{"id":31305,"date":"2024-04-12T19:36:45","date_gmt":"2024-04-12T18:36:45","guid":{"rendered":"https:\/\/www.forumdanca.pt\/?p=31305"},"modified":"2025-12-12T14:39:59","modified_gmt":"2025-12-12T14:39:59","slug":"pacap8","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/pacap8\/","title":{"rendered":"PACAP 8 <br>2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>Performing Arts Advanced Programme<\/h3>\n<h3>Meg Stuart<\/h3>\n<h5>From 10th of February to 26th of July 2025<\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><span style=\"color: #71113c;\"><strong>Applications closed.<\/strong><\/span><\/h3>\n<h5><\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<blockquote>\n<h5><span style=\"color: #71113c;\"><em><strong>&#8220;Every new beginning<\/strong><\/em><\/span><br \/>\n<span style=\"color: #71113c;\"><em><strong>leads you to a mystery.<\/strong><\/em><\/span><br \/>\n<span style=\"color: #71113c;\"><em><strong>Every beginning carries<\/strong><\/em><\/span><br \/>\n<span style=\"color: #71113c;\"><em><strong>that potential of the unknown.<\/strong><\/em><\/span><\/h5>\n<h5><span style=\"color: #71113c;\"><em><strong>It relates to how we move,<\/strong><\/em><\/span><br \/>\n<span style=\"color: #71113c;\"><em><strong>how we hear, how we listen,<\/strong><\/em><\/span><br \/>\n<span style=\"color: #71113c;\"><em><strong>how we spend time with something,<\/strong><\/em><\/span><br \/>\n<span style=\"color: #71113c;\"><em><strong>how we see what is around us.&#8221;<br \/>\n<\/strong><\/em><\/span><span style=\"color: #ffffff; background-color: #71113c;\"><strong>Meg Stuart<\/strong><\/span><\/h5>\n<\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Introduction<\/strong><\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>PACAP 8 \/ Mystery School of Choreography<\/strong><br \/>\nConcept and Artistic Direction: Meg Stuart<br \/>\nArtistic Collaboration: Ana Rocha[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Proposal&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1713815160050{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Forum Dan\u00e7a invites choreographer <strong>Meg Stuart<\/strong> as a curator for the <strong>8th edition of PACAP<\/strong> to take place in Lisbon, 2025, who proposes her concept and project <strong>Mystery School of Choreography<\/strong>. For this edition, Meg Stuart has invited <strong>Ana Rocha<\/strong> as artistic collaborator.<\/p>\n<p>&nbsp;<\/p>\n<p>Mystery School of Choreography (<strong>MyS<\/strong>) is an unconventional experimental studies programme for performing artists. It&#8217;s a place where fascination for the metaphysical will be intertwined with composition, choreography, and art making.<\/p>\n<p>&nbsp;<\/p>\n<p>During these six months, from February to July 2025, we will work in the studio at <strong>Forum Dan\u00e7a<\/strong>, in the theatre space at <strong>Teatro do Bairro Alto<\/strong>, in the galleries at <strong>Culturgest<\/strong>, surrounded by nature and far from the Portuguese capital at <strong>O Espa\u00e7o do Tempo<\/strong>, Montemor-o-Novo, and in S\u00e3o Miguel Island, Azores, in <strong>Walk&amp;Talk <\/strong>Biennial. From the indoor space to the street, we will go through these residencies together for reflection and practice.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MyS<\/strong> will consist of encounters with artists who will share their personal cosmology, expertise, and process. Participants will approach <strong>MyS<\/strong> themes through moments of reflection and, above all, through collective moments of performance and dialogue. <strong>MyS<\/strong> proposes to create a space that is not about converting or indoctrinating, but about revealing and creating structures for the process of sharing.<\/p>\n<p>&nbsp;<\/p>\n<p>How can we connect to that knowledge more precisely? By starting from a position of not-knowing. <strong>MyS<\/strong> seeks to cultivate the attitude of the beginner, letting go and shedding expectations. By starting from what fascinates us, we are also practicing a sense of wonder, a lucid dreaming together. We will be guided by nature, cause and effect, energetic transformation, disorientation and divination, sacred geometry, rhythmic visions and voice, alchemy, love and politics, non-locality and quantum physics, deep and inner contemplation.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MyS<\/strong> takes transmission of hidden knowledge and insights, which are not accessible through conventional means, as a foundation of learning and creating art through a shared exploration.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MyS<\/strong> will focus on questions that go beyond purely physical practices and can be explored in a collective dimension, such as:<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><span style=\"color: #71113c;\">How can we foster imagination in ourselves in correlation with our surroundings?