{"id":26752,"date":"2022-04-05T01:00:52","date_gmt":"2022-04-05T00:00:52","guid":{"rendered":"https:\/\/www.forumdanca.pt\/?p=26752"},"modified":"2022-04-15T16:22:19","modified_gmt":"2022-04-15T15:22:19","slug":"delirium-deviations","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/delirium-deviations\/","title":{"rendered":"delirium, deviations"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<h3>Carolina Canteli (BR), Leonardo Shamah (BR) and Ves Liberta (PT)<\/h3>\n<p>[\/vc_column_text][vc_column_text]<strong>Espa\u00e7o da Penha | 15 and 16 of April<\/strong><\/p>\n<p><strong>Day 15 |\u00a017h00<\/strong>\u00a0<em>to move a fixed certainty<\/em> | Carolina Canteli (BR)<strong> &#8211; <span style=\"color: #ff0000;\">sold out<\/span><\/strong><br \/>\n<strong>Day 16 |\u00a017h00<\/strong>\u00a0<i>Softening\u00a0the Bones<\/i> | Ves Liberta (PT)<strong> &#8211; <span style=\"color: #ff0000;\">sold out<\/span><\/strong><br \/>\n<strong>Day 16 |\u00a019h30<\/strong>\u00a0<em>plucking the dog\u2019s teeth<\/em> | Leonardo Shamah (BR)[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]From zones\/corps of performative studies that bring together somatic education practices, walks and oracular delusions, we make ourselves available to research states of perception to the subtle and invisible that nourish existence with enchantments and ecosystem approaches.<\/p>\n<p>&nbsp;<\/p>\n<p>In the middle of the process, we shared with the community the workshop Ec\u00f3tones &#8211; Study Zones in Performative Creation, and at the end of the process, we invited the public to three experiences with variations in duration, place, and relationship:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><em>to move a fixed certainty<\/em>, by Carolina Canteli<\/li>\n<li><em>Softening the Bones<\/em>, by Ves Liberta<\/li>\n<li><em>plucking the dog\u2019s teeth<\/em>, by Leonardo Shamah<\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<strong>Carolina Canteli<\/strong> is driven by the desire to investigate art as a moving matter, a meeting point between the intimate field and the public sphere. She currently lives in Lisbon and already realizes the impact that the city has on her, experiencing a landscape-body of horizons and views of the river. She is in the context of artist researchers in PACAP 5, while following her solo authorial work and as a director and performer at Grupo MEIO.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Leonardo Shamah<\/strong> (*1981 &#8211; BRAZIL).\u00a0Degree in Performing Arts from the University of Bras\u00edlia (UnB).\u00a0Artist\/Professor of Theatre and Performance busy writing, cutting\/pasting and walking.\u00a0Studies Movement, Daily Life (artevida) and Spatialities in processes of performative artistic creation. Since 2000, manifests as Drag Queen.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ves Liberta<\/strong> (1998) studied dance at Escola O Corpo Da Dan\u00e7a in Torres Novas, at ESD in Lisbon and at the expanded contemporary dance program at AHK in Amsterdam. Worked with Ana Borralho and Jo\u00e3o Galante, Raimund Hoghe, Pedro Barreiro, Leonor Lopes and Dinis Machado. Studied the BioCh\u00e1 method with author Z\u00e9lia Sakai. As a creator, has developed work in the areas of performance and poetry, focusing on themes such as Empathy, Queerness, Inheritance and Contamination.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; thickness=&#8221;3&#8243; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h2><strong>to move a fixed certainty<\/strong><\/h2>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<h4><strong>Carolina Canteli (BR)<\/strong><\/h4>\n<p>[\/vc_column_text][vc_column_text]<strong>Piece Length<\/strong> 45\u00a0min (aprox.) &#8211; <strong><span style=\"color: #ff0000;\">sold out<\/span><\/strong><\/p>\n<p><strong>Espa\u00e7o da Penha | <\/strong><strong>Day 15 | 17h00, 17h45 and 18h30<\/strong><\/p>\n<p>This work consists of an outdoor route, at the indicated times, with a maximum capacity of 8 people per route.<br \/>\nAdvance booking will be required to\u00a0<strong><a href=\"mailto:forumdanca@forumdanca.pt\">our email<\/a><\/strong>.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text]<em>to move a fixed certainty<\/em> is a walk that softens the concrete. It is a deformation of the hardness of urban life from the relationship between listening to a thought in words and walking the curves of the streets, observing the events &#8211; banal and performative, arranged in the path of a block. From the reflection of a small mirror in the hands of those who arrive to experience the performance, together with an audio transmission and small insinuations of the artist&#8217;s gestures along the way, a crack is opened to perceive public life united to the notion of intimacy, coexisting with the perception that there is much in movement, between a bit of asphalt and a bit of sky.[\/vc_column_text][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<strong>Direction and artistic creation<\/strong> Carolina Canteli<\/p>\n<p><strong>Co-creation<\/strong> V\u00e9s Liberta and Leonardo Shamah<\/p>\n<p><strong>Artistic collaboration<\/strong> Roberto Dag\u00f4[\/vc_column_text][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h4><strong>ACKNOWLEDGEMENTS<\/strong><\/h4>\n<div>\n<p>Lisa Nelson. Bibi Doria and Lucas Damiani. The institutions F\u00f3rum Dan\u00e7a and O Rumo do Fumo. To my group, to all the artists participating in PACAP 5 and collectives\/guest artists from Block I and II. The artist-curators of the program. To the residents, workers and passersby from the outskirts of Penha de Fran\u00e7a.<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<strong>Image Credits<\/strong> \u00a9 Lucas Damiani (2022)[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; thickness=&#8221;3&#8243; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h2><strong>Softening the Bones<\/strong><\/h2>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<h4><strong>Ves Liberta (PT)<\/strong><\/h4>\n<p>[\/vc_column_text][vc_column_text]<strong>Piece\u00a0<\/strong><b>Length<\/b>\u00a014 min (aprox.)