{"id":33784,"date":"2025-05-20T10:24:52","date_gmt":"2025-05-20T09:24:52","guid":{"rendered":"https:\/\/www.forumdanca.pt\/participantes-pacap8\/"},"modified":"2025-06-17T10:02:31","modified_gmt":"2025-06-17T09:02:31","slug":"participants-pacap8","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/participants-pacap8\/","title":{"rendered":"Participants PACAP 8"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>Biographies<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]Select each of the sections below to meet the people taking part in PACAP 8.[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Ana Szopa (PL)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33685&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Ana (An): <\/b><b>they\/them\/she\/her &#8211;<\/b> Born in 2000 in Silesia. Dance hostess, performer, choreographer, Reiki II healer, fuck the system sorcerer. Explores the possibilities of learning for oneself and others through dance and seeks methods of anonymization. Anonymous, meaning collective, rejects authorship and ownership of spoken and embodied content. By constructing queer personas in performance, engages in dialogue with them and learns from them, often allowing artistic practices to drift into entropy and explore the limits of control (raising questions about safety and consent).[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Ant\u00f3nio Bolla\u00f1o (PT)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33724&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Ant\u00f3nio Bolla\u00f1o<\/b><span style=\"font-weight: 400;\"> was born in 1998. He studied in the theatre school Escola Profissional de Teatro de Cascais and the dance and theatre school FOR Dance Theatre. He finished his degree in Acting in Escola Superior de Teatro e Cinema. As an actor and dancer worked with Besti\u00e1rio, Olga Roriz, Nuno Carinhas, Pedro Ramos, Sara Carinhas, Carlos Avilez among others.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Arash Khakpour (IR)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33694&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<strong>Arash Khakpour (\u0622\u0631\u0634 \u062e\u0627\u06a9\u067e\u0648\u0631<\/strong><span style=\"font-weight: 400;\"><strong>)<\/strong> is a dancer and choreographer from Tehran and is privileged to be a dance artist based in the Coast Salish Territory (Vancouver, Canada). Arash has been practicing dance and performance for the past 15 years and has been a company member of the EDAM Contact Improvisation ensemble since 2017. He tends to invest in the nuances of prejudices in the body as a way of inviting the unconscious to the conscious, and as a doorway to confront unknown emotions. He sees dance as a process of physical, emotional and spiritual discovery and a mode of transformation. <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Emily da Silva (BR)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33696&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>E<\/b><b>mily da Silva<\/b> is a Brazilian dancer and performer living in Lisbon. As a freelance artist, she collaborates with different artists and projects. She is interested in the idea of circularity &#8211; between tornadoes, whirlpools, black holes, somersaults and gyrations &#8211; exploring movements that destabilize, turn, reinvent the body and transfrom space.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Guillermo Tarasewicz (UY)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33698&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Guillermo Tarasewicz:<\/b> <span style=\"font-weight: 400;\">H<\/span><span style=\"font-weight: 400;\">artist, scenic\/live. He is interested in the themes of popular culture and mass culture. His works are woven between dance, contemporary theater, and performance studies. He studied dance, social anthropology, and physical education. Based on this knowledge, he has created more than 15 pieces and developed some practices such as: &#8216;Danza tropical uruguaya&#8217; and &#8216;Corporalidad Expandida&#8217;. <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Isabela Rossi (BR\/IT)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33700&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Isabela Rossi (BR)<\/b><span style=\"font-weight: 400;\"> moves between dance, performance and creation. Trained in contemporary dance at RCPD Mariemma (Madrid, 2016), she has worked as a performer with various choreographers in Spain. In 2020, she received the AISGE Award for Outstanding Dancer for the piece LINGUA, by Natalia Fernandes. As a creator, she investigates the relationship between the wandering body, space and temporality. Since 2021, she has collaborated with Miguel Glez. on works such as Proceso de acomodaci\u00f3n, awarded at the 34th CCM\u00a0 <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;iSaAc iSaBeL Espinoza Hidrobo (EC)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33702&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>iSaAc iSaBeL Espinoza Hidrobo<\/b><span style=\"font-weight: 400;\"> is an Ecuadorian choreographer, trans artist-activist and violinist based in Europe. Their Works engages with trans-feminist anti-colonialism and ritualism, exploring transdisciplinary constellations of participatory composition. As a mestizo of Spanish\/Kichwa\/Ca\u00f1ari ancestry, iSSiE currently fosters &#8220;SHELTER&#8221; a transatlantic social-artistic research project in collaboration with Kichwa indigenous communities of the Andes, cultivating movement for socio-ecological justice. They is the artistic director and founder of maiskind, a queer artistic community in Cologne and member of the Yachay Wasi &#8211; Quito, INTERFEMME* and SOFRA Queer Migrants communities.