<\/span><br \/>\n<span style=\"color: #71113c;\">How can we (re)align our research processes within an interdimensional wonder?<\/span><br \/>\n<span style=\"color: #71113c;\">How can we negotiate and learn from indeterminacy, non-defined corporeal spaces, and invisible realms as much as fictional futures?<\/span><br \/>\n<span style=\"color: #71113c;\">How can we create a more holistic, compassionate understanding of it?<\/span><br \/>\n<span style=\"color: #71113c;\">How do we share fascination?<\/span><br \/>\n<span style=\"color: #71113c;\">How do we value different functions and forms, different kinds of material and research?<\/span><br \/>\n<span style=\"color: #71113c;\">How do we develop and cultivate a fountain of creative collaboration with energies, seen and unseen forces?<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>MyS<\/strong> is a step towards a deeper understanding of learning, practice, and activation of knowledge that is often present in performing arts but not directly addressed. In <strong>MyS<\/strong> we will sketch possibilities for the future of dance and community.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Participants&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1713816491392{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<strong>PACAP 8 \/ MyS<\/strong> programme is designed as a transformative journey. At <strong>MyS<\/strong>, we will work together: environmentally aware, socially engaged, going through metaphysical access to transform deep learning into a political act. We will work together with the body and the voice, with critical perceptive thinking.<\/p>\n<p>&nbsp;<\/p>\n<p>We are looking for experienced professional performance artists open to work in a collective art programme. Makers and dreamers who have a strong interest in the interweaving of the metaphysical and art, with a generosity of spirit, free-thinkers, open for a shared, rigorous and playful exploration of the unknown. <strong>MyS<\/strong> programme looks for participants who have done inner emotional work, grounded, nonconformist, sensitive to other\u2019s processes and highly motivated. Participants are required to be flexible, passionate about improvisation, open to chance procedures and experimental structures.<\/p>\n<p>&nbsp;<\/p>\n<p>During the <strong>MyS<\/strong> programme, be ready to let go of preconceived notions, be willing to trust a collective process and design other possible futures through an experimental, intensive, and rigorous process. Participants will have the opportunity to research and compose in various formats and settings. <strong>MyS<\/strong> is a six-month collaborative programme, where participants will be co-creators and collaborators with nature, forces unknown and invited artists.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Information<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Invited guests&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1729678576761{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<\/p>\n<ul>\n<li>Beno\u00eet Lachambre<\/li>\n<li>CAConrad<\/li>\n<li>Doug Weiss<\/li>\n<li>Gaya de Medeiros<\/li>\n<li>Isabela Santana<\/li>\n<li>Justin F. Kennnedy<\/li>\n<li>Keith Hennessy<\/li>\n<li>M\u00e1rcio Kerber Canabarro<\/li>\n<li>Maria F. Scaroni<\/li>\n<li>Mariana Tengner Barros<\/li>\n<li>Mayfield Brooks<\/li>\n<li>Mieko Suzuki<\/li>\n<li>Odete<\/li>\n<li>Renan Martins<\/li>\n<li>Sigal Zouk<\/li>\n<li>Xullaji<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&#8230; and others to be confirmed.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Language&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1715247849290{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]English will be the official language of the programme.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #800000;\"><strong>Please note!<\/strong><\/span><br \/>\n<strong>Applications must be sent in English.<\/strong>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Dates&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1713815445485{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<\/p>\n<ul>\n<li><strong>Applications deadline<\/strong> 31.05.2024<\/li>\n<li><strong>Results Pre-selection<\/strong> 17.06.2024<\/li>\n<li><strong>Audition Workshop<\/strong> 29.07.2024 &#8211; 03.08.2024<\/li>\n<li><strong>Final Results<\/strong> 30.09.2024<\/li>\n<li><strong>Programme dates<\/strong> 10.02.2025 &#8211; 26.07.2025<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Schedule&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1713815359408{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Intensive and flexible schedule. An overview of the working hours will be sent before the beginning of the programme.