{"id":23916,"date":"2020-06-22T20:06:21","date_gmt":"2020-06-22T19:06:21","guid":{"rendered":"https:\/\/www.forumdanca.pt\/?p=23916"},"modified":"2020-06-22T21:17:40","modified_gmt":"2020-06-22T20:17:40","slug":"looking-through-a-sacred-flame","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/looking-through-a-sacred-flame\/","title":{"rendered":"Looking Through a Sacred Flame"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<h2><span lang=\"EN-US\">Isadora Alves (PT)<\/span><\/h2>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<strong>Title <\/strong>Looking Through a Sacred Flame | <strong>Piece Length<\/strong> 40 min.<\/p>\n<p><strong>Espa\u00e7o da Penha | 26 and 27 June| 20h45<\/strong>[\/vc_column_text][vc_empty_space height=&#8221;40px&#8221;][vc_column_text]<strong>Synopsis<\/strong><\/p>\n<p>Interior exterior exterior interior interior exterior exterior, impossible to escape it, inside<\/p>\n<p>and outside, frontier or limit differentiation imagination exterior exterior exterior interior<\/p>\n<p>interior exterior, does it matter, exterior exterior exterior intrans \u2014 Secular, indent.<\/p>\n<p>What has to be broken? What needs to be recovered?<\/p>\n<p>Multiple however one. So it is the admiration for X, Y and Z.<\/p>\n<p>And the eyes, settled on the fold of the horizon, invent another destiny.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Credits<\/strong><\/p>\n<p><strong>Concept and artistic direction <\/strong>Isadora Alves (PT)<\/p>\n<p><strong>Developed and performed by <\/strong>Ana Lib\u00f3rio, Bruno Humberto and Nuno Nolasco<\/p>\n<p><strong>Set <\/strong>Bruno Humberto and Isadora Alves<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Short Bio<\/strong><\/p>\n<p>1996 Lisbon. She develops her own work at the moment. She has worked as an assistant to Felipe Hirsch, Bruno Humberto, Rui de Almeida Paiva and Teatro o Bando. As a performer she participated in shows with Tiago Vieira, Tiago Mateus, Maria Duarte, Jo\u00e3o Rodrigues and Gon\u00e7alo Ferreira de Almeida, Ni\u00f1o Prolet\u00e1rio, Miguel Bonneville, Ant\u00f3nio Pires and Elmano Sancho. In films, she worked as an actress for Pedro Cabeleira, Jo\u00e3o E\u00e7a and Diogo Baldaia. She worked with German artist Jan Brokof on <em>Exotification<\/em> and <em>Hans Staden TV<\/em>. She graduated from ESTC with a diploma in Theatre Studies and now she is about to finish Forum Dan\u00e7a\u2019s PACAP 4 study program. She collaborates currently with Bruno Humberto.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Acknowledgements<\/strong><\/p>\n<p>Gon\u00e7alo Alegria, Latoaria, Julio Alves and all that were part of PACAP4.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Image Credits <\/strong>American Schools of Oriental Research from Shea (2001a)[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<h1><strong>PACAP 4 Showings<\/strong><\/h1>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;80px&#8221;][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;18&#8243; element_width=&#8221;3&#8243; gap=&#8221;15&#8243; item=&#8221;22505&#8243; initial_loading_animation=&#8221;none&#8221; grid_id=&#8221;vc_gid:1592857029939-bf75374a-69c5-1&#8243; taxonomies=&#8221;251&#8243;][vc_empty_space height=&#8221;110px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221;&#8230;<\/p>\n","protected":false},"author":15,"featured_media":23432,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[251,261],"tags":[],"class_list":["post-23916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cycle-pacap4","category-pacap4-en"],"_links":{"self":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/23916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/comments?post=23916"}],"version-history":[{"count":0,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/posts\/23916\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media\/23432"}],"wp:attachment":[{"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/media?parent=23916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/categories?post=23916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forumdanca.pt\/en\/wp-json\/wp\/v2\/tags?post=23916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}