{"id":33028,"date":"2025-03-06T23:03:45","date_gmt":"2025-03-06T23:03:45","guid":{"rendered":"https:\/\/www.forumdanca.pt\/tecer-ctr-2025\/"},"modified":"2025-10-01T14:10:46","modified_gmt":"2025-10-01T13:10:46","slug":"tecer-ctr-2025","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/tecer-ctr-2025\/","title":{"rendered":"TECER | CTR 2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space][vc_column_text css=&#8221;&#8221;]<strong>Real Time Composition<\/strong> [CTR] is mainly known (and transmitted) as a \u2018tool\u2019 for composition and improvisation, based on the principles and premises that Jo\u00e3o Fiadeiro has been developing since the 1990s, based on his practice as a choreographer, researcher and pedagogue. This dimension, which we can call the \u2018matrix approach\u2019, translates into the establishment of a work ethic and the systematisation of a language, with principles, premises and strict criteria that can be consulted <strong><a href=\"https:\/\/www.forumdanca.pt\/en\/tecer-ctr\/\">here<\/a><\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p>But it also manifests itself in multiple ways, through the way in which different artists, researchers and facilitators have appropriated it, emphasised certain aspects and not others, and extracted possibilities and ways of using it that result in different ways of experiencing it, as a result of their unique experiences and sensitivities to the proposal. This cohabitation of forces (centrifugal and centripetal) to approach the same body of work, as well as having the advantage of feeding back on each other, protects CTR from being \u2018captured\u2019 by the temptation to close itself off or fix itself as a \u2018method\u2019, in the etymological sense of \u2018truth\u2019 or a single path.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4>TECER | CTR<\/h4>\n<p>&nbsp;<\/p>\n<p>The TECER | CTR programme for 2025 will reflect this positioning by offering the artistic community different ways of accessing this tool, both in terms of its multiple contents and through its workloads.[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;32908&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4><strong>CTR_expanded<\/strong><\/h4>\n<p>One-week workshops, after working hours (18h00-21h00)<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Carolina Campos \/ 28 April to 2 May<\/li>\n<li>Daniel Pizamiglio \/ 26 to 30 May<\/li>\n<li>Gustavo Sumpta \/ 23 to 27 June<\/li>\n<li>Cl\u00e1udia Dias \/ 28 July to 1 August<\/li>\n<li>M\u00e1rcia Lan\u00e7a \/ 22 to 26 September<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_btn title=&#8221;More information&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#000000&#8243; custom_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.forumdanca.pt%2Fen%2Fctr_expandida%2F&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;32912&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4><strong>CTR_summer<\/strong><\/h4>\n<p>From 25th to 30th August (14h00-19h00)<\/p>\n<p>&nbsp;<\/p>\n<p>With the participation of M\u00e1rcia Lan\u00e7a and Jo\u00e3o Gon\u00e7alo Lopes, Jo\u00e3o Fiadeiro will lead an intensive CTR workshop focussing on the concept of \u2018prepared space\u2019 (like John Cage&#8217;s \u2018prepared piano\u2019), which will function as a territory for exploring and experimenting with Real-Time Composition.[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_btn title=&#8221;More information&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#000000&#8243; custom_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.forumdanca.pt%2Fen%2Fctr_summer%2F&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;40px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;32296&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4><strong>CTR open sessions<\/strong><\/h4>\n<p>Every Monday (18h00-20h00)<\/p>\n<p>&nbsp;<\/p>\n<p>Sessions open to the community, facilitated by Jo\u00e3o Fiadeiro and M\u00e1rcia Lan\u00e7a.[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_btn title=&#8221;More information&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#000000&#8243; custom_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.forumdanca.pt%2Fen%2Fctr-2025%2F&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;32910&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4><strong>CTR_matrix<\/strong><\/h4>\n<p>From 29th September to 31st October 2025 (14h00-19h00)<\/p>\n<p>&nbsp;<\/p>\n<p>Advanced research and experimentation course with the Real Time Composition tool.[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_btn title=&#8221;More information&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#000000&#8243; custom_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.forumdanca.pt%2Fen%2Fctr_matrix%2F&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h4>General Note<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]<strong>For those wishing to take part in any of our CTR transmission and practice programmes<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Even though we are committed to creating a safe place of practice, sustained by a work ethic based on principles of care and mutual respect, the experience of improvisation and performance, by definition, can take performers to places of intense sharing, often vulnerable and emotionally charged, where doubt and error have a prominent place. When signing up, bear in mind that in this practice you may find yourself in situations of experimentation that shake up your comfort zones, even if only temporarily.[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>TECER activities<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;-1&#8243; style=&#8221;pagination&#8221; items_per_page=&#8221;8&#8243; element_width=&#8221;3&#8243; item=&#8221;22505&#8243; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1759324223257-f5dc6e0d-80ac-8&#8243; taxonomies=&#8221;895&#8243;][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>TECER | CTR &#8211; 2025<\/p>\n","protected":false},"author":15,"featured_media":33083,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[269,7,896,311],"tags":[],"class_list":["post-33028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","category-agenda-en","category-ctr-tecer-en","category-highlights"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=33028"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/33028\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/33083"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=33028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=33028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=33028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}