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Applications&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1713815618739{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]Elements to be sent:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>CV + 1 photo<\/li>\n<li>3 short video works of your artistic work, including as maker &amp; collaborative projects (Vimeo\/ YouTube link)<\/li>\n<li>1 video of something you never did before<\/li>\n<li>1 motivation letter + 1 MyS score in the form of: e.g. texts or images (2 pgs. max.), inspired by the questions below:<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>What do you dream of learning at MyS?<\/li>\n<li>Who are your heroes, ancestors, and artistic influences?<\/li>\n<li>What does mystery \/ magic mean to you? Define it.<\/li>\n<li>What spiritual experiences inform your artistic work?<\/li>\n<li>It will be a collective space. What skills can you offer a group? What are your special powers? What kind of daily practice do you have, how do you organize yourself?<\/li>\n<li>What keeps you up at night? What topics obsessed you? What do you need to let go of?<\/li>\n<li>Are you comfortable with silence?<\/li>\n<li>What\u2019s love got to do with it?<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;.vc_custom_1713815823988{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<strong>! IMPORTANT NOTE!<\/strong><\/p>\n<p><strong>We do not accept links that require downloading<\/strong> videos.<\/p>\n<p>The links sent must <strong>give direct access to the online visualization<\/strong> of the files (YouTube, Vimeo, etc).<\/p>\n<p>The only files that require downloading that we will accept are the <em><strong>Curriculum vitae, <\/strong><\/em>the <strong>photo<\/strong> and the <strong>motivational letter<\/strong>.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Tuition fees&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1746137532042{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong>Registration<\/strong>: 200\u20ac;<\/li>\n<li><strong>Payment in full:<\/strong> 2000\u20ac;<\/li>\n<li><strong>Payment in two installments:<\/strong> 1100\u20ac x 2.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Please do not let financial concerns prevent you from applying.<\/strong><\/p>\n<p>If the tuition is a cause of concern for you, please include a letter in your application explaining your financial situation.[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Scholarships&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1750932861743{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]There are a few scholarships available:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>2 scholarships offering a 50% reduction of the tuition fees.<\/li>\n<li>1 scholarship offering 100% reduction of the tuition fees, aimed at artists from Portuguese Speaking African Countries or Black artists living in Portugal.<\/li>\n<li>Artists residing in Portugal are eligible for up to 50% reduction of the tuition fees through scholarships given out by the GDA Foundation (In cases where the applicant is a member of the GDA this increases up to 75%).<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Application<\/strong><\/h3>\n<p><strong>Until <span style=\"color: #ff0000;\"><span style=\"color: #71113c;\">31st May<\/span><span style=\"color: #000000;\">\u00a02024<\/span><\/span><\/strong>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Form&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_column_text css=&#8221;.vc_custom_1717400448083{padding-right: 25px !important;padding-left: 25px !important;}&#8221;]<span style=\"color: #800000;\"><strong>Please note!<\/strong><\/span><br \/>\n<strong>Applications and all documentation must be sent in English.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Applications are closed.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Bios<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_accordion&#8221;][vc_accordion_tab title=&#8221;Meg Stuart&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1713804888093{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;31300&#8243; img_size=&#8221;&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]Choreographer, director, and dancer who lives and works in Berlin and Brussels. With her company, Damaged Goods, founded in 1994, she has created over thirty productions, ranging from solos and duets to group pieces, video works, site-specific creations and improvisation projects.<\/p>\n<p>Stuart\u2019s work moves freely between the genres of dance, theater and visual arts, driven by an ongoing dialogue with artists from different disciplines.<\/p>\n<p>Through fictions and shifting narrative layers, she explores dance as a source of healing and a way to transform the social fabric.<\/p>\n<p>Improvisation is an important part of Stuart\u2019s practice, as a strategy to move from physical and emotional states or the memory of them.<\/p>\n<p>Meg Stuart has received many awards for her work, notably the Golden Lion for Lifetime Achievement at the Biennale di Venezia in 2018, and she was a recipient of a Guggenheim Fellowship in 2023.