{"id":33037,"date":"2025-03-07T00:23:20","date_gmt":"2025-03-07T00:23:20","guid":{"rendered":"https:\/\/www.forumdanca.pt\/ctr_expandida\/"},"modified":"2025-10-10T12:11:25","modified_gmt":"2025-10-10T11:11:25","slug":"ctr_expandida","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/ctr_expandida\/","title":{"rendered":"CTR_expanded"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4>5 one-week workshops<\/h4>\n<h4>After work, from 6pm to 9pm<\/h4>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]Between March and July, we will organise five workshops lasting one week each, facilitated by artist-researchers who have collaborated with Jo\u00e3o Fiadeiro for many years.[\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;&#8221;]<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Carolina Campos \/ 28 April to 2 May<\/li>\n<li>Daniel Pizamiglio \/ 26 to 30 May<\/li>\n<li>Gustavo Sumpta \/ 23 to 27 June<\/li>\n<li>Cl\u00e1udia Dias \/ 28 July to 1 August<\/li>\n<li>M\u00e1rcia Lan\u00e7a \/ 22 to 26 September<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Together, these artists cover three major periods of systematisation and processing of this tool over the last 25 years:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>2000s: <strong>M\u00e1rcia Lan\u00e7a<\/strong>, <strong>Cl\u00e1udia Dias<\/strong> and <strong>Gustavo Sumpta<\/strong> participated intensively in the first phase of experimentation and application of Real-Time Composition, at a time when the tool was mainly geared towards the practice of artistic creation;<\/li>\n<li>First half of the 2010s: <strong>Carolina Campos<\/strong> and <strong>Daniel Pizamiglio<\/strong> were extremely involved in the second phase of research into Real-Time Composition, at a time when the tool was being worked on not as a means to an end, but as an end in itself.<\/li>\n<li>Mid-2010s and early 2020s: <strong>M\u00e1rcia Lan\u00e7a<\/strong> returns to join <strong>Carolina Campos<\/strong> and <strong>Daniel Pizamiglio<\/strong> to begin the third phase of this long investigation, at a time when, at the same time as returning to artistic creation, we began to devote a lot of attention to transmission and sharing processes.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Over time, each of us, in our own way, has appropriated this tool, expanding its applications and scope, producing different variables and ways of sharing and experimenting with this practice.[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; thickness=&#8221;2&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_empty_space height=&#8221;20px&#8221;][vc_video link=&#8221;https:\/\/vimeo.com\/1065395734&#8243; align=&#8221;center&#8221; css=&#8221;&#8221;][vc_empty_space height=&#8221;40px&#8221;][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; thickness=&#8221;2&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4>Proposals<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;M\u00e1rcia Lan\u00e7a&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1687372899171{padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;26215&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]\u2018And now?\u2019 This is the question I ask in my CTR practice when a gap opens up, a cliff, when that instant opens up in which it is no longer what we thought it was and it is not yet what it will be. I propose to study it by mapping the presence of that instant, when the ground disappears from under your feet, in relation to the possibilities of the direction of action.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;.vc_custom_1741626558161{padding-left: 25px !important;}&#8221;]<strong>M\u00e1rcia Lan\u00e7a<\/strong> was born in Beja and lives in Lisbon. In 2008 she founded VAGAR, of which she is artistic director. She has worked as a choreographer and performer in various collaborative configurations.<br \/>\nShe moves in territories where the boundaries between the fictional and the real are tenuous and diffuse. Her interest in the poetic materiality of concrete actions and tasks is at the centre of her creative processes.<br \/>\nShe is passionate about emerging collective compositions, thought as action and situated constructions.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Carolina Campos&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1687372899171{padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;26211&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]This workshop is an invitation to exercise states of attention where listening and participation can lead us to the construction of collective artistic events. Using tools that I develop in accompaniment and dramaturgy processes, we will practice situations for: becoming aware of the groupings of vibrant materials in which we are already immersed; listening to the desire to enter into a relationship with these materials; and organising these events as an invitation to a specific path of attention. One of the starting points for this sharing will be the relationship between the word and performativity. Understanding the word as matter and as an interface for reorganising time and space collectively, we will practice situations that reflect the following questions: What fits inside a word? What words fit inside an image? How do words make place, presence and duration? What are the distances between what is seen, what is said and what happens?