{"id":33169,"date":"2020-04-07T12:24:11","date_gmt":"2020-04-07T11:24:11","guid":{"rendered":"https:\/\/www.forumdanca.pt\/palestra-a-minha-historia-da-danca-por-christine-de-smedt\/"},"modified":"2025-03-12T02:13:24","modified_gmt":"2025-03-12T02:13:24","slug":"palestra-a-minha-historia-da-danca-por-christine-de-smedt","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/palestra-a-minha-historia-da-danca-por-christine-de-smedt\/","title":{"rendered":"Christine de Smedt"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h5>Online lecture, video conference via APP ZOOM*<br \/>\n20 April 2020, at 18:30 | Approximate duration: 2 hours<\/h5>\n<p>*Prior installation of the APP is required to access the online video conference.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;&#8221;]Christine de Smedt (1963). Her artistic work ranges from dance\/performance to choreography, coordination, organisation and curation of artistic projects.<br \/>\nShe was a member of the company Les Ballets C. de la B. (Ghent, Belgium) from 1991 to 2012; he has created his own work since 1993: the solo \u2018La force fait l&#8217;union, fait la force\u2019; \u2018Escape Velocity\u2019 an itinerant project in the Balkans (1998), \u20189&#215;9\u2019 a large-format, large-scale choreography (2000-2005); and \u2018Four Choreographic Portraits\u2019 (2012) a series of performance portraits of different artists, entitled \u2018I would leave a signature\u2019, \u2018The son of a priest\u2019, \u2018A woman with a diamond\u2019 and \u2018Self-reliance\u2019.<br \/>\nShe collaborated for several years with Meg Stuart &#8211; Damaged Goods (1995-1999) and with M\u00e5rten Sp\u00e5ngberg, Mette Edvardsen, Philipp Gehmacher, Vladimir Miller, Jan Ritsema, Myriam Van Imschoot, Xavier Le Roy, among others.<br \/>\nSince 2003 she has collaborated and performed in Xavier Le Roy&#8217;s \u2018Low Pieces\u2019 and \u2018Temporary Title, 2015\u2019 projects, and in Mette Ingvartsen&#8217;s \u2018Artificial Nature Project\u2019 choreography (2013-2014). In 2014 she presented \u2018spatial confessions\u2019 with Bojana Cvejic at the Turbine Hall of the Tate Modern (London, UK). Since 2005 she has realised projects with Eszter Salamon, such as \u2018Nvsbl\u2019, \u2018dance#1\/driftworks\u2019, the group project \u2018Transformers\u2019 and \u2018Dance#2\u2019. In 2018 she collaborated with Myriam Van Imschoot on the participatory performance \u2018Splash!\u2019 in the swimming pool presented at Mimosa (Kortrijk, Belgium).<br \/>\nShe curated a Summer Intensive artist residency project in 2010 and 2011. She was the Pedagogical Coordinator of the Performing Arts Training Studios &#8211; P.A.R.T.S. (2013-2016), where she continues to be involved as a mentor and member of the teaching staff. Since 2016 she has also been teaching at KASK (Ghent, Belgium).<br \/>\nShe currently collaborates with Xavier Le Roy, does artistic assistance for Mette Ingvartsen in \u2018Moving In Concert\u2019, and for Eszter Salamon in \u2018Heterochrony, Manifestations\u2019, and is developing a project on violence, based on interviews and performative reflections from different areas of society.<\/p>\n<p>&nbsp;<\/p>\n<p>Photo: \u00a9 Chris Van Der Burght<\/p>\n<p>&nbsp;<\/p>\n<p>Acknowledgements: Jo\u00e3o dos Santos Martins.<br \/>\nForum Dan\u00e7a is supported by the Calouste Gulbenkian Foundation.[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Online lecture \u2018My History of Dance\u2019, Christine de Smedt, 20 April 2020, 18.30. <\/p>\n","protected":false},"author":15,"featured_media":26070,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[269,7,327,299,267],"tags":[],"class_list":["post-33169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","category-agenda-en","category-documentation","category-history","category-amhd-cdoc-en"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=33169"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33169\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/26070"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=33169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=33169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=33169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}