\/each<\/p>\n<p><strong>Espa\u00e7o da Penha | <\/strong><strong>Day 16 | Between 17h00 and 18h45 &#8211; <span style=\"color: #ff0000;\">sold out<\/span><\/strong><\/p>\n<p>This work consists of several individual meetings lasting 14 minutes each and will take place between 17h00 and 18h45.<br \/>\nAdvance booking will be required to\u00a0<a href=\"mailto:forumdanca@forumdanca.pt\"><strong>our email<\/strong><\/a>.[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text]<\/p>\n<div>\n<p class=\"TableParagraph\"><span lang=\"EN-US\">In a steam.<br \/>\nCarry mineral cuddles in the bones, paws and teeth.<br \/>\nI lay in the middle of the street; everything surrounds me inside of us.<br \/>\n<\/span>Chest hair breaks and create cocoons.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"TableParagraph\">This performance is watched and imagined by one person at a time. Sign up to participate.<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<strong>Creation and performance<\/strong> Ves Liberta<\/p>\n<p><strong>Collaboration, co-creation and performance<\/strong> Carolina Canteli e Leonardo Shamah[\/vc_column_text][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h4><strong>ACKNOWLEDGEMENTS<\/strong><\/h4>\n<div>\n<p>Carolina Campos, M\u00e1rcia Lanza and all participants in the Ec\u00f3tone workshop.<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<strong>Image Credits\u00a0<\/strong>\u00a9 Ves Liberta (2021)[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; thickness=&#8221;3&#8243; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h2><strong>plucking the dog\u2019s teeth <\/strong><\/h2>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<h4><strong>Leonardo Shamah (BR)<\/strong><\/h4>\n<p>[\/vc_column_text][vc_column_text]<strong>Piece\u00a0<\/strong><b>Length<\/b>\u00a060 min (aprox.)<\/p>\n<p><strong>Espa\u00e7o da Penha | <\/strong><strong>Day 16 | 19h30<\/strong>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text]<em>plucking the dog\u2019s teeth<\/em> is a performative program in conversation that hopes to slow impulses, postpone ends, not know with.<\/p>\n<p>This conversation is guided by choosing invitation cards that will beckon to the trails to the wild that appears with the twilight.<\/p>\n<p>This is an opening of a research process in creation supported by geography poetics, migratory dramaturgies, and perspectives that summon imagination, dreams, and sensoriality as ways to experience an encounter with the land. This study gathers:<\/p>\n<ul>\n<li>The developing concept of &#8220;word-closing,&#8221; word as a space of dwelling and displacement;<\/li>\n<li>The presence of the work while we are &#8220;still&#8221; in the process of creation;<\/li>\n<li>The paths between the phatic and the phallic, crossed by a pedagogy of questioning in the invention of worlds.<\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]Leonardo Shamah along with Ves Liberta and Carolina Canteli.[\/vc_column_text][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h4><strong>ACKNOWLEDGEMENTS<\/strong><\/h4>\n<div>\n<p>Beth Lopes, Bruno Silva Resende, Carlos Fino, Carolina Campos, Carolina Martins, Coline Alecian, Daniel Pizamiglio, Denise Fraga, Dora Carvalho, Dudude Herrmann, Elisabete Finger, Gabriel Guir\u00e1, Helen Ramos, Jana\u00edna Moraes, Jo\u00e3o Fiadeiro, Jonathan Andrade, Jorge Loura\u00e7o, Jos\u00e9 de Campos, Jos\u00e9 Maria Pereira, Kamala Ramers, Karina Dias, Katarina Lanier, Kenia Dias, Leonice Paulo, Lisa Nelson, Lipcia, Mafalda Susto, M\u00e1rcia Lan\u00e7a, Tatiana Cotrim, Tatiana Dourado and all participants in the crowdfunding that made this trip possible, in PACAP 5 and in the Ec\u00f3tone workshop.<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_column_text]<strong>Image Credits\u00a0<\/strong>\u00a9 Leonardo Shamah (2022)[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; up=&#8221;40&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h3><strong>PACAP 5 | Bloc 2 Presentations<\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;6&#8243; element_width=&#8221;2&#8243; gap=&#8221;15&#8243; item=&#8221;22505&#8243; initial_loading_animation=&#8221;none&#8221; grid_id=&#8221;vc_gid:1650036062326-0fdaaf17-0ec3-10&#8243; taxonomies=&#8221;422&#8243;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_separator type=&#8221;full_width&#8221; border_style=&#8221;&#8221; thickness=&#8221;2&#8243; down=&#8221;40&#8243; color=&#8221;#000000&#8243;][vc_column_text]<\/p>\n<h3>Support and Partnerships<\/h3>\n<p><strong>PACAP 5 Coproduction:\u00a0<\/strong>Teatro do Bairro Alto<\/p>\n<p><strong>PACAP 5 Support: <\/strong>O Rumo do Fumo, Alkantara, OPART | Est\u00fadios Victor C\u00f3rdon, O Espa\u00e7o do Tempo, Funda\u00e7\u00e3o GDA, Piscina[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;26243&#8243; img_size=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Carolina Canteli, Leonardo Shamah and Ves Liberta: delirium, deviations.<\/p>\n","protected":false},"author":15,"featured_media":26642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,423],"tags":[],"class_list":["post-26752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda-en","category-cycle-pacap5-bloc2"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/26752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=26752"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/26752\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/26642"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=26752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=26752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=26752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}