[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n
[\/vc_column_text][vc_column_text]Piece\u00a0length <\/strong>40 min (aprox.)<\/p>\n Espa\u00e7o da Penha | 12 and 13 of April | 19h00<\/strong>[\/vc_column_text][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n In “one and three ways to touch something”, Sijben Rosa and Bruno Levorin share the question: how to make the absence tactile? They are taken by imagination and use it as a tool to sustain the conversation betweenthe two of them and things. The work invites the audience to look at what is no longer there.<\/span><\/p>\n<\/div>\n [\/vc_column_text][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n Concept, creation, direction, dramaturgy, and performance<\/strong>\u00a0Sijben Rosa and Bruno Levorin<\/span><\/p>\n<\/div>\n [\/vc_column_text][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n Choreographer Bruno<\/b> Levorin<\/b> (Campinas, 1985) has as principle to occupy the spaces with questions and produce systems so that these are sustained in time. His works are also situated within dramaturgy and critical theory, producing, along with choreography, a triad of meanings to say and do with attention and care. <\/span>[website<\/a>]<\/p>\n<\/div>\n <\/p>\n Visual artist Sijben<\/b> Rosa<\/b> (1988, Alkmaar, NL, she\/her) makes sculptures and choreographs situations around them using performative means. Her artistic practice deals with the social, economic, and aesthetic status of objects, contemplating the interplay between objecthood and personhood – a practice that essentially seeks to encourage awareness of one’s position amongst other subjects and other objects.\u00a0<\/span>[website<\/a>]<\/p>\n<\/div>\n [\/vc_column_text][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n This project has the support of Stichting Niemeijerfonds, Gerbrandy Cultuurfonds, Stichting Stokroos and the Mondriaan Fund.[\/vc_column_text][vc_empty_space height=”20px”][vc_column_text]Image Credits<\/strong> \u00a9 Aline Belfort (2022)[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_separator type=”full_width” border_style=”” up=”40″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=”40px”][vc_basic_grid post_type=”post” max_items=”6″ element_width=”2″ gap=”15″ item=”22505″ initial_loading_animation=”none” grid_id=”vc_gid:1649523569314-cf604ca0-e1a6-0″ taxonomies=”422″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_separator type=”full_width” border_style=”” thickness=”2″ down=”40″ color=”#000000″][vc_column_text]<\/p>\n PACAP 5 Coproduction:\u00a0<\/strong>Teatro do Bairro Alto<\/p>\n PACAP 5 Support: <\/strong>O Rumo do Fumo, Alkantara, OPART | Est\u00fadios Victor C\u00f3rdon, O Espa\u00e7o do Tempo, Funda\u00e7\u00e3o GDA, Piscina[\/vc_column_text][vc_empty_space height=”20px”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/2″][vc_single_image image=”26243″ img_size=”” qode_css_animation=””][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”80px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":" Bruno Levorin and Rosa Sijben: One and three ways to touch something.<\/p>\n","protected":false},"author":15,"featured_media":26630,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,423],"tags":[],"class_list":["post-26749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda-en","category-cycle-pacap5-bloc2"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/26749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=26749"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/26749\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/26630"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=26749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=26749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=26749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}ACKNOWLEDGEMENTS<\/strong><\/h4>\n
PACAP 5 | Bloc 2 Presentations<\/strong><\/h3>\n
Support and Partnerships<\/h3>\n