{"id":33572,"date":"2025-04-25T12:10:10","date_gmt":"2025-04-25T11:10:10","guid":{"rendered":"https:\/\/www.forumdanca.pt\/?p=33572"},"modified":"2026-04-06T15:13:47","modified_gmt":"2026-04-06T14:13:47","slug":"pacap9","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/pacap9\/","title":{"rendered":"PACAP 9 <br>2026"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>Performing Arts Advanced Programme<\/h3>\n<h3>Curatorship by Marcelo Evelin<\/h3>\n<h5>From 2nd February to 30th July 2026<\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;][\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><span style=\"color: #ffcc00;\"><strong>Applications closed.<\/strong><\/span><\/h3>\n<h5><\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Presentation<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4><strong>PACAP 9 \/ One swallow doesn&#8217;t make a summer<\/strong><\/h4>\n<p><strong>Curatorship<\/strong>\u00a0Marcelo Evelin<br \/>\n<strong>Artistic Collaboration<\/strong>\u00a0Bruno Moreno[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;&#8221;]\u2018An undisciplined experimentation and training programme, focused on instances of group creation and conditions of collaborative performativity.<\/p>\n<p>&nbsp;<\/p>\n<p>We will invest in collective processes to the detriment of individual projects, believing that it is possible to bring the singularities of the artists and their personal artistic interests into group experimentation. We are interested in negotiating with the other as a conceptual and procedural procedure, betting on shared autonomy as an exercise in alterity, in order to think of gathering and sharing as a performative act and device.<\/p>\n<p>&nbsp;<\/p>\n<p>From February to July 2026, we are proposing a series of interventions in the form of creative residencies, with artists involved in collective practices that exercise a thought of the common as a choreographic situation: the game, the rite, the circle, the party. These practices will be reworked together, renegotiated as a group and eventually performed at different times during the programme.<\/p>\n<p>&nbsp;<\/p>\n<p>The programme addresses three axes of experimentation with no distinction between theory and practice: body, dramaturgy, and choreography. We think of the body as a tactile and media spectacle, an artefact of an incorporated and changing time-space. We imagine dramaturgy as the activation of living matter and normative disobedience, as the apprehension and unfolding of empirical knowledge, and as an ethical and aesthetic positioning in the face of the life of forms. We invent choreography as unstable and flexible structures of grouping, repercussion, and dissolution, and as a vibration that precedes the constitution of movement as a scope for an event.<\/p>\n<p>&nbsp;<\/p>\n<p>We want to approach the multiple and the rhizomatic, the diverse and the unfolded, the drift and the reconstitution, the bifurcated and the complementary. From a decolonial and non-hegemonic understanding of the world, we want to reaffirm the existence of the sensible and the utopian in the social and political spheres, in a horizon that expands and recognizes other paradigms for thinking about life and living.\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Marcelo Evelin[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Information<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Guest Artists&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1770205575985{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Ana Rita Teodoro, Andr\u00e9 Lepecki, Christine Greiner, Coletivo Piscina (Andrei Bessa, Bibi D\u00f3ria, Bruno Brandolino, Josefa Pereira, <span data-olk-copy-source=\"MessageBody\">Juli\u00e1n Pacomio<\/span>, M\u00e1rcia Lan\u00e7a, Nat\u00e1lia Mendon\u00e7a and <span data-olk-copy-source=\"MessageBody\">Romain Beltr\u00e3o Teule<\/span>), Eleonora Fabi\u00e3o, Jocelyn Cottencin, Marine Sigaut, Miguel Pereira, Piny, Tieta Macau, Venuri Perera, Flavia Pinheiro.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Target audience&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1746136013481{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Artists with experience in the performing arts fields, who are interested in collective creation processes. The programme values collaborative practices, the ability to listen and negotiate in groups, and openness to joint experimentation. It is not aimed at those who want to develop individual authorial projects, but rather at those who want to integrate and contribute to a context of shared creation.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Language&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1746136296294{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]English will be the official language of the programme.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ffcc00;\">Warning!<\/span><br \/>\nApplications can be sent in Portuguese and English.<\/strong>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Dates&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1763034388057{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong>Closing date for applications <\/strong>30.11.2025<\/li>\n<li><strong>Results<\/strong> december 2025<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Timetable&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1746136400634{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Monday to Friday from 10h00 to 17h00. This timetable is indicative only and may be subject to change.<\/p>\n<p>An outline of the work schedule will be sent to the group of people selected before the programme begins.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Applications&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1762949115222{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Elements to send:<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>A brief CV, a photo of yourself and a portfolio.<\/li>\n<li>A brief motivation letter<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;.vc_custom_1750933443191{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<strong>! IMPORTANT NOTE !<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>The links sent must provide <strong>direct access to online viewing<\/strong> of the files (Youtube, Vimeo, etc.).[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Selection process&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1750847522148{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<strong>1. Application stage<\/strong><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Fill in the application form on the Forum Dan\u00e7a website<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>2. Auditions stage<\/strong><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Auditions can be held in person at Espa\u00e7o da Penha or, if you are outside Europe, online via the Zoom app<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;.vc_custom_1750844368340{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Tuition fees&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1769435493873{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong>Registration<\/strong>: 200\u20ac;<\/li>\n<li><strong>Payment in full:<\/strong> 2000\u20ac; (\u20ac1,000 for scholarship recipients with a 50% discount)<\/li>\n<li><strong>Payment in two instalments:<\/strong> 1100\u20ac x 2.