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Julia Kosa\u0142ka (PL)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33734&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Julia Kosa\u0142ka\u00a0<\/b><span style=\"font-weight: 400;\">is a dance artist born in Krak\u00f3w, Poland. She studied contemporary dance in Austria and Belgium, graduating from Conservatoire of Antwerp. She has worked in Germany with Iv\u00e1n P\u00e9rez at Dance Theatre Heidelberg and Alina Belyagina. She also collaborated with choreographers such as Benjamin Abel Meirhaeghe, Claire Croiz\u00e9, In\u00e3ki Azpillaga, Renan Martins, Ben Fury, and Agostina D&#8217;Alessandro.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her practices are rooted in improvisation and real-time composition. <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Kaya Freeman (PT)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33704&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Kaya: <span style=\"font-weight: 400;\">I was born in Brussels to a portuguese mother and united-staten father 25 years ago. My parents are performing artsts and have been transmitng their interest and passion for art in many of its forms to me ever since I was born. I started to play classical piano around 6 and then discovered Fado and clarinet which deconstructed my very formal view of music. My practice then became more experimental as I played with different bands revolving around contemporary and ambient electronic music as well as an interest for jazz. During these researches I also studied at La Cambre in Brussels, contemporary bookbinding, and have been experimenting with ceramics, textles crafs, baking and fashion as some of my main passions.<\/span><\/b>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Mar\u00eda Ibarretxe (ES)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33706&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Mar\u00eda Ibarretxe del Val.<\/b><span style=\"font-weight: 400;\"> Visual and performing artist. The body, voice and participation are central in her work. She is part of the collective Sra. Polaroiska with Alaitz Arenzana. Collaboration drives her practice, often working with other artists and in diverse socio-cultural contexts such as Japan, South Korea, Mexico, or Kurdistan, where she nourishes, learns, and constantly questions herself.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Martha Kotsia (GR)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33708&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Martha Kotsia (1996)<\/b> <span style=\"font-weight: 400;\">is a multidisciplinary artist and activist based in Athens, Greece, born as a migrant in Malm\u00f6, Sweden. Reflecting on a &#8220;post&#8221;-colonial society and her childhood traumas her art varies between choreography, performance art, video, light design and poetry. After moving to Brussels to practice contemporary dance in her early adult years, she returned to Athens for architecture studies (National Technical University of Athens) as well as to later on attend the Academy of Choreography U(r)topias (Elefsina, Greece). While trying to contribute to re-wildness she&#8217;s publishing a research on Savage, Landscape and Walking.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Michiru Shin (JP)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33718&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Michiru Shin (she\/they)\u00a0<\/b><span style=\"font-weight: 400;\">is a dance artist from Tokyo. Holds a BA in Visual Communication from Brighton University, UK. As a performer, she has collaborated with Bosmat Nossan, Lilach Pnina Livne, and Yasmeen Godder, among others. Her personal project, &#8220;Abstracted Bodies&#8221; incorporates dance movement, hand-poked tattoos of her abstract drawings, and Ilan Lev method treatment involving voice and\u00a0<\/span><span style=\"font-weight: 400;\">touch. The project offers tools for deconstructing our images, gender, and social and political roles, suggesting the way to become abstract-shaped entities.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Natacha Campos (PT)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33710&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Natacha Campos,<\/b><span style=\"font-weight: 400;\">\u00a0the daughter of Angolan parents born in the late 1990s, has worked in the languages of dance, theater and performance. Her research focuses on the confrontation between the visible and the invisible, the intimate and the public, in an attempt to find the common denominators in the apparently antagonistic.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Raul Aranha (IN)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33712&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Raul Aranha:<\/b><span style=\"font-weight: 400;\"> I was born and raised in India, and moved to Europe in 2018. I like a lot of things from dancing to cooking to sciences and philosophy.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Salom\u00e9 Pham-Van-Hu\u00e9 (FR)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33714&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Salom\u00e9 Pham-Van-Hu\u00e9. <span style=\"font-weight: 400;\">It is about living in this world, in the most living way possible. Through experimentation, I&#8217;m finding a path. Dance field represents for me a dreamed space of exploration ; and it should remain that way. I encountered it only a few years ago, after meandering in different fields. Since then, I had the chance to learn and transform near great people, as a student, as an interpreter in various projects but also with friends inventing ways of living and moving in daily life. For the next few years, I would like to pursue this research. It is about playing with, redefining, blurring edges to open interstices of freedom, expression and struggle.<\/span><\/b>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Sepideh Khodarahmi (SE\/IR)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33716&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Sepideh Khodarahmi<\/b><span style=\"font-weight: 400;\"> is an artist working in dance and theatre whose work explores the tensions between pleasure and disgust, construction and destruction. Combining rhythm-based movement, club dance, and hyper-gendered drag, Sepideh Khodarahmi creates visceral and boundary-pushing performances that explore self-objectification, power dynamics, and absurdity.