<\/p>\n<p>&nbsp;<\/p>\n<p>I&#8217;ve been involved in research into Real-Time Composition since 2012, having worked with Jo\u00e3o Fiadeiro in workshops, creating pieces and researching and systematising the tool. I currently dedicate myself to artistic accompaniment, dramaturgy and experimentation with pedagogies, activities that are directly and indirectly crossed by CTR.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;.vc_custom_1741626600323{padding-left: 25px !important;}&#8221;]<strong>Carolina Campos<\/strong> is Brazilian and lives between Lisbon and Barcelona.<br \/>\nShe completed the Independent Studies Programme at the Barcelona Museum of Contemporary Art.<br \/>\nIn Brazil she worked with Lia Rodrigues Cia de Dan\u00e7as between 2008 and 2011.<br \/>\nSince 2013 she has collaborated intensively with Jo\u00e3o Fiadeiro in the training, creation and research of Real Time Composition.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Daniel Pizamiglio&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1687372899171{padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;26212&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<strong>First nothing, then nothing<\/strong><br \/>\nStopping as a political act.<br \/>\nSlowing down as a gesture of resistance.<br \/>\nPaying attention as a way of opening up possibilities.<br \/>\n\u2018First nothing, then nothing\u2019 is a privileged CTR immersion and expanded practice workshop led by Daniel Pizamiglio. This workshop will emphasise the power of waiting, the value of possibilities within a pre-action space and the work of being.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;.vc_custom_1741626662224{padding-left: 25px !important;}&#8221;]<strong>Daniel Pizamiglio<\/strong> is a Brazilian, queer, migrant choreographer, performer and researcher based in Lisbon. He works in the context of dance and the performing arts in Portugal, exploring notions and practices of encounter, concrete poetry and mourning. Since 2009, he has been researching Real Time Composition with Jo\u00e3o Fiadeiro, exploring different ways of studying, practising and transmitting this methodology internationally. In 2016 she completed the Study, Research and Choreographic Creation Programme at Forum Dan\u00e7a (Lisbon) with the solo \u2018Dan\u00e7a Concreta\u2019. She has collaborated with various artists such as Andreia Pires, Andr\u00e9a Bardawil, Ana Rita Teodoro, Alex Cassal, Cl\u00e1udia Dias, Filipe Pereira, Francisco Thiago Cavalcanti, Gustavo Cir\u00edaco, Jo\u00e3o Fiadeiro, Jo\u00e3o dos Santos Martins, Luis Garay, M\u00e1rcia Lan\u00e7a, Rita Barbosa, Romain Beltr\u00e3o Teule and Vera Mantero. In 2023 he premiered the mourning performance \u2018M\u2019 at Rua das Gaivotas 6, in Lisbon.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Gustavo Sumpta&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1687372899171{padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;32920&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1741626694986{padding-left: 25px !important;}&#8221;]<strong>Gustavo Sumpta<\/strong> was born in Luanda (Angola) in 1970. He lives and works between Lisbon and Berlin. He studied History at the Faculty of Letters in Porto. He took the Professional Interpreter&#8217;s Course at the Ballet Teatro Contempor\u00e2neo do Porto. He worked as an assistant and actor in several films by Pedro Costa, including \u2018Cavalo Dinheiro\u2019 (2014), \u2018Juventude em Marcha\u2019 (2006) and \u2018End of the love affair\u2019 (2003). She wrote and performed with choreographer Jo\u00e3o Fiadeiro in the performances \u2018Exist\u00eancia\u2019 (2002) and \u2018Para onde vai a luz quando se apaga\u2019 (2006). She taught sculpture at Ar.co in Lisbon from 2009 to 2013 at the invitation of Rui Chafes, director of the school&#8217;s sculpture programme. He has been working as a visual artist and performer since 1999.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Cl\u00e1udia Dias&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1687372899171{padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;31400&#8243; img_size=&#8221;250&#215;334&#8243; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1741626719693{padding-left: 25px !important;}&#8221;]<strong>Cl\u00e1udia Dias<\/strong> was born in Lisbon in 1972. She is a choreographer, performer and teacher. She began her dance training at the Academia Almadense, was awarded a scholarship at the Companhia de Dan\u00e7a de Lisboa, completed the Contemporary Dance Performers Training Course at Forum Dan\u00e7a, and attended the Master&#8217;s Degree in Performing Arts at the Faculty of Social and Human Sciences, Universidade Nova de Lisboa. She began her work as a performer with the Almada Dance Group. She was a member of the collective Ninho de V\u00edboras. She collaborated with Re.Al and was a central interpreter in Jo\u00e3o Fiadeiro&#8217;s creative strategy and in the development, systematisation and transmission of the Real-Time Composition Technique. She created the pieces Feedback, E.U. (entrevista-me urgentemente), Juntem-se 2 a 2, As \u00e1guias n\u00e3o geram pombas, Per Ti, Histo, One Woman Show, Visita Guiada, Das coisas nascem coisas, Vontade de ter Vontade, 23 + 1 and Nem tudo o que dizem tem de ser feito nem tudo o que fazemos tem de ser dito. She was an associate artist at Re.Al and Espa\u00e7o do Tempo and a resident artist at Alkantara. She has published texts in the magazines Boa Uni\u00e3o and Woman On Scene and in the books Correspondencias.Bad and Escenas do Cambio. Awarded by the Portuguese Arts and Ideas Club in the Young Creators competition, 1998. Nominated for the Best Choreography Award in 2013 and 2017 by the Portuguese Society of Authors. Since 2016 she has been developing the project Sete Anos Sete Pe\u00e7as (Seven Years, Seven Pieces), accumulating functions of direction, creation, interpretation and training. She created the association Sete Anos.