<\/p>\n<p><strong>More informations:<\/strong> <a href=\"https:\/\/damagedgoods.be\" target=\"_blank\" rel=\"noopener\">www.damagedgoods.be<\/a>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][vc_accordion_tab title=&#8221;Ana Rocha&#8221; title_color=&#8221;#000000&#8243; background_color=&#8221;#eeeeee&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1713804899496{padding-right: 25px !important;padding-left: 25px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;31298&#8243; img_size=&#8221;&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]Curator, choreographer, performer, playwright, and a teacher. She has been a producer of visual arts, music and performing arts (theatre\/contemporary dance), and also works as a production manager for cultural projects.<\/p>\n<p>&nbsp;<\/p>\n<p>She mediates in the field of Culture and the Arts, creating a research language of artistic and socio-political action engaged in the potential development of the creative process and its context.<\/p>\n<p>&nbsp;<\/p>\n<p>Ana operates in fields of multiplicity and cultural diversity, co-relating points of reflection and transition, by accompanying and consulting institutions, non-profit organizations, artistic collectives, and national and international creators.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_accordion_tab][\/vc_accordion][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Participants<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;&#8221;]Ana Szopa (PL), Ant\u00f3nio Bolla\u00f1o (PT), Arash Khakpour (IR), Emily da Silva (BR), Guillermo Tarasewicz (UY), Isabela Rossi (BR\/IT), iSaAc iSaBeL Espinoza Hidrobo (EC), Julia Kosa\u0142ka (PL), Kaya Freeman (PT), Mar\u00eda Ibarretxe (ES), Martha Kotsia (GR), Michiru Shin (JP), Natacha Campos (PT), Raul Aranha (IN), Salom\u00e9 Pham-Van-Hu\u00e9 (FR), Sepideh Khodarahmi (SE\/IR), \u015aomi \u015aniegocka (PL), Therese Bendjus (DE) and Tiago Vieira (PT).[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_btn title=&#8221;BIOGRAPHIES&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#000000&#8243; custom_text=&#8221;#ffffff&#8221; shape=&#8221;square&#8221; size=&#8221;lg&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.forumdanca.pt%2Fen%2Fparticipantes-pacap8%2F|title:Participants%20PACAP%208&#8243;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>PACAP 8 Activities<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;-1&#8243; style=&#8221;pagination&#8221; items_per_page=&#8221;8&#8243; element_width=&#8221;3&#8243; gap=&#8221;15&#8243; item=&#8221;23141&#8243; initial_loading_animation=&#8221;none&#8221; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1754074000152-0a765edc-e971-10&#8243; taxonomies=&#8221;750&#8243;][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>PACAP 8 \/ Mystery School lectures<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;-1&#8243; style=&#8221;pagination&#8221; items_per_page=&#8221;8&#8243; element_width=&#8221;2&#8243; item=&#8221;22505&#8243; initial_loading_animation=&#8221;none&#8221; css=&#8221;&#8221; grid_id=&#8221;vc_gid:1754074000153-9186f1b5-da5c-10&#8243; taxonomies=&#8221;888&#8243;][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong>Support and Partnerships<\/strong><\/h3>\n<p><strong>Co-Production PACAP 8:<\/strong> Culturgest | Teatro do Bairro Alto | Anda &amp; Fala | Walk e Talk | Goethe-Institut Portugal, in the scope of <em>Kulturfest<\/em> festival.<\/p>\n<p><strong>Co-producer in Residency PACAP 8:<\/strong> O Espa\u00e7o do Tempo<\/p>\n<p><strong>Support PACAP 8: <\/strong>Alkantara | Casa da Dan\u00e7a \u2013 Almada | Funda\u00e7\u00e3o GDA | Kees Eijrond Foundation | OPART, E.P.E\/Est\u00fadios Victor C\u00f3rdon | O Rumo do Fumo | Piscina[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner][vc_single_image image=&#8221;33352&#8243; img_size=&#8221;&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;40px&#8221;][vc_column_text css=&#8221;&#8221;]Top image credits \u00a9 Vitorino Coragem<\/p>\n<p>[&#8220;Archives for future Spells&#8221;, Culturgest 2025][\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Meg Stuart<\/p>\n","protected":false},"author":15,"featured_media":34221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[301,269,7,311,299,253,751,303],"tags":[],"class_list":["post-31305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-advanced-training","category-blog-en","category-agenda-en","category-highlights","category-history","category-pacap-en","category-pacap8-en","category-training"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/31305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=31305"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/31305\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/34221"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=31305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=31305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=31305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}