<\/span><\/p>\n<p><b><span style=\"font-weight: 400;\">They hold a <\/span><\/b>BA in Acting <b><span style=\"font-weight: 400;\">from University of Gothenburg aswell as studied at the Department of Mathematics at Stockholm University, Broadway Dance Center, and Mime at Amsterdam Academy of Theatre and Dance. <\/span><\/b>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;\u015aomi \u015aniegocka (PL)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33744&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\"><strong>\u015aomi<\/strong> <\/span>is an artist, sound poet and witch. Inspired by the surrealists and fascinated by psychogeography, she translates dreams into wa(l)king language. She connects with spirits and non-human creatures\u00a0 through visions and various embodiment practices.<\/p>\n<div dir=\"auto\">Her research manifests itself in the murmuring sounds of the subconscious and expanding auditory perception by means of\u00a0 Deep Listening practices, Logomotion and Dreamwork.<\/div>\n<div dir=\"auto\">She studied Performance Studies at the Jagiellonian University and Intermedia at the Academy of Fine Arts in Krakow, preparing her diploma in the Audiosphere studio. She has shown her performance Roe Deer Woman\u00a0 among others at Movement Research in New York City and in numerous underground places in Mexico, where she lived for a while. She currently teaches at the Institute of Art and Design UKEN in Krakow.<\/div>\n<div dir=\"auto\">Devoted admirer of planets, cats and synchronicities.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\"><a title=\"http:\/\/www.somisni.pl\/\" href=\"http:\/\/www.somisni.pl\/\" data-auth=\"NotApplicable\">www.somisni.pl<\/a><\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Therese Bendjus (DE)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33720&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Therese Bendjus <\/b><span style=\"font-weight: 400;\">is a performance maker and dancer originally from Dresden, Germany. After having traded her medical studies for an education in dance, she graduated from the BA Dance, Context, Choreography at HZT Berlin and was a fellow of Studienstiftung des deutschen Volkes. In her works she challenges the measurable\/diagnosable in order to access spaces of uncertainty and vagueness \u2013 building multi-sensorial spaces, that encourage people to be vulnerable, intimate and brave with one another and themselves.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As performer she worked a.o. with choreographers and theatre directors such as Kirill Savchenkov, Magdalena Weniger, Asya Ashman, Constanza Macras and Rolando Villaz\u00f3n.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Tiago Vieira (PT)&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33730&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<b>Tiago Vieira:<\/b> <span style=\"font-weight: 400;\">A graduate of the Escola Superior de Teatro e Cinema, he completed his training in various theater, dance and performance workshops, including Teatro Praga, Olga Mesa, Vera Mantero, Susana Vidal, Miguel Moreira, Meg Stuart, Marlene Freitas, Joana Craveiro, Am\u00e1lia Bentes, Vitor Roriz and Sofia Dias, Francisco Camacho. He has worked with M\u00f3nica Calle, Miguel Moreira, Vera Mantero, Carlota Lagido, Ana Borralho and Jo\u00e3o Galante, Ana Ribeiro, Rui Catal\u00e3o, Miguel Bonneville, Ricci\/forte, BLITZ THEATREGROUP (Greece), V\u00e2nia Rovisco, M\u00f3nica Garnel, Catarina Vieira, Teatro Praga. <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>PACAP 8 Activities<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;-1&#8243; style=&#8221;pagination&#8221; items_per_page=&#8221;8&#8243; element_width=&#8221;3&#8243; gap=&#8221;15&#8243; item=&#8221;23141&#8243; initial_loading_animation=&#8221;none&#8221; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1750150893913-1b23d9b1-2b81-5&#8243; taxonomies=&#8221;750&#8243;][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>PACAP 8 \/ Mystery School lectures<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;-1&#8243; style=&#8221;pagination&#8221; items_per_page=&#8221;8&#8243; element_width=&#8221;2&#8243; item=&#8221;22505&#8243; initial_loading_animation=&#8221;none&#8221; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1750150893913-a12fd4c9-fc79-2&#8243; taxonomies=&#8221;888&#8243;][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Support and Partnerships<\/strong><\/h3>\n<p><strong>Co-Production PACAP 8:<\/strong> Culturgest | Teatro do Bairro Alto | Anda &amp; Fala \/ Walk &amp; Talk | Goethe-Institut Portugal, in the scope of <em>Kulturfest<\/em> festival.<\/p>\n<p><strong>Co-producer in Residency PACAP 8:<\/strong> O Espa\u00e7o do Tempo<\/p>\n<p><strong>Support PACAP 8: <\/strong>Alkantara | Casa da Dan\u00e7a \u2013 Almada | Funda\u00e7\u00e3o GDA | Kees Eijrond Foundation | OPART, E.P.E\/Est\u00fadios Victor C\u00f3rdon | O Rumo do Fumo | Piscina[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner][vc_single_image image=&#8221;33352&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Meet the artists taking part in the 8th edition of PACAP.<\/p>\n","protected":false},"author":15,"featured_media":33756,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[301,269,7,311,299,751,303],"tags":[],"class_list":["post-33784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-advanced-training","category-blog-en","category-agenda-en","category-highlights","category-history","category-pacap8-en","category-training"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=33784"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33784\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/33756"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=33784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=33784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=33784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}