{"id":35541,"date":"2026-01-29T11:55:49","date_gmt":"2026-01-29T11:55:49","guid":{"rendered":"https:\/\/www.forumdanca.pt\/?p=35541"},"modified":"2026-04-09T12:32:35","modified_gmt":"2026-04-09T11:32:35","slug":"christine-greiner-workshop","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/christine-greiner-workshop\/","title":{"rendered":"Christine Greiner Workshop"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4>April 13 and 14, 2026 | 2:00 p.m. &#8211; 5:00 p.m.<\/h4>\n<h4>Forum Dan\u00e7a<\/h4>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4><span style=\"color: #ffcc00;\"><strong>Registration open.<\/strong><\/span><\/h4>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]At Forum Dan\u00e7a, we are once again opening up the PACAP training programme to the artistic community with several workshops throughout the year.<\/p>\n<p><b><br \/>\nFabulations and Transcreations<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIn recent decades, many artists have worked with the power of fabulations and the power of the false to approach plural realities. As Isabelle Stengers explained, fabulation is a way of narrating in another way; it is not a break with \u201creality.\u201d The falsehood of fabulation is always a construction to deal with opacities.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this conversation, I will draw parallels between these ideas and the proposal for transcreation by poet and translator Haroldo de Campos. In an expanded view, translating and fabulating are processes that teach us how to make worlds, dealing with narrative in the very materiality of bodies, images, and events.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>The spectral turn of butoh and its promiscuous strategies<\/b><\/p>\n<p><span style=\"font-weight: 400;\">When Jacques Derrida wrote the book <\/span><i><span style=\"font-weight: 400;\">Specters of Marx: The State of the Debt, the Work of Mourning, and the New International <\/span><\/i><span style=\"font-weight: 400;\">(1993), he opened up ways for us to perceive how far beyond mystical entities, specters generated by devices of power continue to haunt us, such as capitalism and class struggles.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this conversation, I propose that by triggering movements characterized by the ambiguity between catastrophe and creation, living bodies and dead bodies, subjects and objects, Tatsumi Hijikata (and other creators of the so-called butoh dance) also promoted a spectral turn in the late 1950s in Japan, establishing a choreographic logic as an intoxicating operation to erode power relations. More than a dance technique, a spectral power.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">[Christine Greiner]<\/span>[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4><strong>Informations<\/strong><\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Who is it for&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1769696759089{padding-left: 25px !important;}&#8221;]Artists, students, researchers, curators, cultural producers, and people interested in dialogues between Japan and the West, body philosophy, and cosmopolitics.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Schedules&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1769697465544{padding-left: 25px !important;}&#8221;]<strong>Dates:<\/strong> April 13 and 14 de abril de 2026<br \/>\n<strong>Time:<\/strong> 10:00 a.m. to 2:00 p.m.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Venue&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1775734054829{padding-left: 25px !important;}&#8221;]KEF &#8211; Kees Eijrond Foundation<\/p>\n<p>Rua de Santa Catarina, number 9<\/p>\n<p>Ground Floor, Lisbon[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Application form&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1769773786012{padding-left: 25px !important;}&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element vc_custom_1769773217396\">\n<div class=\"wpb_wrapper\">\n<p>All fields are required.<\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;.vc_custom_1769699961484{padding-left: 25px !important;}&#8221;]<form id=\"forminator-module-35371\" class=\"forminator-custom-form forminator-custom-form-35371\" method=\"post\" data-forminator-render=\"0\" data-uid=\"69f267f0ec770\"><div role=\"alert\" aria-live=\"polite\" class=\"forminator-response-message forminator-error\" aria-hidden=\"true\"><\/div><\/form>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Participation fee&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1770827764470{padding-left: 25px !important;}&#8221;]<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Marcelo Evelin: \u20ac150<\/li>\n<li>Christine Greiner: \u20ac40<\/li>\n<li>Jocelyn Contencin: \u20ac230<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h4><\/h4>\n<h4>Discounts<\/h4>\n<p>&nbsp;<\/p>\n<ul>\n<li>15% for the second and third workshops (Christine Greiner and\/or Jocelyn Contencin)<\/li>\n<li>15% for people who participate or have participated in Forum Dan\u00e7a\u2019s long-term courses (PACAP or PEPCC)<\/li>\n<li>10% for dance students<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Bios<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Christine Greiner&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1713804888093{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;35451&#8243; img_size=&#8221;&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<strong>Christine Greiner<\/strong> is head of the Arts Department and professor at PUC-SP. Since 1998, she has coordinated the Center for Oriental Studies, teaching and supervising research in the Graduate Program in Communication and Semiotics and in the Body Arts course.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Support &amp; Parternships<\/strong><\/h3>\n<p><strong>Coproduction:<\/strong> Teatro do Bairro Alto<\/p>\n<p><strong>Coproduction in Residency PACAP 9:<\/strong> O Espa\u00e7o do Tempo<\/p>\n<p><strong>Support PACAP 9: <\/strong>Alkantara | Casa da Dan\u00e7a \u2013 Almada | Funda\u00e7\u00e3o GDA | OPART, E.P.E\/Est\u00fadios Victor C\u00f3rdon | O Rumo do Fumo | Piscina[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner][vc_single_image image=&#8221;36111&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;60px&#8221;][vc_column_text css=&#8221;&#8221;]Top image credits \u00a9 Fernando Saiki<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Open Workshops | Forum Dan\u00e7a \/ PACAP 9<\/p>\n","protected":false},"author":15,"featured_media":35593,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[269,7,311,1108,1637],"tags":[],"class_list":["post-35541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","category-agenda-en","category-highlights","category-pacap9-en","category-workshops-pacap-09"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/35541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=35541"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/35541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/35593"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=35541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=35541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=35541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}