Marcelo Evelin Workshop
March 2–6, 2026 | 10:00 a.m. – 5:00 p.m.
Forum Dança
Registration open.
At Forum Dança, we are once again opening up the PACAP training program to the artistic community with several workshops throughout the year.
Choreographer Marcelo Evelin shares some of his training tools, performance practices, and procedures used in processes and creations by the Demolition Incorporada platform over the last 30 years.
For this instance, an opening of his construction site for research into voice and movement, based on the idea of death and resurrection as a performance device.
The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.
Informations
Who is it for
The invitation is open to artists interested in collectively building an ethical condition to transform their own bodies into receptacles and who are interested in being touched by visible and invisible forces.
Schedules
Dates: March 2–6, 2025
Time: 10:00 a.m. to 5:00 p.m. (with a 1-hour break)
Venue
Forum Dança / Espaço da Penha
Participation fee
- Marcelo Evelin: €150
- Christine Greiner: €40
- Jocelyn Contencin: €230
Discounts
- 15% for the second and third workshops (Christine Greiner and/or Jocelyn Contencin)
- 15% for people who participate or have participated in Forum Dança’s long-term courses (PACAP or PEPCC)
- 10% for dance students
Application form
All fields are mandatory.
Bio
Marcelo Evelin
Marcelo Evelin é bailarino, coreógrafo e pesquisador. Vive entre Teresina e Amsterdão e trabalha no Brasil, Japão e em vários países da Europa como artista independente à frente da Plataforma Demolition Incorporada, baseada no CAMPO, um espaço de Residência e Resistência das Artes Performáticas em Teresina, no Piaui. Os seus espetáculos “De Repente Fica Tudo Preto de Gente”, “Batucada” e “A Invenção da Maldade” circulam atualmente por teatros e festivais do mundo. Ensina na Escola Superior de Artes de Amsterdão desde 1999 e cria projetos em universidades e cursos de mestrado, entre eles ISAC (Bruxelas), Museu Reina Sofia (Madrid), EXERCE (Montpellier) e CND (Paris). Em 2019 recebeu o título de Doutor Honoris Causa pela Universidade Federal do Piauí. Em 2020 criou “And Yes, I sad Yes, I will Yes” para Coroline Eckly/Companhia Carte Blanche (Bergen,Noruega), “Drama” para La Manufacture (Lausanne, Suíça), “La Nuit Tombe Quand Elle Veut” (Rennes, França) em colaboração com Latifa Laabissi, e reapresentou o seu solo “ai, ai, ai” (1995) no Festival d’Automne em Paris. Em 2022 recriou o acontecimento performático BARRICADA para o Festival Transborda (Almada, Portugal) e estreou UIRAPURU a mais recente criação da Plataforma Demolition Incorporada.
Bruno Moreno
Bruno Moreno was born in 1988 in São Paulo. Since 2018 he has lived between the capital of São Paulo and Teresina/PI, where he is a resident artist at CAMPO arte contemporânea. He has a degree in performing arts from the University of São Paulo and is a performer and choreographer.
Since 2014 he has collaborated with the Marcelo Evelin/Demolition Incorporada platform. He has collaborated as a performer with choreographers Alejandro Ahmed, Luis Garay, Gustavo Ciríaco and was a member of [pH2]: estado de teatro, where he created works as a performer, director and choreographic director. His creations start from choreography and oscillate between performance, installation and video.
He has taken part in the residency programme at Espaço Alkantara (Lisbon), as well as performing at Mostra VERBO (São Paulo). His video works have been shown at the Tiradentes Film Festival (Brazil), the Ann Arbor Film Festival (USA), the Short Waves Festival (Poland), Short Out (Italy), the Accesos magazine of artistic practices at the Reina Sofia Museum (Spain), and are part of the collection of works at the Paraná Museum of Contemporary Art. He was one of the resident artists on the PIVÔ Research 2024 programme.
Créditos da imagem de topo © DR \ Marcelo Evelin