{"id":23897,"date":"2020-06-22T19:16:56","date_gmt":"2020-06-22T18:16:56","guid":{"rendered":"https:\/\/www.forumdanca.pt\/?p=23897"},"modified":"2020-06-22T21:15:46","modified_gmt":"2020-06-22T20:15:46","slug":"pink-noise","status":"publish","type":"post","link":"https:\/\/www.forumdanca.pt\/en\/pink-noise\/","title":{"rendered":"Pink noise"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n

Alina Ruiz Folini (AR)<\/h2>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]Title <\/strong>Pink Noise | Piece Length <\/strong>30 min<\/p>\n

Espa\u00e7o da Penha | 26 and 27 June | 19h50<\/strong>[\/vc_column_text][vc_empty_space height=”40px”][vc_column_text]Synopsis<\/strong><\/p>\n

This voice is a body vibrating within another body. These eyes, I don’t know how to say, have to be there. This tongue echoes by sliding through warm saliva. This dispossessed mouth speaks inwards. The vulva is often said to be a mouth. Mouths, orifices, tongues and hands are allies in lesbian pleasure. Many. The one that looks, the one that sounds, the one that speaks. A word and the roar that deforms it. A sound and the saliva wrapping it. The claw is still on the knee and everything looks like AAAAAAuuuu and everything does like B\u00faOB\u00faOB\u00faO like gRRRRRRRRRR. The voice is thrown towards that other space in the back, in the ancient brain, towards the occipitals. And there everything does HHUUUUUUUMMMM.<\/p>\n

 <\/p>\n

Credits<\/strong><\/p>\n

Conception and performance<\/strong> Alina Ruiz Folini (AR)<\/p>\n

 <\/p>\n

Short Bio<\/strong><\/p>\n

Alina Ruiz Folini (Argentina) is an artist and researcher. Her work moves between choreography, dance and curatorial practices. Master in Scenic Practice and Visual Culture from the UCLM \/ Reina Sof\u00eda National Art Museum 2017-2018. Co-directs ARQUEOLOGIAS DEL FUTURO – International Festival of Performing Arts in Buenos Aires. Co-creates TACTILE Project with Leticia Scrkycky. She is a dancer in the Trilog\u00eda Antropof\u00e1gica<\/em> and the Serie Canibal<\/em>directed by Tamara Cubas (UY). She is based in Lisbon.<\/p>\n

 <\/p>\n

Acknowledgements<\/strong><\/p>\n

Carolina Campos, Ibon Salvador, Isis Andreatta, Sara Marques, Nat\u00e1lia Mendon\u00e7a, Christine De Smedt and Sui\u00e1 Ferlauto.<\/p>\n

 <\/p>\n

Image Credits <\/strong>video still from Alina Ruiz Folini[\/vc_column_text][vc_empty_space height=”80px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n

PACAP 4 Showings<\/strong><\/h1>\n

[\/vc_column_text][vc_empty_space height=”80px”][vc_basic_grid post_type=”post” max_items=”18″ element_width=”3″ gap=”15″ item=”22505″ initial_loading_animation=”none” grid_id=”vc_gid:1592856705229-232bbf41-0a46-8″ taxonomies=”251″][vc_empty_space height=”110px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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