Viseu, Funchal and Barcelona, in partnership with: Teatro Viriato, Dançando com a Diferença and La Poderosa. The cycle has been hosted by: Edifício (LX Factory), Espaço da Penha, Lisbon Library Network and Victor Córdon/OPART Studios.

 

Rumo do Fumo and Forum Dança are structures financed by the Portuguese Republic – Culture / Directorate-General for the Arts. Project supported by the program contract with the Lisbon City Council / Municipal Directorate of Culture / Division of the Library Network.

Palestra "A Minha História da Dança", por Mette Edvardsen

My Dance History,
by Mette Edvardsen

May 19 at 6:30 pm
Galveias Palace Library • Lisbon
Approximate duration: 2 hours

Free entry, upon registration in the following form available .

Bio

Mette Edvardsen. Choreographer and performer. Although some of her works explore other media or formats, such as video, books, and writing, Edvardsen’s interest is always in relation to the performing arts as a practice and a situation. She has worked since 1994 as a dancer and performer for a number of companies and projects and develops her own work since 2002. She presents her works internationally and continues to develop projects with other artists, both as a collaborator and as a performer.

 

A retrospective of her work was presented at Black Box Theatre (Oslo, 2015), and in the focus programme Idiorritmias at MACBA (Barcelona, 2018). Her project “Time has fallen asleep in the afternoon sunshine” is ongoing since 2010, was presented twice at Kunstenfestivaldesarts (Brussels, 2013 and 2017), Sydney Biennale (2016), Index Foundation (Stockholm, 2019), Oslobiennalen First Edition (2019/2020), Trust & Confusion at Tai Kwun Arts (Hong Kong, 2021), and São Paulo Biennale (2021). Edvardsen will present several pieces at Amant, (New York, 2022), and develop a project in residence at Les Laboratoires d’Aubervilliers (Paris 2022/23).

 

Mette Edvardsen is structurally supported by Norsk Kulturråd (2021/2025) and BUDA Arts Centre Kortrijk (2017/2021). From 2019 to 2021, was an associated artist at Centre Chorégraphique National de Caen en Normandie (France). She is currently finalizing her research as a Phd candidate at Oslo National Academy of the Arts.

 

www.metteedvardsen.be  | www.timehasfallenasleepintheafternoonsunshine.be

About the lecture cycle “My Dance History”

 

“All of us, dancers, choreographers or performers, have received in some way and by some route, more academic or more self-taught, an idea of the History of Dance, or the History of the Performing Arts, from which we feel “descended” (and perhaps we feel descended from several Histories at the same time!). There were certainly choreographic or scenic creators who made us understand the art we make the way we understand it today. Each one has a specific idea of how that History unfolded, and for each one there are certain creators and certain movements and artistic currents that contributed to configure the idea of dance that you have and practice and that, in some way, is responding to that History. These lectures will give us the opportunity to know the History of Dance that each one has created within themselves.”
Vera Mantero

 

Participants
Participants in My Dance History: Ana Borralho & João Galante, André Lepecki, António Pinto Ribeiro, Christine de Smedt, Clara Andermatt, Cláudia Dias, Eszter Salamon, Gil Mendo, Gustavo Ciríaco, Francisco Camacho, Jennifer Lacey, Jeroen Peeters, João Fiadeiro, Joclécio Azevedo, La Ribot, Lia Rodrigues, Lisa Nelson, Loïc Touzé, Madalena Victorino, Marcela Levi, Marcelo Evelin, Mark Tompkins, Meg Stuart, Miguel Pereira, Nadia Lauro, Olga Roriz, Panaibra Gabriel Canda, Rui Horta, Sofia Dias & Vitor Roriz, Sónia Baptista, Vânia Rovisco, Vera Mantero, Xavier Le Roy.

 

The lecture series My Dance History is a project developed since 2011 by O Rumo do Fumo and Forum Dança. The project, initially implemented in Lisbon, was also presented in Viseu, Funchal and Barcelona, in partnership with: Teatro Viriato, Dançando com a Diferença and La Poderosa. The cycle has been hosted by: Edifício (LX Factory), Espaço da Penha, Lisbon Library Network and Victor Córdon/OPART Studios.

 

Rumo do Fumo and Forum Dança are structures financed by the Portuguese Republic – Culture / Directorate-General for the Arts. Project supported by the program contract with the Lisbon City Council / Municipal Directorate of Culture / Division of the Library Network.

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