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Scholarships&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1765546249106{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Scholarships assigned:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>2 scholarships offering a 50% reduction of the tuition fees.<\/li>\n<li>1 scholarship offering 100% reduction of the tuition fees, aimed at artists from Portuguese Speaking African Countries or Black artists living in Portugal.<\/li>\n<li>Artists residing in Portugal are eligible for up to 50% reduction of the tuition fees through scholarships given out by the GDA Foundation (In cases where the applicant is a member of the GDA this increases up to 75%).<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Application form&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1765290252138{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<span style=\"color: #800000;\"><strong><span style=\"color: #ffcc00;\">Important!<\/span><br \/>\n<\/strong><\/span>Applications and all documentation can be sent in Portuguese and English.<\/p>\n<p>All fields are mandatory.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Bios<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Marcelo Evelin&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1713804888093{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33554&#8243; img_size=&#8221;&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<strong>Marcelo Evelin<\/strong> is a dancer, choreographer and researcher. He lives between Teresina and Amsterdam and works in Brazil, Japan and several European countries as an independent artist at the head of the Demolition Incorporada Platform, based at CAMPO, a space for Residence and Resistance in the Performing Arts in Teresina, Piaui. His shows \u2018De Repente Fica Tudo Preto de Gente\u2019, \u2018Batucada\u2019 and \u2018A Inven\u00e7\u00e3o da Maldade\u2019 are currently touring theatres and festivals around the world. He has been teaching at the Amsterdam School of Arts since 1999 and creates projects at universities and masterclasses, including ISAC (Brussels), Reina Sofia Museum (Madrid), EXERCE (Montpellier) and CND (Paris). In 2019 he was awarded the title of Doctor Honoris Causa by the Federal University of Piau\u00ed. In 2020 he created \u2018And Yes, I sad Yes, I will Yes\u2019 for Coroline Eckly\/Compania Carte Blanche (Bergen, Norway), \u2018Drama\u2019 for La Manufacture (Lausanne, Switzerland), \u2018La Nuit Tombe Quand Elle Veut\u2019 (Rennes, France) in collaboration with Latifa Laabissi, and re-presented his solo \u2018ai, ai, ai\u2019 (1995) at the Festival d&#8217;Automne in Paris. In 2022 he recreated the performance event BARRICADA for the Transborda Festival (Almada, Portugal) and premiered UIRAPURU, the latest creation by Plataforma Demolition Incorporada.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Bruno Moreno&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1713804899496{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;33552&#8243; img_size=&#8221;&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]Bruno Moreno was born in 1988 in S\u00e3o Paulo. Since 2018 he has lived between the capital of S\u00e3o Paulo and Teresina\/PI, where he is a resident artist at CAMPO arte contempor\u00e2nea. He has a degree in performing arts from the University of S\u00e3o Paulo and is a performer and choreographer.<\/p>\n<p>Since 2014 he has collaborated with the Marcelo Evelin\/Demolition Incorporada platform. He has collaborated as a performer with choreographers Alejandro Ahmed, Luis Garay, Gustavo Cir\u00edaco and was a member of [pH2]: estado de teatro, where he created works as a performer, director and choreographic director. His creations start from choreography and oscillate between performance, installation and video.<\/p>\n<p>He has taken part in the residency programme at Espa\u00e7o Alkantara (Lisbon), as well as performing at Mostra VERBO (S\u00e3o Paulo). His video works have been shown at the Tiradentes Film Festival (Brazil), the Ann Arbor Film Festival (USA), the Short Waves Festival (Poland), Short Out (Italy), the Accesos magazine of artistic practices at the Reina Sofia Museum (Spain), and are part of the collection of works at the Paran\u00e1 Museum of Contemporary Art. He was one of the resident artists on the PIV\u00d4 Research 2024 programme.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Participants<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]Abdulay Bragan\u00e7a Dias (ST), Bruna Danesi (BR), Camila Delgado (CH), D\u00e9borah Alessandra Soares (BR), Federico Brocal (UY), Johanna Sz\u0151ke (HU), Julia Dom\u00ednguez (ES), Manuela Libman (BR), Maria Ramalho (BR), Maria Tamarit (ES), Mel Paiva (PT), Parvin Saljoughi (IR), Paula Otero (BR).[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column offset=&#8221;vc_hidden-lg vc_hidden-md vc_hidden-sm vc_hidden-xs&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>PACAP 9 Activities<\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;-1&#8243; style=&#8221;pagination&#8221; items_per_page=&#8221;8&#8243; element_width=&#8221;3&#8243; gap=&#8221;15&#8243; item=&#8221;23141&#8243; initial_loading_animation=&#8221;none&#8221; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1775484776680-f5664650-b56c-9&#8243; taxonomies=&#8221;1107&#8243;][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Support &amp; Parternships<\/strong><\/h3>\n<p><strong>Coproduction:<\/strong> Teatro do Bairro Alto<\/p>\n<p><strong>Coproduction in Residency PACAP 9:<\/strong> O Espa\u00e7o do Tempo<\/p>\n<p><strong>Support PACAP 9: <\/strong>Alkantara | Casa da Dan\u00e7a \u2013 Almada | Funda\u00e7\u00e3o GDA | OPART, E.P.E\/Est\u00fadios Victor C\u00f3rdon | O Rumo do Fumo | Piscina[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner][vc_single_image image=&#8221;36111&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Marcelo Evelin<\/p>\n","protected":false},"author":15,"featured_media":33550,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[301,269,7,311,299,253,1108,303],"tags":[],"class_list":["post-33572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-advanced-training","category-blog-en","category-agenda-en","category-highlights","category-history","category-pacap-en","category-pacap9-en","category-training"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=33572"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/33550"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=33572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=33572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=33572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}