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4>Information<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]Select each of the sections below to find out more about the workshops and the enrolment process.[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Who it&#8217;s for&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1741628648937{padding-left: 25px !important;}&#8221;]The workshops are primarily aimed at artists with some experience but are also open to anyone who identifies with the premises of the proposal and feels available and comfortable to experiment with composition and improvisation practices with the body. [\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Schedule&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1741628508210{padding-left: 25px !important;}&#8221;]All workshops take place after working hours, from 18h00 to 21h00.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Venue&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1687372197980{padding-left: 25px !important;}&#8221;]Forum Dan\u00e7a \/\u00a0Espa\u00e7o da Penha<br \/>\nTravessa do Calado, 26B<br \/>\n1170-070 Lisboa[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Participation fee&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1741630235584{padding-left: 25px !important;}&#8221;]Entries will be accepted on a first-come, first-served basis. Although participation in these workshops can take place independently, they have been designed to be articulated, like different sides of a cube. To have access to Composition in Real Time is, in a way, to have access to these different ways of thinking and practising it. That&#8217;s why we strongly advise you to enrol in more than one workshop by creating a registration fee that is inversely proportional to the number of workshops you enrol in.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>1 workshop = 80\u20ac<\/li>\n<li>2 workshops = 140\u20ac (70\u20ac each)<\/li>\n<li>3 workshops = 180\u20ac (60\u20ac each)<\/li>\n<li>4 workshops = 200\u20ac (50\u20ac each)<\/li>\n<li>5 workshops = 200\u20ac (40\u20ac each \/ fifth workshop free)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Pre-registration&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1741626882559{padding-left: 25px !important;}&#8221;]Pre-registration is done using the form available on our website and will be validated once proof of payment has been received and sent to our email address.[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;.vc_custom_1741627199260{padding-left: 25px !important;}&#8221;]<\/p>\n<h4><strong>Registration process<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<ol>\n<li>Pre-register online using the form provided;<\/li>\n<li>Wait for our email with payment instructions;<\/li>\n<li>Pay your registration fee as indicated in the email sent to you;<\/li>\n<li>Send us proof of payment to our email address;<\/li>\n<li>Your registration will only be validated once we have received your receipt.<\/li>\n<\/ol>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Application form&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1741626954183{padding-left: 25px !important;}&#8221;]All fields are mandatory.[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;.vc_custom_1760094682888{padding-left: 25px !important;}&#8221;][\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;60px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4>General Note<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<strong>For those wishing to take part in any of our CTR transmission and practice programmes<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Even though we are committed to creating a safe place of practice, sustained by a work ethic based on principles of care and mutual respect, the experience of improvisation and performance, by definition, can take performers to places of intense sharing, often vulnerable and emotionally charged, where doubt and error have a prominent place. When signing up, bear in mind that in this practice you may find yourself in situations of experimentation that shake up your comfort zones, even if only temporarily.[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>TECER activities<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;-1&#8243; style=&#8221;pagination&#8221; items_per_page=&#8221;8&#8243; element_width=&#8221;3&#8243; item=&#8221;22505&#8243; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1760094669820-2fd7f7a1-319a-5&#8243; taxonomies=&#8221;895&#8243;][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>5 workshops with M\u00e1rcia Lan\u00e7a, Carolina Campos, Daniel Pizamiglio, Gustavo Sumpta and Cl\u00e1udia Dias.<\/p>\n","protected":false},"author":15,"featured_media":32908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[269,7,896,311,543],"tags":[],"class_list":["post-33037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","category-agenda-en","category-ctr-tecer-en","category-highlights","category-ws-ctr-en"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=33037"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33037\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/32908"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=33037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=33037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=33037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}