{"id":26750,"date":"2022-04-05T01:00:31","date_gmt":"2022-04-05T00:00:31","guid":{"rendered":"https:\/\/www.forumdanca.pt\/?p=26750"},"modified":"2022-04-11T10:37:06","modified_gmt":"2022-04-11T09:37:06","slug":"fresh-en","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/fresh-en\/","title":{"rendered":"FRESH"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n

Giovanna Monteiro (BR), Nazario D\u00edaz (ES) and Roberto Dag\u00f4 (BR)<\/h3>\n

[\/vc_column_text][vc_column_text]Piece\u00a0Length\u00a0<\/strong>50 min (aprox.)<\/p>\n

Espa\u00e7o da Penha | 15 and 16 of April | 19h30<\/strong>[\/vc_column_text][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]FRESH is a choreographic study developed from an interest in working with materialities and their latent dramaturgies. Plastic is the raw material with which the performers create a virtual landscape simulator, where mountains and plains take turns in a constant sliding topography. In this universe, body and plastic blur the boundaries between the ideal of “fake” and “natural” until a new organism emerges from this collision.[\/vc_column_text][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]Creation and Performance<\/strong> Giovanna Monteiro, Naz\u00e1rio D\u00edaz and Roberto Dag\u00f4<\/p>\n

Collaboration<\/strong> B\u00e1rbara Cordeiro and Nicole Gomes[\/vc_column_text][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]Giovanna Monteiro <\/strong>(Brazil, 1994) is an actress and performer. Giovanna graduated in Scenic Arts at the University of S\u00e3o Paulo and studied theater at the Escola Superior de Teatro e Cinema de Lisboa. In 2017, together with other artists, Giovanna founded the Comit\u00ea Escondido Johann Fatzer<\/em>, a collective based in S\u00e3o Paulo, and has been working in the collective\u2019s work as creator and performer. As a performer, she has participated in several creations, most notably: “Terra Tu P\u00e1tria” and “Ant\u00edgona Sonora” by Comit\u00ea Escondido, “Iracema Fala” by Nuno Ramos and “Os Fuzis da Senhora Carrar” by Maria Tha\u00eds, and “Marcha \u00e0 r\u00e9” by Teatro da Vertigem. She currently lives in Lisbon to attend PACAP 5 at Forum Dan\u00e7a and has been working on the creation of her first solo project “Tudo que que”.<\/p>\n

\u00a0<\/strong><\/p>\n

Nazario<\/strong> D\u00edaz<\/strong> (Andalusia, Spain) develops his work mainly in the performative arts, focusing on the tension generated between body, gaze and writing. In recent years, he has participated in several collective learning contexts (M\u00e1ster en Pr\u00e1ctica Esc\u00e9nica y Cultura Visual<\/em>, Madrid \/ 2016-2017; PICA, Azala-Vitoria \/ 2018-2019;\u00a0Invitaci\u00f3n<\/em>, Bilbao \/ 2019-2020) that exchange methodologies and tools from dance and living arts. He currently resides between Lisbon and Bilbao, and develops the projects\u00a0Conversation pieces<\/em>, together with the Basque choreographer Isaak Erdoiza, and\u00a0Otro borrado a trav\u00e9s de la insistencia<\/em>, within the framework of the Advanced Program of Creation in Performative Arts, curated by Jo\u00e3o Fiadeiro for Forum Dan\u00e7a \/ Lisbon.<\/p>\n

 <\/p>\n

Roberto<\/strong> Dag\u00f4<\/strong> (Brazil, 1990) is a performer and choreographer. His works articulate body, image, and politics as pillars of creation and research in solo and collective projects and in territories contaminated by practices, languages and materialities. Dag\u00f4 graduated in Visual Arts at the University of Bras\u00edlia (Brazil) and studied Scenography at the Technical University of Lisbon (Portugal). Awarded with the IdEX-Initiatives d’Exellence (Programme “Investissements d’avenir”), he completed a master’s degree Cr\u00e9ation Artistique \/ Arts de la sc\u00e8ne at the Universit\u00e9 Grenoble Alpes (France), in the practice-based-research modality.[\/vc_column_text][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n

ACKNOWLEDGEMENTS<\/strong><\/h4>\n
\n

Daniel Pizamiglio, Pablo Colacce and all PACAP 5 participants.<\/p>\n

Forum Dan\u00e7a team and PACAP curatorial team 5.<\/p>\n<\/div>\n

[\/vc_column_text][vc_empty_space height=”20px”][vc_column_text]Image Credits<\/strong>\u00a0\u00a9 Lucas Damiani (2022)[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n

PACAP 5 | Bloc 2 Presentations<\/strong><\/h3>\n

[\/vc_column_text][vc_empty_space height=”40px”][vc_basic_grid post_type=”post” max_items=”6″ element_width=”2″ gap=”15″ item=”22505″ initial_loading_animation=”none” grid_id=”vc_gid:1649669806173-b569429c-1819-1″ taxonomies=”422″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_separator type=”full_width” border_style=”” thickness=”2″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n

Support and Partnerships<\/h3>\n

PACAP 5 Coproduction:\u00a0<\/strong>Teatro do Bairro Alto<\/p>\n

PACAP 5 Support: <\/strong>O Rumo do Fumo, Alkantara, OPART | Est\u00fadios Victor C\u00f3rdon, O Espa\u00e7o do Tempo, Funda\u00e7\u00e3o GDA, Piscina[\/vc_column_text][vc_empty_space height=”20px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_single_image image=”26243″ img_size=”” qode_css_animation=””][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”80px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Giovanna Monteiro, Nazario D\u00edaz and Roberto Dag\u00f4: Fresh.<\/p>\n","protected":false},"author":15,"featured_media":26650,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,423],"tags":[],"class_list":["post-26750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda-en","category-cycle-pacap5-bloc2"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/26750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=26750"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/26750\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/26650"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=26750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=26750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=26750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}