[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n
[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]Title <\/strong>Vulture Realness Invocation or I just can\u2019t be like this with you anymore (video) | Piece Length <\/strong>7 min.<\/p>\n Espa\u00e7o Alkantara | 1 and 2 July<\/strong>[\/vc_column_text][vc_empty_space height=”40px”][vc_column_text]Synopsis<\/strong><\/p>\n The Precipice becomes The Portal leading to The Initiation into The Underworld. For All of Us. Standing Still becomes the only sustainable Movement of the Body through the Breath. What Textures remain in the Ashes of my Unknowing? What are my Values? What do I Stand for now, and again and again? You won\u2019t go down without a Fight. This I know. I surrender.<\/p>\n <\/p>\n Credits<\/strong><\/p>\n Choreographed and performed by <\/strong>randy reyes (US\/GT)<\/p>\n Filmed and edited by <\/strong>Chani Bockwinkel<\/p>\n <\/p>\n Short Bio<\/strong><\/p>\n randy reyes is prioritizing resting, dreaming, healing, and meditation as forms of resisting.<\/p>\n <\/p>\n Acknowledgements<\/strong><\/p>\n Thank you ancestrxs, mentors, friends, and lovers near and far, wherever you are, I believe that the heart does go on.<\/p>\n <\/p>\n Image Credits <\/strong>Hannah Ayasse, Performance Primers, Oakland, CA 2019[\/vc_column_text][vc_empty_space height=”80px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=”80px”][vc_basic_grid post_type=”post” max_items=”18″ element_width=”3″ gap=”15″ item=”22505″ initial_loading_animation=”none” grid_id=”vc_gid:1592866046104-9abf7a4f-612b-1″ taxonomies=”251″][vc_empty_space height=”110px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":" [vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left”…<\/p>\n","protected":false},"author":15,"featured_media":23826,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[251,261],"tags":[],"class_list":["post-23958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cycle-pacap4","category-pacap4-en"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/23958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=23958"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/23958\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/23826"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=23958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=23958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=23958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}PACAP 4 Showings<\/strong><\/h1>\n